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14/11/2010
Annonce Plus d'information sur: http://www.salonpoupee2010.info
2/07/2007
A tous les Marionnettistes !
Tous les marionnettistes sont invités à envoyer leurs textes afin d’enrichir ce nouveau média. Sid-Ahmed MEDDAH
12/04/2006
Chers amis,
L’adresse du blog: http://mario-s-f.blogspot.com
Sid-
22/02/2006
Très chers amis, Bonjour,
Activités pendant les assises:
Lancement de l’opération "MARIONNETTES SANS FRONTIÈRES".
L’UNIMA-ALGÉRIE offre deux bourses à des adhérents de l’UNIMA afin d’assister aux Assises Nationales et ceci en attendant l’organisation du
Festival de la Marionnette et du Théâtre d’Objet ( FESMARTO ) en Juin 2007.
Cordialement
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15/05/2009
Queridos amigos de Unima, - Se proyectará además un compilado de escenas de grandes humoristas como Chaplin, Búster Keaton, Mr. Bean, etc. - Se entregarán los certificados pendientes para los miembros que asistieron a la charla teórica que dictó Alejandra Rodríguez. - Comunicamos que una vez más se otorgó una beca internacional, en este caso a la compañera Julieta García, para asistir al Taller sobre Títeres de Mesa dictado por la Cía. ARKETAL de Francia, en el XXIX Feria Internacional del Títere de Sevilla - Mayo 2009.
- Entrega y actualización del carnet nacional. Los esperamos el sábado 30 de Mayo a las 11 Hs. en la Sala Tuñón (1er.piso) del Centro Cultural de la Cooperación en Av. Corrientes 1543. Saludos Cordiales.
EL HUMOR Y LA COMICIDAD
Se ha definido al hombre como el único animal que ríe, también se podría decir que es el único que puede hacer un chiste, e ir más lejos en asegurar que es de lo único que nos reímos. Sólo nos reímos del hombre o por extensión cuando humanizamos una situación. Y en este último caso, el títere creo que es un ejemplo elocuente de esta premisa.
La charla estará destinada a un acercamiento desde lo teórico para diferenciar el humor (el chiste) de la comicidad (lo físico), como así también conocer los distintos recursos y en que forma se utilizan para la construcción del personaje cómico o para crear situaciones cómicas.
Christian Forteza pertenece a la Dirección Artística del “Centro Cultural de la Cooperación Floreal Gorini”, como coordinador, programador e investigador del área varieté, donde hizo sus últimas direcciones, entre ellas, “Puré de Nervios I y II”, “Vincent”, “Varieté en el CCC”,”CHELINCHA”, “Mr Xpender”.
1/02/2009 Les recordamos las informaciones respecto a la dirección del Secretario General de la Unima Argentina: Unima
Argentina Tel
/
Fax:
+54
(11)
4006
1500
ó
4554
9408
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24/03/2009 We invite you to discovery the last news from UNIMA-Armenia.
Best regards, 23/03/2009 Members of UNIMA-Armenia send to you their heartfelt congratulations on the World Puppetry Day. We wish you good health and hope that the puppets of the world will bring joy and happiness to everybody.
They also accepted our invitation to participate in our annual "Toumanian Fairy-Tale Day" International Festival of puppet theatres which is traditionally held in early September in Armenia.
Please find some photos of the day.
Best regards,
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6/12/2010
Death of Norman Hetherington
We are very sad to inform you that Mr Norman Hetherington passed away after a long illness on Monday 6 December 2010.
Norman was most remembered for his pioneering work in Australian television with his show based on his puppet character Mr Squiggle.
Norman was awarded the Medal of the Order of Australia in 1990 for service to children's television programs and puppetry
Norman was also very active in the formation of the UNIMA Australia Centre in its early years, and worked to encourage young performers, inspired them and set a benchmark for excellence. 12/11/2010
Australia UNIMA Centre news
The 09/2010 year comprised a surge of activity for UNIMA Australia which incorporated some big changes. The committee have taken the view that to achieve real benefits for UNIMA Australia we must plan ahead. Notwithstanding the obligations of UNIMA Australia to hold yearly elections under our Australian Incorporated Rules of Procedure, the committee reviewed and extended the plans being discussed the previous year.
With a priority for designing a new website for UNIMA Australia we needed to evaluate our systems of communications so that we make the most of the technologies available to us. We concluded that the new website needs to be our first channel of communication for most members, with up to date and ephemeral news, and for the site to link to other major sites of interest, for members to be able to use the site to promote their activities, and to promote discussion and debate through blogging functions and other social networking media.
In our review we addressed the printed magazine, Australian Puppeteer to see how we can make the two avenues of communication complimentary, viable and valuable. This was the basis of our decision to adjust the Australian Puppeteer into a publication that focuses more on features and articles/pieces that will not date quickly. This coincided with the stepping down of its last editor Vicki Jaeger, whom we thank enormously for her contribution. Other new activities in planning will benefit all across the country and encourage the sense of community we so value in UNIMA.
VCA (or VCAM) The committee put consistent effort into lobbying to keep puppetry in the curriculum at the VCA, currently known as VCAM, after puppetry was officially dropped in late 2009. The committee can claim much success with its continued pressing, including our submission having elicited an invitation to address the independent University of Melbourne Committee, chaired by Dr Ziggy Switkowski. The impact of our (well-planned) presentation cannot be accurately measured, but on behalf of UNIMA Australia, Nancy Black, Gilly McInnes, and I, as well as industry representatives John Barchum and Penelope Bartlau, gave a good account of the reasons for having puppetry formally included in any artists training institution. This was reinforced by a letter General Secretary of UNIMA, Jacques Trudeau, wrote in support and sent directly to the review committee. The Switkowski report recommended that Puppetry and Musical Theatre be reinstated at the college. The future of Puppetry at the college is still not determined, as the college adjusts and re-adjusts to what seems to me, as a postgraduate student working there, to be a continually fluid situation that is still not set on a path, or in policy. I expect this will continue until at least after the Victorian State elections when funding realities will be better known. I do not anticipate much support from the University of Melbourne, which seems to be on a cost-cutting frenzy at the present time.
There are a number of other initiatives in the pipeline for UNIMA Australia. Some of these have been the result of the lobbying for Puppetry (detailed above), with a view to, whether or not there is to be any formal puppetry training courses included in Australia’s colleges and Universities, UNIMA Australia being pro-active. This will entail creating our own professional development and training opportunities that will offer workshops, seminars, Masterclasses, to members and to newcomers interested in puppetry that we initiate, facilitate and even organise. We envisage these activities being available and inclusive to members in every state, and being situated across the country. We are discussing the logistics and I plan to consult with colleagues in other states in the near future. To be continued…
UNIMA Australia website We launched our new website in the later part of June. Our webmaster is Naomi Guss. Tg site has many functions which we recognise that our membership may need to educate and train ourselves how to best use the site. The web address is: http://www.unima.org.au
New Model for Magazine and New Editor We have not set about putting our plans to adjust the printed magazine in motion hurriedly as we would like the new version of the publication to be a first-class item through which we may broaden our demographic and expand circulation both in Australia and overseas.
