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Union Internationale de la Marionnette

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UNIMAGAZINE

Last updated: 10-09-2025

UNIMAGAZINE 

Published by UNIMA with the dedication of a committed international editorial committee, UNIMAGAZINE features over 40 articles contributed by puppet magazines and National Centres from across Africa, the Americas, Asia, Europe, and Oceania.

Spanning 200 pages, the magazine is structured around four key themes—Origins, Languages, Medium, and Territories—each offering unique insights, stories, traditions, exchanges, and perspectives on the art of puppetry worldwide.

From Brazil to Uganda, Iceland to Canada, the Philippines to New Zealand, and many other countries, UNIMAGAZINE invites you to explore global puppetry through a rich mosaic of voices. It also includes portraits of prominent figures recognized by UNIMA, as well as a non-exhaustive international directory.

UNIMAGAZINE is proposed as a digital download with free participation possible and as a print edition available for purchase in English, and soon in French, and Spanish.

If you are interested in purchasing a copy for yourself, for members of your National Centre, for your bookshop, or for your Documentation Centre, please complete the form at the link below:

ORDER THE PRINT VERSION

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DOWNLOAD PDF VERSION


SINGLE PAGE VIEW TWO-PAGE SPREAD

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PRICING INFORMATION FOR A PAPER VERSION


To promote greater equity among countries, the price of the UNIMAGAZINE is categorized according to Gross National Income (GNI) per capita, based on the classification used in UNIMA’s membership fee regulations:

  • Group 1: GNI above €30,000 → €15

  • Group 2: GNI between €10,000 and €29,999 → €11

  • Group 3: GNI below €10,000 → €7

To determine your country’s group, please refer to the World Bank data here:
👉 https://data.worldbank.org/indicator/NY.GNP.PCAP.PP.CD

Please note: Shipping costs are the responsibility of the buyer and will be calculated at the time of shipment.

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SUPPORT FOR THE PROJECT’S FUNDING

 


TEAM

Editorial Committee: Alessandra Amicarelli (Italy – puppeteer and publisher in the field of puppetry), Ana Díaz Barriga (Mexico – puppeteer and researcher), Mihail Baykov (Bulgaria – Kuklart), Emmanuelle Castang (France – UNIMA and former Manip), Yejin Choi (Republic of Korea – UNIMA Korea), Frans Hakkemars (Netherlands – Puppetry Publication Online subcommittee), Maryam Iranmanesh (Iran – Soore University), Alejandro Jara Villaseñor (Mexico/Venezuela – UNIMA Mexico / Titeroterapia), Dorina Kinga Szabó (Hungary – applied puppetry practitioner), Katarina Klančnik Kocutar (Slovenia – chair of the UNIMA Publication Commission), Evelyne Lecucq (France – historian and researcher), Susy López (Mexico – Susy López Títeres/La Hoja Titiritera), Alissa Mello (United States – Puppetry International), Vincent Ranallo (Canada – Revue Marionnette), Padmini Rangarajan (India – Steparc/Puthalika Patrika), Franziska Vömel (Germany – Unima D/Das Andere Theater)

Publisher: UNIMA – Karen Smith, President

General coordination: Emmanuelle Castang

Editorial coordination: Alessandra Amicarelli, Mihail Baykov, Emmanuelle Castang, Frans Hakkemars

Artistic direction, graphic design, and illustrations: Astrid Mendez – www.astridmendress.com

Continental groups responsible for data collection and monitoring by region (contact persons)

Africa: Gilbert Agbevide, Alessandra Amicarelli, Emmanuelle Castang

America: Ana Díaz Barriga, Susy López, Alejandro Jara Villaseñor

Asia-Pacific: Yejin Choi, Maryam Iranmanesh, Padmini Rangarajan, Franziska Vömel

Europe: Mihail Baykov, Emmanuelle Castang, Evelyne Lecucq, Susy López, Katarina Klančnik Kocutar

Proofreading of the French version: Alessandra Amicarelli, Emmanuelle Castang, Evelyne Lecucq, Vincent Ranallo

Portraits: Karen Smith, Irina Niculescu, Evelyne Lecucq

Repertoire coordination and translation: Yejin Choi

Occasional contributions: Michelle Chanonat (Canada – Revue Marionnette), Ko Kyumi (Republic of Korea – UNIMA Korea/Sangsahwa Theater), Paulo Balardim (Brazil – University of Santa Catarina)

Most articles were translated by Deepl AI before being proofread, with the exception of articles mentioning the translator.


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