Over the previous months we advertised to the membership, and beyond, seeking a new editor for the printed Publication that we knew as Australian Puppeteer. I give thanks to Jhana-Pfeiffer Hunt who designed the visual ad for Editor in consultation with Beth McMahon that captured the desire for the kinds of innovation and vision that we sought in the new publication. (available for viewing at http://hapticmedia.com.au/design/graphic-art-collection/#1 ) We had a number of expressions of interest, and for the first time conducted interviews for the position. I am happy to announce that the new Editor of the Magazine/printed publication is Robert Reid, an academic/puppeteer who has much publishing experience. He presented the Editorial committee, a sub-committee formed from committee members to assist and guide through this transition, with a submission that was impossible to pass up. After a period of orientation and research in which Robert will consult with our previous State reps and other volunteers, and which I am sure he would like to get to know as many of the members as possible, the first 6-monthly edition will be scheduled in the first half of 2011.
24/05/2006
The 2nd National Puppetry Summit in Hobart 9-12 June 2006 was not able to offer a hosting for a Unima Asia-Pacific meeting.
So, Saturday 10/06/2006, in the historic Salamanca Arts Centre in Hobart, Tasmania, you are invited to attend the Asia-Pacific Forum
with the participation of: _____________________________________ Pasts
and Futures: the traditions and developments Jennifer
Pfeiffer Tracking
the development of puppetry, speakers bring us to
the present, including accounts of new approaches
to the traditional by way of: collaborations,
finding new purposes for forms, or incorporating
new or multi-media. What sort of collaborations might be possible? Would creating festival circuits be a solution? What do traditional performers need? What role, if any, might Australian artists have in supporting these initiatives? Dadi
D Pudumjee Puppetry
is one of the most sacred art forms, encompassing
all the plastic and performing arts. However,
today its fragility is most obvious with the
onslaught of newer and faster ways of
communicating. Traditions and families are fast
disappearing, and need to be nurtured in whatever
way we can. Funding alone is not going to solve
the problem; it will need to come from the source
itself. Change has been going on for centuries at a slow pace. Today it is accelerated and causes distress in the viewer and the connoisseur. Does the puppeteer want it to be so? We often romanticise ‘a living tradition’, little realising that possibly even the traditional puppeteer has aspirations, and is caught in a conflict between the new and the old. Simon
Wong This rich legacy is what modern Chinese puppetry has evolved from, surviving the revolutionary years in the service of the propaganda machine and various consequential reforms. Mr Wong indicates further influences from other parts of the world from Russia to Disneyland, arriving at a variety of vehicles presently existing for traditional and contemporary Chinese puppetry: on the one hand the traditional state supported string and shadow troupes to the very modern, animation resembling that of Japanese Manga and anime, to Taiwanese acrobatic glove puppet combat plays. I
Nyoman Sedana Creativity is not only crucial in perpetuating the genre, but it also allows each production to be distinct and unique, even though the dalang may perform the same story over and over again. Creative tradition demands that each performance change in accordance with the fluctuating place-time-circumstances. The second part, focusing on the contemporary approaches to the preservation and continuing development of puppetry, gives accounts on how traditional repertory, aesthetic concept and performance methods are endlessly re-interpreted, renewed, and re-presented in the present economic and cultural climate. Of course, also, this Summit will a rare and exciting opportunity to meet and work with colleagues from around Australia, Asia and the Pacific.
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8/10/2011 "Zheng He" receives STELLA 2011 Austrian Children and Youth Theatre Award STELLA 2011 for exceptional stage design KARIN SCHÄFER "ZHENG HE" - when the dragonships came"
Judgement of the Jury:
Best regards
1/10/2011 ENCHANTED SHADOWS Austrian Theatre Museum
Opening hour Wednesday to Monday
The Chinese shadow theater, hilarous, rambunctious, and mystifying, occupies a metaphoric realm that fuses the physical, sunlit world with the murky world of shadows.
In the shadow theater, gods, demons, emperors, heroes, dragons, clowns, and lovers are all brought to life with light.
Going back over 1,000 years, the shadow play is the first animated imagery, and certainly the precursor of film. Without cultural boundaries, shadow play was, and still is, performed for the poor in rural villages and for the soldiers away from home, as well as for emperors in palaces. By the 13th century it had spread to Central and West Asia, by the 14th century to Persia, and in the 17th century, introduced by missionaries, the shadow play became popular in France.
In 1776 it was performed in Paris, and in 1774, Goethe introduced shadow theater at the Shenglan Exposition. Soon it was adapted to German myth and folklore. Shadow-theater troupes can choose their repertory from more than 500 plays, which are often closely related to literature and Chinese operas. Among those represented in the exhibition are "Journey to the West," adapted from a Ming Dynasty novel about the monk Xuan Zang's pilgrimage to India, and "Madam White Snake", based on an ancient legend of a strong-willed woman who battles evil monks while pregnant. As the legend of Emperor Wu of Han suggests, shadow theater has always had a powerful connection to the afterlife. The simplicity of the puppets' movements, coupled with the pure grace, beauty, and monumental grandeur of their forms and settings, provides for an exhibition that is enchanting as it is unforgettable. This exhibition makes an excellent argument for its continued survival.
With best regards
28/09/2011 Mistelbach International Puppet Festival The annual International Mistelbach Puppet Festival hosts many famous national and international puppeteers from as far as Estonia and Peru. This year's festival is joined by selected groups from Germany, Estonia, Italy, Austria, Spain, Peru, Poland, Slovakia, Czech Republic, Russian Federation. This festival will make the art of puppetry a hot issue again. The 33th International Mistelbach Puppet Festival will run from October 25 to 30.
Further information about the festival can be obtained at:
Best regards
3/05/2010 PannOpticum 17.-20.06.10 The 4th edition of the International Puppet Theatre Festival will take place between the 17th of June and the 20th of June 2010.
Karin Schäfer
Please contact:
Best regards 23/01/2010 The Wels International Puppet Theatre Festival Puppets from across the globe make public appearance in Wels from
11 March to 17 March
2010.
Puppets from many countries will bring people from all age groups together in theatres.
The venues for the performances include “Stadttheater Wels”; “Alter Schl8hof Wels”; “Lebensspuren.museum Werkraumtheater ‘Im Kornspeicher’“; "NÖFA, Ja Jugend-Kreativzentrum MKH Medien Kultur Haus“. Dresden figure theatre, Lille Kartofler, PIKI Theatre, Theatre Big Bang, Roof theatre, Margrit Gysin are some of the foreign troupes that will perform at the festival. Please contact: http://www.figurentheater-wels.at
Best regards,
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7127/2011 La section Francophone de l'Unima Belgique vous propose la lecture de son dernier bulletin d'information: D'un Castelet à l'Autre n° 193 - Décembre 2011
27/07/2010 Centre Belge de l’UNIMA - Belgisch UNIMA Centrum - Belgisches UNIMA Zentrum Suite au décès de Mr. Hubert ROMAN, Trésorier du Centre Belge et Membre d’Honneur de l’UNIMA Internationale, le conseil d’administration du Centre Belge de l’UNIMA a été renouvelé en Juin 2010. Il est actuellement ainsi composé:
25/05/2010 Le Centre Belge de l’UNIMA vous invite à lire son dernier Rapport en format pdf The Belgian UNIMA Centre invites you to read its last Report in pdf format
13/11/2008 Centre Belge de l’UNIMA - Belgisch UNIMA Centrum - Belgisches UNIMA Zentrum Président:
Vice-Président:
Secrétaire:
Trésorier:
Administratrice:
Administrateur:
Rapport du Centre Belge de l’UNIMA Le Centre belge de l’UNIMA présidé par Ronny AELBRECHT tente d’établir des ponts entre les deux sections, flamande et francophone, de notre pays. C’est ainsi qu’un répertoire des troupes et compagnies belges, membres de l’UNIMA vient d’être édité dans trois langues afin de les aider à promouvoir leurs productions.
Par ailleurs une journée annuelle du Centre belge est en gestation. Une fois, les francophones seraient invités en Flandre pour assister à des spectacles donnés par des marionnettistes flamands tandis que, l’année suivante, les francophones accueilleraient leurs collègues flamands. La démarche a été lancée même si sa concrétisation n’est pas facile. Le Centre belge rayonne, évidemment grâce aux initiatives de ses deux sections très actives dans leur Communauté respective.
La section francophone Elle est à la base de la publication en français de l’ouvrage «Ô Miracle, les marionnettes !» rédigé par des membres de la Commission internationale «Marionnettes et Éducations». Pour réussir cette publication, le Centre belge a bénéficié de la précieuse collaboration de THEMAA, le Centre français de l’UNIMA. La Section francophone collabore avec le Ministère de la Communauté Française de Belgique à la formation continuée des enseignants et plus spécialement à l’organisation de stages de marionnettes pour encourager les enseignants à utiliser les marionnettes dans le cadre de projets. Hubert ROMAN, Georges VETTERS, Edmond DEBOUNY sont impliqués dans ces formations. Elle apporte aussi son appui à de multiples initiatives, festivals et autres manifestations. De plus, en 2006, elle a organisé, pour la première fois, à Namur (Jambes) le «Bouquet de la Marionnette», une rencontre de 20 compagnies qui, en l’espace de quatre jours, ont présenté une vingtaine de spectacles. L’objectif de cette manifestation était de démontrer que le théâtre de marionnettes est un art universel, un art à part entière qui s’adresse à des personnes de tous âges, de tous milieux, de tous lieux. Animés par la foi qui soulève les montagnes - trois membres dynamiques de la section francophone: Corinne BAILLEUX, Marcel ORBAN et Christian FERAUGE ont porté et concrétisé ce projet… malgré d’incontestables difficultés budgétaires, la Communauté Française de Belgique n’était pas très généreuse vis-à-vis des marionnettistes !
La section flamande (Opendoek) Neuf théâtres de marionnettes ont concouru, après une interruption de 11 ans: Theater Tieret: «Eef je Donkerblauw»; Poppentejater Jejem Piron: «Een hele biezondere dag uit het luilekkerleven van Koning Klein»; Kindertheater Foesiemauw: «De nieuwe kleren van de keizer»; Poppentheater Pierewiet: «De Bremer stadsmuzikanten»; Poppentheater Ellebieke: «De koning zonder kroon»; Kinder- en Poppentheater Propop: «Ei,ei,ei….mijn vriendje is een ei»; Theater Top: «Boe»; Theater Barbar: «De Sociëteit der Degelijke Deugden»; Draadtheater Roeselare: «De kleine Sofie». Un jury couronna la représentation du Theater Tiret avec le Joyau national. Le jury accorda aussi des prix spéciaux pour la scénographie de «Foesimauw» et au meilleur marionnettiste, Propop, pour «Ruud Alles». Le jury des enfants a choisi les représentations du Theater Tiret et du Draadtheater de Roeselare. En parallèle au concours, cinq compagnies internationales ont été invitées à se produire: «Mister Punch» (Grande-Bretagne), «Mikropodium» (Hongrie), «Théâtre National d’Estonie» (Estonie), Philippe Genty (France) et le «Théâtre des Quatre Mains» (Belgique). Lors de la remise des prix, le théâtre «Vlinders & Cie» a donné une représentation de «Ros» avec le quartet «Vier op de Rij»: une combinaison de théâtre de marionnettes et d’un concert de flutes. La section flamande a organisé, en 2005, 4 cours, une exposition et un atelier d’été. Durant le «Joyau National», Rosita Raud (Estonie) a donné un cours sur la scénographie, Maria Petrova (Bulgarie), une formation sur la fabrication de marionnettes. Le théâtre «Het Koffertje» a donné un cours pour les enfants de maternelle et un pour ceux de primaire: ils ont fabriqué des marionnettes… et ont joué avec.
Dans le même temps, une exposition sur les marionnettes bulgares et la scénographie était présentée au musée Blomme. Opendoek a promu le théâtre de marionnettes en organisant au moins 6 manifestations sous les noms de «Marionnettes à la mer» et «Kids@zee» à Oostende, «Pop en top» à Beveren, «Poppenzaal» à Tournhout, «De Poppentovertrein» à Lier, et «Hoppelapop» à Sint-Truiden (Saint-Trond). De nombreuses compagnies membres ont participé à ces animations. Une nouvelle organisation a vu le jour à Leuven (Louvain, Brabant flamand) sous le nom de «Pompelpoes». Un théâtre de marionnettes, au moins, a pris part aux organisations théâtrales d’Opendoek tant aux fêtes du parc à Lokeren qu’à «Spots of West». Dans la publication «Op&doek» 2006 figuraient deux contributions sur le théâtre de marionnettes. Enfin, à Ieper (Ypres) fut organisée, cette année, à la fin septembre, une exposition sur les marionnettes chinoises tandis que des troupes membres de l’Unima Vlaanderen ont donné 11 représentations pour quelques 1 600 enfants. On le voit, le Centre belge de l’UNIMA et ses deux sections ont été très actifs dans tout le pays!
Edmond DEBOUNY,
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28/09/2011 Deuxième Édition du Festival TENI-TEDJI Nous vous invitons à lire le rapport de la Deuxième Édition du Festival TENI-TEDJI au Bénin. Festival organisé par l'association THAKAMOU CULTURE ARTS de Jude ZOUNMENOU, en présence de Monsieur Cheick amadou KOTONDI de la Zone C Afrique de l'UNIMA.
UNIMA BENIN
Jude Hermann ZOUNMENOU
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25/05/2010 ABTB/UNIMA
BRASIL Associação Brasileira de Teatro de Bonecos - Centro Unima Brasil INFORME
2008
-
2010 Directorio
2008-
2010 En
el
período
de
2006
al
2010
,
bajo
la
presidencia
de
Renato
Perré
la
Asociación
realizó
importantes
trabajos
con
la
propuesta
de
fortalecer
la
Red
Nacional
de
Titiriteros
y
el
intercambio
internacional
con
UNIMA. En
este
periodo
la
ABTB
-
Centro
UNIMA
BRASIL
trazó
las
siguientes
metas: Primera
Meta Dar
continuidad
al
pedido
de
Registro
de
Teatro
de
Títeres
Popular
del
nordeste
de
Brasil:
Mamulengo,
Babau,
João
Redondo
y
Cassimiro
Coco,
como
Patrimonio
Cultural
de
Brasil La
ABTB/
UNIMA
Brasil
consiguió
iniciar
el
proyecto
junto
con
IPHAN
-
Instituto
del
Patrimonio
Histórico
y
Artístico
Nacional,
desarrollando
el
proyecto
en
etapas: Etapa
1
-
Levantamiento
preliminar
y
Pesquisa a)
Levantamiento
preliminar
(2007-
2008)
-
Inventario
de
datos
ya
existentes
sobre
el
teatro
de
títeres,
como
fuentes
escritas
(libros,
tesis,
artículos,
material
vinculado
por
los
diarios
y
revistas,
etc.)
colecciones
de
títeres,
otros
materiales
usados
en
los
espectáculos
y
acervo
de
registros
audio
visuales. b)
Pesquisa
etnográfica
(2009-
2010)
-
Investigación
y
levantamiento
de
datos
referentes
al
Teatro
de
Títeres
Popular
del
nordeste
brasilero
y
sus
prácticas
de
trabajo
(
historia
de
vida,
realidad
socio-económica,
rutinas
de
trabajo,
procesos
de
aprendizaje
y
formas
y
maneras
de
transmisión
de
conocimientos). Se
hicieron
estudios
en
los
estados
de
Pernambuco,
Paraiba,
Río
Grande
do
Norte,
Ceará
y
Distrito
Federal.
Durante
la
investigación
marcamos
encuentros
entre
los
titiriteros
populares
para
que
ellos
participen
del
proceso
de
registro
proponiendo
acciones
de
protección
a
este
Patrimonio
Cultural. Etapa
2
-
Elaboración
del
Dossier Preparación
de
todo
el
material
de
Registro
para
que
sea
aprobado
por
el
IPHAN
-
Instituto
del
Patrimonio
Histórico
y
Artístico
Nacional,
que
lo
encaminará
al
Consejo
Consultivo
del
Patrimonio
Cultural
de
nuestro
país. En
el
2010
pretendemos
conmemorar
el
Registro
del
Teatro
de
Títeres
Popular:
Mamulengo,
Babau,
João
Redondo
y
Cassimiro
Coco
como
Patrimonio
Cultural
de
Brasil. Después
de
esta
conquista,
estaremos
encaminando,
con
la
ayuda
de
UNIMA,
un
pedido
a
UNESCO
para
que
este
Teatro
Popular,
sea
Patrimonio
Cultural
de
la
Humanidad. Segunda
Meta Promover
el
intercambio
de
experiencias
y
discusión
de
acciones
estructurales
sobre
la
Formación
en
Teatro
de
Títeres
en
Brasil. a)
ABRACE
el
TÍTERE
BRASIL,
se
realizaron
tres
Encuentros
nacionales,
con
Seminarios,
Talleres
y
Espectáculos,
con
el
objetivo
del
intercambio
técnico
y
artístico
entre
antiguos
titiriteros
y
nuevos
artistas. c )
ABTB
-
Centro
UNIMA
Brasil,
fortaleció
el
intercambio
y
trabajo
en
conjunto
de
la
asociación
con
las
instituciones
públicas,
Ministerio
de
la
Cultura,
y
Universidades
del
país. c)
Merece
destaque
la
Digitalización
de
la
Revista
Mamulengo,
realizada
por
la
Universidad
de
Santa
Catarina. CENTROS
de
REFERENCIA
del
Teatro
de
Títeres
Renato Perré Presidente ABTB/ UNIMA BRASIL ABTB/UNIMA
BRASIL Brazilian
Puppet
Association
-
Unima
Centre
Brazil Newsletter
2008
-
2010 Directory
2008-
2010 From
2006
to
2010,
during
Renato
Perré ’s
presidency,
the
Brazilian
Puppet
Association
(ABTB)
made
important
projects
with
the
proposal
of
strengthening
the
national
puppeteers ’
network
and
the
international
exchange
with
UNIMA. D uring
this
period,
the
ABTB
worked
on
the
following
strategies: First
Goal To
continue
with
the
registration
of
Brazilian
Popular
Northeast
Puppets
-
Mamulengo,
Babau,
João
Redondo
and
Cassimiro
Coco,
as
Brazilian
Cultural
Heritage. The
ABTB-
UNIMA
Brazil
started
the
project
with
IPHAN
-
Instituto
del
Patrimonio
Histórico
y
Artístico
Nacional,
developing
it
into
steps: Step
1
-
Preliminary
data-gathering
and
research a)
Preliminary
survey
(2007-
2008)
-
Inventory
of
existing
database
on
puppets,
such
as
written
sources
(books,
thesis,
articles,
supplement
material
to
magazines
and
newspapers,
etc.),
puppet
collections,
other
materials
used
in
plays
and
audio
/
visual
collections
of
registrations. b)
Ethnographic
research
(2009-
2010)
-
Research
and
data-gathering
referring
to
Popular
Puppet
Theatres
in
the
North
East
of
Brazil
and
their
work
practices
(biography,
social
and
economic
realities,
work
routines,
learning
processes,
ways
of
passing
knowledge
on,
etc.). Studies
have
been
carried
out
in
the
States
of
Pernanbuco,
Paraiba,
Río
Grande
do
Norte,
Ceará
and
Distrito
Federal.
During
the
investigation,
the
Brazilian
Puppet
Association
(ABTB)
organized
meetings
among
the
folk
puppeteers,
so
that
they
could
participate
in
the
registration
process,
suggesting
actions
of
protection
of
this
Cultural
Heritage. Step
2-
Writing
a
dossier Preparation
of
all
the
registration
material
in
order
to
be
approved
by
IPHAN
-
Instituto
del
Patrimonio
Histórico
y
Artístico
Nacional
-
the
entity
will
send
it
to
the
Consulting
Council
of
Cultural
Heritage
in
Brazil. In
2010,
we
intend
to
celebrate
the
registration
of
Popular
Puppets
such
as
Mamulengo,
Babau,
João
Redondo
and
Cassimiro
Coco
as
Brazilian
Cultural
Heritage. With
the
help
of
UNIMA,
after
this
achievement,
we
will
send
a
request
to
UNESCO
so
that
this
type
of
theater
becomes
a
Cultural
Heritage
of
Humanity. Second
Goal To
promote
the
exchange
of
experiences
and
discussion
of
structural
actions
about
the
training
in
Puppet
Theatres
in
Brazil. a)
ABRACE
O
BONECO
BRASIL
(HOLD
THE
BRAZILIAN
PUPPET)
Three
National
meetings
have
been
organized,
with
seminars,
workshops
and
shows
in
order
to
facilitate
technical
and
artistical
exchanges
between
older
puppeteers
and
young
artists. b)
ABTB
-
Centro
UNIMA
Brazil
strengthened
the
exchange
and
work
of
the
association
with
public
institutions,
Ministry
of
Culture
and
universities
in
the
country. c)
The
digitalization
of
the
magazine
Mamulengo
by
the
University
of
Santa
Catarina
deserves
to
be
emphasized. The
PUPPET
REFERENCE
CENTER
is
a
growing
project
with
the
collaboration
of
puppet
associations
that
work
in
the
Brazilian
states,
giving
the
opportunity
to
Puppetry
to
expand
in
the
whole
country. Renato
Perré President ABTB/
UNIMA
BRASIL
18/10/2009
14/02/2008
A.B.T.B - ASSOCIAÇÃO BRASILEIRA DE TEATRO DE BONECOS - CENTRO UNIMA BRASIL BOLETIM Nº
22 Fevereiro de 2008 Editorial Aos Bonecos e seus bonequeiros ! UM PRODUTIVO ANO DE 2008 !
Homenagem O Teatro de Bonecos, mais uma vez, de luto Com tristeza, mais uma vez, noticiamos o falecimento de Odila Cardoso de Sena, aos 94 anos, pioneira do teatro de marionetes no Rio Grande do Sul, professora de artes e fundadora do TIM Teatro de Marionetes em 1954.
2007 FOI UM BOM ANO 1 - Dando continuidade ao projeto da Diretoria anterior, a primeira etapa do registro do Mamulengo como patrimônio imaterial brasileiro já está aprovada pelo IPHAN e tem início em fevereiro de 2008.
2 - A realização do II Abrace o Boneco Brasil - Seminário sobre formação em teatro de Bonecos em convênio com a Funarte conquistado por meio da Bonecos em Ação, instituição dirigida pela companheira Susanita Freire e a continuidade de parceria com a Secretaria da Cultura de São José dos Pinhais-PR e a Secretaria de Estado da Cultura do Paraná.
3 - Início das discussões sobre a criação dos Centros de Referência em Teatro de Bonecos nos Estados.
4 - Encaminhamento do pedido de parcelamento da dívida da ABTB com o TCU em Recife.
5 - Quitação da divida ABTB com a Unima. (período 2003 a 2006)
6 - Escolha das candidatas Susanita Freire, Izabela Brochado e Ana Maria Allendes (Chile) para eleição do Comitê Executivo da Unima, para o período 2008-2012, que acontecerá no Congresso a ser realizado em Perth (Austrália) em abril de 2008.
7 - Pagamento da cota UNIMA 2007. A partir de este ano a ABTB tem direito a
2 Conselheiros, com direito a voto, no Congresso UNIMA.
8 - Lançamento do site:
http://www.abtbon.rg3.net Outras conquistas e aprimoramentos virão. Só depende de estarmos verdadeiramente associados!
2008, aqui vamos nós! Bonecos e Bonequeiros!
Aquele Abraço ! II ABRACE O BONECO BRASIL - Seminário sobre Formação em Teatro de Bonecos Resumo
De 14 a 18 de novembro de 2007, na cidade de São José dos Pinhais foi realizado o II ABRACE O BONECO
BRASIL - Seminário sobre formação em teatro de bonecos, dando continuidade ao projeto de garantir para os bonequeiros ligados à ABTB um espaço permanente de reflexão, confraternização e troca de importantes informações para o desenvolvimento da arte do Teatro de Bonecos no Brasil.
Em 2006 o I ABRACE O BONECO BRASIL inaugurou a série desses encontros com o seminário “o boneco na sociedade brasileira”, abrindo ampla pauta de discussões que permitiram a estruturação do plano de ação da ABTB para o biênio 2006/2008, elegendo
3 eixos de atuação: Memória, formação e fomento.
O II ABRACE O BONECO BRASIL teve como foco a formação básica do bonequeiro brasileiro e pretendeu por meio de palestras, debates, espetáculos e oficinas para comunidade reunir idéias para a criação de diretrizes que possibilitem uma formação básica de qualidade para o artista e qualquer cidadão que deseje enveredar pelos amplos caminhos do teatro de bonecos no Brasil.
O II ABRACE O BONECO BRASIL , contou com a presença de artistas, estudiosos e representantes de 10 estados brasileiros (RS, RN, SC, PR, RJ, MG, BA, DF, PE, PB, CE).
Ler os
Resultados das discussões do II ABRACE
em formato Word
ABTB/ Plano de Ação Eixo formação:
Eixo memória:
Eixo fomento/circulação:
AVISOS DA TESOURARIA Nossos débitos junto a UNIMA foram quitados, inclusive o ano de 2007.
Os sócios quites estão recebendo pelo correio as carteirinhas e os selos referente a 2007.
PAGAMENTO ANUIDADE 2008 1 - O valor do pagamento da anuidade para sócios individuais ABTB continua sendo o mesmo praticado em 2007, ou seja, R$ 40,00 (quarenta reais).
2 - Para sócios Unima, o valor também é ou mesmo do ano passado, R$ 25,00 (vinte e cinco reais) por sócio.
3 - Para os estados onde existem Associações o valor é de R$ 100,00 (Cem reais) referente a todos os sócios que constarem da listagem, que deve ser enviada imediatamente após efetuado o pagamento.
4 - Esclarecemos que o valor da anuidade Unima não está incluído na anuidade paga pelos Núcleos, o pagamento deve ser individual. A anuidade UNIMA deve ser paga diretamente a ABTB através de depósito bancário e o comprovante do mesmo deve ser enviado a Tesouraria via e-mail (pode ser escaneado) ou via correio.
5 - O prazo para pagamento da anuidade UNIMA é até o dia 30 de
Março 2008. PROCEDIMENTOS PARA PAGAMENTOS DAS ANUIDADES
Depósito para:
Valor da anuidade para sócios individuais: R$ 40,00 (Quarenta
Reais)
Valor da Anuidade para sócios Unima: R$ (Vinte e cinco Reais)
Valor da anuidade para Núcleos: R$ 100,00 (Cem Reais)
Após efetuarem o depósito, enviar cópia do documento para o seguinte endereço SÓCIOS UNIMA QUITES 2007
SÓCIOS UNIMA QUITES 2008
ASSOCIAÇÕES ESTADUAIS QUITES 2008 Pedimos a todos que continuem enviando informações para que possamos manter ativo nosso Boletim.
Gilmar C. Silva
Tesoureiro/ABTB
Notícias Yukiza, Teatro de Bonecos
Grupo secular chega ao Brasil para apresentações Com uma história de mais de 370 anos, a companhia de teatro de marionetes de Edo, Yukiza, realiza pela primeira vez uma turnê pelo Brasil em fevereiro. Histórico
Serviço
Turnê no Brasil:
Santos
Rio de Janeiro
Brasília
São Paulo
Ingressos à venda nos teatros. Congresso ABTB /eleição em Curitiba Atenção todos os sócios e representantes das associações estaduais! Notícias
Estaduais MINAS GERAIS ! ATEBEMG já está no ar:
http://www.orassociados.com/atebemg Para este ano de 2008, esperamos encher de bonecos o Estado de Minas Gerais.
Atebemg - Garimpo de Histórias e Manutenção de Atebemg - um projeto conjunto para participação de todos os associados.
Grupo Caixa 4 - Tropeiros e Cantigas - montagem e circulação de um espetáculo que conta a saga dos tropeiros que percorriam o interior do Brasil.
Grupo Matraca - O Anjo Aleijadinho - montagem e circulação de um espetáculo que conta a história de Aleijadinho, o mestre escultor mineiro, de uma forma delicada e com final surpreendente.
Grupo Aldeia - Histórias com Bonecos, Trecos e Objetos - montagem e circulação de um novo espetáculo, recheado de estórias e fantasia.
Paulinho Polika - Circo Teatro Vagalume um espetáculo de sombras, contanto estórias escritas por Leonardo da Vinci.
Grupo Patati Patatá - circulação de
espetáculo, que mostra uma oficina de teatro de bonecos, o nascimento dos mesmos e suas divergências com os manipuladores.
Grupo Giramundo - manutenção do Museu Giramundo
Família Silva Teatro de Bonecos - circulação do caminhão palco da família.
Caminhão Mambembe Fiorini - montagem e circulação no caminhão palco.
O Catibrum também aprovou uma nova montagem -
Dom João - sobre a vinda da Família Real para o Brasil.
RIO
DE JANEIRO O Rio de Janeiro continua
Lindo ! ARTB - Associação Rio de Teatro de Bonecos
Eleita a nova Diretoria da ARTB período
2008/2011.
Plataforma de trabalho da nova diretoria da ARTB
PARANÁ Paranauê, Paranauê,
Paraná !
APTB - Associação Paranaense de Teatro de Bonecos
FÉRIAS ANIMADAS 2008
Destacamos o trabalho da diretoria da APTB na conquista de mais um
importante edital público via fundo municipal de Cultura de Curitiba, o edital de produção de pequenos espetáculos.
Tadica e sua turma do projeto o Boneco na Sociedade de São José dos Pinhais-PR realizaram com êxito mais um carnaval dos bonecos gigantes desta vez com o tema da paz. Gandhi, Mandela e etc, desfilaram pelas ruas da cidade. CURSOS A Secretaria de Estado da Cultura do Paraná, em parceria com a Secretaria do Trabalho e o FAT estará promovendo alguns cursos em 2008 e entre eles estarão os cursos de
CONFECÇÃO DE BONECOS E CENOGRAFIA APLICADA e CENOGRAFIA E ILUMINAÇÃO.
SANTA
CATARINA Sassá Moreti, organizadora do (FITA) Festival Internacional de Teatro de Animação de Florianópolis que acontecerá de 17 a 22 de junho/2008, começa a se movimentar, junto com outros, no caminho da fundação da Associação Catarinense de Teatro de Bonecos.
Ponto de Cultura Anima Bonecos recebe três Prêmios
Nacionais
Teatro de Animação de Rio do Sul em Festival no
Vietnan ! SÃO PAULO Fala
Campinas ! BAHIA
NOTÍCIAS INTERNACIONAIS BOLSA EM SEVILLA - Curso para Profissionais
Iniciação ao teatro de papel clássico e contemporâneo XXVIII FERIA INTERNACIONAL DEL TÍTERE DE SEVILLA De
9 a 18 de Maio de 2008 O Instituto Internacional da Marionete (Charleville-Mézieres-France) Avisa que estão abertas as inscrições para o
Concurso de Admissão para a ESNAM - Escola Nacional Superior das Artes da Marionete. Fique de olho também nos estágios de verão de 2008 Talleres de Verano 2008 en el Instituto Internacional de la Marioneta Charleville
Mézières - Francia A "Hoja del Titiritero" N°11 Jornal eletrônico da Comissão para América Latina da UNIMA Festival Mundial de Teatro de Títeres
na cidade francesa de Charleville-Mézières acontecerá de 18 a 27 de setembro de 2009. |
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18/03/2011
Death of Evgeni Fabiani
Dear friends and colleagues,
He dedicate nearly 40 years of his life to the puppetry art in Bulgaria and Sofia Puppet Theater.
We will remember him as a very eager man, for whom devotion to art was stronger than anything. Moreover, he was one of the most active promoters for Bulgarian puppetry in all over the world.
He was National Secretary of Bulgarian UNIMA Centre since its establishment in 1963 until 1988 and member of honor of UNIMA International since 1992 at a Congress in Ljubljana.
Bulgarian National Centre of UNIMA.
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27/01/2006
Bonjour,
Nous souhaitons avoir des adresses d'organismes qui peuvent financer ou soutenir certaines activités autour de la marionnette au Burkina Faso (formations, créations, tournées...)
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18/01/2006 Le Centre Canadien de l’UNIMA vous invite à lire son dernier Rapport en format pdf The Canadian UNIMA Centre invites you to read its last Report in pdf format
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9/11/2011
Lanzamiento del boletín Cachinchín de Unima Chile El Martes 18 de Octubre de 2011, se realizó el lanzamiento del Boletín Cachinchín, de Unima Chile, en la Sala del Instituto Cultural del Banco del Estado.
Los invitados pudieron apreciar en un Power Point el formato digital del Boletín, se hizo una exposición de muñecos en diferentes técnicas y se culminó con un cóctel.
El boletín está en el sitio web: http://revistacachinchin.blogspot.com
Ver el díptico hecho para el lanzamiento
14/02/2010
CHILE AGRADECE
La Unión de Marionetistas y Titiriteros de Chile, agradece profundamente la ayuda prestada por la Comisión de Cooperación y de la Comisión para América Latina de la Unión Internacional de la Marioneta, Unima Canadá y Unima Suiza.
El 27 de Febrero de 2010, a las 3:34 am, se registró en la zona centro-sur de Chile un terremoto de gran magnitud (8,8 Mercalli), seguido de un maremoto o tsunami.
Aunque se registraron solamente 578 víctimas fatales, destruyó pueblos completos y gran parte de importantes ciudades en la zona central y sur; el segundo terremoto del Jueves 11 de Marzo en la VI región, que repercutió gravemente en otras regiones como Santiago, Concepción, Valparaíso, etc., continuó con los destrozos y poniendo en peligro a la población. Las constantes réplicas, que aún continúan, algunas muy fuertes y otras un poco más suaves, pero igual de intensas y frecuentes, tuvieron y tienen a una multitud de gente atemorizada, casi sin esperanzas de lograr recuperar su normalidad.
Los destrozos en muchas zonas del sur del país fueron catastróficos, pero afortunadamente los daños físicos graves que afectaron a los titiriteros (casas caídas o seriamente dañadas) fueron pocos, un caso en Chillán y otro en Concepción y daños importantes en el Museo del Títere y el Payaso en Valparaíso. Sin embargo lo más grave era cómo resolver su futuro laboral. La gran preocupación de todos los titiriteros y actores era la drástica disminución de las oportunidades de trabajo. Los teatros estaban cerrados por temor a derrumbes o vacíos por la misma razón; las escuelas funcionan medianamente, ya que muchas de ellas están dañadas en su estructura física; los pueblos que formaban parte del circuito de muchos titiriteros-juglares, están total o parcialmente dañados, imposibilitados de contratar funciones, dado que ni siquiera tenían las condiciones para vivir normalmente. En Santiago, UNIMATI CHILE organizó un evento solidario, (maratón titiritera) donde todo lo recolectado fue en beneficio los compañeros damnificados.
Fue entonces cuando llegó a través de Unima una ayuda real y digna para los titiriteros más afectados de la zona Sur, a través de una compra de 4 funciones a cada uno de los titiriteros de Concepción: Hugo Aguilera y Lientur Rojas destinadas a niños de escasos recursos. Asimismo una ayuda en dinero para el Museo del Títere y el Payaso, con el compromiso de de su Director de abrir la sala una vez reconstruida, a las compañías de títeres, para realizar funciones gratuitas a la comunidad más desposeída de la región, además de apoyar a las compañías de Chile con el préstamo gratuito de la sala para realizar funciones a colegios y particulares de manera que los recursos fueran en beneficio directo a ellas y así difundir el amor por los títeres. Esto generó una instancia que permitió a las personas, que estaban es una situación de stress post traumático, tener un momento de grato esparcimiento y ayudó a que los titiriteros a través de su oficio, solucionar sus requerimientos más urgentes y empezar a reconstruir su vida laboral. Las 2 compañías de titiriteros chilenos más afectadas, hicieron espectáculos para niños, familiares y sus comunidades, recibiendo por su trabajo 50 euros por integrante de cada compañía en cada función realizada.
RENDICIÓN DE CUENTAS AYUDA COMISION COOPERACION DE UNIMA
AYUDA UNIMA CANADA DESTINADA AL MUSEO DEL TÍTERE
Entregado al Museo del Títere y el Payaso $ 539.922
AYUDA UNIMA SUIZA DESTINADA AL MUSEO DEL TÍTERE
Entregado al Museo del Títere y el Payaso $ 660.817
TOTAL ENTREGADO AL MUSEO DEL TÍTERE Y EL PAYASO: $ 1.583.923
RENDICIÓN DE CUENTAS AYUDA DE LA COMISION PARA AMERICA LATINA DE UNIMA
La recepción y entrega de los dineros están debidamente documentados, cuyas copias han sido mandadas a los Presidentes de las Comisiones. Aparte de la ayuda solidaria, ha sido también una oportunidad de fortalecer la unidad, levantando la UNIMA como una entidad en torno a la cual se puedan reunir, fortalecerse y proyectarse hacia un gpaís nuevoh. No es una simple figura de lenguaje: esta catástrofe ha significado la desaparición de muchas vidas, de pueblos y ciudades; pero debe ser, por lo mismo, el inicio de la reconstrucción del país y en el cual los titiriteros deben tener parte activa, ghaciendo lo que saben hacer.
Gracias Pierre-Alain Rolle - Presidente de la Comisión de Cooperación
Ana MariaALLENDES
¡Arriba los títeres! ¡Viva la Unima!
18/01/2006
Estimados amigos y colegas titiriteros,
Asimismo les hacemos llegar algunas noticias que consideramos de su interés. Asimismo les informamos sobre los Festivales programados en nuestro país.
Los invito además a publicar información de sus espectáculos y montajes o de los Festivales que tengan conocimiento enviando la información con fotos a
prensaunimati@yahoo.es
Rafael Brozzi
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15/01/2011 Be
careful,
the
Chengdu's organizing Committee annouced that there is a
new delay for the companies that want to send their propositions of shows for the International Festival.
25/05/2010
The Chinese UNIMA Centre invites you to read its last Report in pdf format
9/02/2010 2nd “Golden Magnolia” Shanghai International Puppet Festival & Competition Dear friends,
Our Festival will be a grant Celebration for the puppeteer from all over the world.
Festival committee will give some Awards to the best, such as: Best group award, Best Solo performer award, Best emerging artist award, Puppet arts heritage award, Best director award, Best author award, Best theatre design award, Innovation award, Sound design and music composition award. For every Participant Theatre should pay for the cost of transportation and shipping from your country to Shanghai, and also from Shanghai to your country.
Please send the materials of your show
before April
1st
2010, if you decided to Participant this Festival. We believe that by the puppetry arts exchange activities that will help to further enhance the world's puppetry arts development and prosperity.
Committee of Shanghai International Puppet
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21/03/2009 CELEBRACIÓN DIA DEL TÍTERE
Mas allá de las fronteras, las diferencias y las distancias, el títere, a través de su sencillez y complejidad nos une para celebrar hoy 21 de Marzo, Unima Colombia
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25/05/2010
REPORT ON THE ACTIVITIES OF THE CROATIAN CENTRE OF UNIMA 1.
THE
2008
CONGRESS Livija
Kroflin,
Zrinka
Kolak
Fabijan
and
Marsinah
Vokši
from
Rijeka
took
part
at
the
Perth
Congress. Puppets
from
the
Rijeka
City
Puppet
Theatre
and
the
Branko
Mihaljević
Children's
Theatre
from
Osijek
were
among
those
on
show
as
part
of
the
Million
Puppet
Project. 2.
CO-OPERATION
BETWEEN
THE
INTERNATIONAL
CHILDREN'S
FESTIVAL
AND
THE
PUPPETS
IN
EDUCATION
COMMISSION Commission meetings were held in Šibenik on June 24, 25 and 26, 2008.
3. PARTICIPATION IN UNIMA BODIES Livija Kroflin is a member of the Executive Committee, President of the Puppets in Education, Development and Therapy Commission and a Councillor. Jasminka Mesarić and Jasenka Ramljak are Councillors. Livija Kroflin participated in the Executive Committee Meetings at Perth 2008 and Yekaterinburg 2009.
4. PUBLISHING ACTIVITIES The Croatian Centre of UNIMA published the Croatian Puppetry Bulletin, providing the repertoire of Croatian puppetry theatres, festivals, and news from UNIMA. The 11th Issue of the Bulletin came out in 2009, with the repertoire of Croatian puppetry theatres in the 2005/2006 and 2006/2007 seasons. Issue No. 12 came out in 2010 giving the repertoires of the theatres in the 2007/2008 and 2008/2009 seasons. The Bulletin is published in Croatian and in English and is sent free of charge to all the members of the Croatian Centre of UNIMA.
5. PUPPETRY FESTIVALS IN CROATIA AND NEWLY-ESTABLISHED PRIZES The Meeting of the Puppetry Theatres of Croatia is held biennially in Croatia under the auspices of the Croatian Centre of UNIMA. It was held in Osijek in 2009. The Centre is one of the founders of the Vukovar Puppetry Spring, which is held every year. Some new puppetry prizes were established in 2008: a Lifetime Achievement Award for Contribution to the Art of Croatian Puppetry, and a Prize for Contribution to the Acting Art in Croatian Puppetry. The PIF (the International Puppet Theatre Festival held in Zagreb) is usually dedicated each year to one of the UNIMA events. In 2008, it marked the 80th anniversary of the UNIMA. Thanks to the initiative of the Croatian Centre of UNIMA, a special prize has been awarded at the Actors' Festival since 2007: the Nevenka Filipović Prize for the Best Puppetry Acting or Best Acting in Productions for Children and Young People.
6. WORLD PUPPETRY DAY World Puppetry Day has been celebrated in Croatia since 2003. Puppet theatres put on shows on that day, many of them free of charge. The International Message is read prior to the performances. The idea is that one particular town be “the centre of Croatian puppetry” on that day with performances given there, festive meetings of the Board or Assembly held, prizes and plaques given to deserving members, and puppetry journals, bulletins or books promoted. The city of Zadar was chosen for 2004, followed by Vinkovci in 2005, Šibenik in 2006, Osijek in 2007, Rijeka in 2008, Vukovar in 2009 and Virovitica in 2010. A Croatian Message was introduced in 2004, to be read along with the International Message. The first Croatian Message was written by Luko Paljetak, Honorary Member of UNIMA International.
7. FINANCING PROFESSIONAL TRAINING AND ADVANCED TRAINING IN THE FIELD OF PUPPETRY In 2003, the Centre issued By-laws on the Setting of Criteria for Financing Professional Training and Advanced Training in the Field of Puppetry. Applications for professional training or advanced training may be submitted by public city theatres for their professional employees (actors, directors, scenographers, puppet builders/creators, puppetry technologists, or lighting designers), by other institutions that have a need for trained staff in the field of puppetry, and by free-lance artists active in puppetry. The Centre has to date offered support to its members for the study of puppetry at Charleville-Mézières (France), Bratislava (Slovakia) and Paris (France); for study visits to Charleville-Mézières and Berlin (Germany); for participation in the Albrecht Roser marionette workshop in Varaždin (Croatia) and in Stuttgart (Germany), and in the seminar entitled Managing a Cultural Organisation in the International Context held at the Paris Chamber of Commerce, and for attending the puppetry school at Bialystok (Poland). It has also awarded support to Tamara Kučinović, who graduated in Acting and Puppetry from the Academy of Arts in Osijek, now a 3rd year student of Directing at the St Petersburg State Academy of the Theatre Arts, as the first future graduate puppetry director in Croatia.
8. CO-OPERATION WITH THE MINISTRY OF THE FAMILY, VETERANS AND INTER-GENERATIONAL SOLIDARITY Thanks to the Ministry of the Family, Veterans and Inter-Generational Solidarity, and as part of the “national Campaign against Physical Punishment of Children in the Republic of Croatia”, eight puppetry theatres from all over Croatia (the Branko Mihaljević Children's Theatre in Osijek, the Rijeka City Puppet Theatre, the Split City Puppet Theatre, the Zadar Puppet Theatre, the Zagreb Puppet Theatre, the Ivana Brlić-Mažuranić Puppet Stage - Zagreb, the Ivana Brlić-Mažuranić Children's Theatre - Slavonski Brod, and the Face-to-Face Theatre - Split) performed a total of 13 free puppet shows on 20 and 21 November 2008, particularly oriented to children with special needs, children from hard-up families and all their most faithful fans. The entire drive was given an excellent reception by the public and the media.
9. OTHER ACTIVITIES A) The Croatian Centre of UNIMA carries out all the customary activities as a centre of information and communication. It receives notifications about important events taking place in the world of puppetry both at home and abroad, and keeps its members informed thereon. It also provides information on Croatian puppetry to international organisations. B) When necessary, the Centre helps theatres by writing letters of support to the relevant city or county institutions. It also promotes solidarity between theatres, calling on those that are better off and better equipped to aid the more poorly equipped companies. C) The Croatian Centre of UNIMA is actively included in the founding of the Puppetry Museum in Osijek, which will be the central museum. The Assembly has issued a decision to call for support from Croatian puppet theatres in the drive for collection of puppets for the Museum (with the possibility of their being bought, given as gifts, or provided on the basis of permanent loan). D) The Croatian Centre of UNIMA supports in various ways the work of the Academy of Arts in Osijek (study of Acting and Puppetry).
10. NEW MEMBERS One new collective member and one individual member have been accepted over the last two years.
In Zagreb, April 2010 Livija Kroflin Secretary Croatian Centre of UNIMA Amruševa 19, 10000 Zagreb - Croatia Phone: +385 (1) 481 3252 Telefax: +385 (1) 481 3252 Email: hc-unima@zg.t-com.hr
23/03/2004 Dear friends, Here is the new address: hc-unima@zg.htnet.hr
Best regards,
Hrvatski centar UNIMA Web: http://www.unima.hr 30/04/2002
REPORT ON THE ACTIVITIES OF THE CROATIAN CENTRE OF UNIMA
1. PREPARATIONS FOR THE UNIMA 2004 CONGRESS
It is planned that the Congress and the Festival be held in Rijeka, a city on the coast of the northern Adriatic Sea.
Mr Miguel Arreche, the Secretary General, and Ms Idoya Otegui, his associate, visited Zagreb and the 34th International Festival of Puppet Theatres - the PIF - in September, 2001 and later travelled to Rijeka and Opatija, a resort just along the coast, to inspect the venues proposed for holding the Congress and the Festival.
The delegation was received by the mayor of Rijeka. An Organising Committee and various working bodies have been set up: for financing, for organisation of the Congress, and for organisation of the Festival.
2. PUBLISHED ACTIVITIES
The second revised an supplemented issue of the brochure, Croatian Puppetry, came out and it is also published in English and Croatian. The Centre asisted with the publication of Josip Činkl's book on the history of puppetry in the city of Brod, and copies have been sent out to members. The Centre also purchased for its members copies of the so-called Blue Book ("L'art mondial de la marionnette / The Worldwide Art of Puppetry / UNIMA 2000"). The Centre is participating in the preparations for the book being published by the Puppetry in Education Commission.
3. THE INTERNATIONAL CHILDRENH'S FESTIVAL IN ŠIBENIK
4. INTERNATIONAL ACTIVITIES
Some of the Centre's members have availed themselves of the information on the Festival Network. Preparations are under way for a three-week marionnette seminar in Varaždin, to be conducted by Mr Albrecht Roser.
5. OTHER ACTIVITIES
In Zagreb, April 2002 |
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1/02/2012
Les invitamos a leer nuestro último Boletín Informativo: Pelusín el Mensajero n° 1 (Enero 2012)
También, dejamos en linea los antiguos números: Pelusín el Mensajero n° 1 (2010) Pelusín el Mensajero n° 2 (2010) Pelusín el Mensajero n° 3 (Mayo 2010) Pelusín el Mensajero n° 4 (2010) Pelusín el Mensajero n° 5 (2010) Pelusín el Mensajero n° 6 (Julio 2010) Pelusín el Mensajero n° 7 (Julio 2010, numero especial) Pelusín el Mensajero n° 8 (Agosto 2010) Pelusín el Mensajero n° 9 (Septiembre 2010) Pelusín el Mensajero n° 10 (Octubre 2010) Pelusín el Mensajero n° 11 (Noviembre 2010) Pelusín el Mensajero n° 12 (Diciembre 2010) Pelusín el Mensajero n° 1 (Enero 2011) Pelusín el Mensajero n° 2 (Febrero 2011) Pelusín el Mensajero n° 3 (Marzo 2011) Pelusín el Mensajero n° 4 (Abril 2011) Pelusín el Mensajero n° 5 (Mayo 2011) Pelusín el Mensajero n° 6 (Junio 2011) Pelusín el Mensajero n° 7 (Julio-Agosto 2011) Pelusín el Mensajero n° 8 (Septiembre 2011) Pelusín el Mensajero n° 9 (Octubre 2011) Pelusín el Mensajero n° 10 (Noviembre 2011) Pelusín el Mensajero n° 11 (Diciembre 2011)
Galería El Retablo No 8313 e/ Medio y Milanés MATANZAS 40100 - Cuba Telf: 45 28 31 78
Comité Ejecutivo del Centro Cubano de la UNIMA
Presidente: René Fernández Santana. (papalote@atenas.cult.cu)
Vicepresidentes: Armando Morales (armandotiteres@cubarte.cult.cu) Norge Espinosa. (norge@cubaescena.cult.cu)
Secretario General: Rubén Darío Salazar (títeres@atenas.cult.cu)
Tesorera: Blanca Felipe (leonor@infomed.sld.cu)
Vocales: Maribel López, Zenén Calero, Cristian Medina, Yosbani Abril, y Julio Cordero
Consejeros permanentes: Roberto Fernández y Pedro Valdés Piña.
Contactos regionales: Félix Dardo, Miguel Santiesteban, Idania García, Eudys Rodríguez, Maribel López, Yosbani Abril,, Cristian Medina, Yaki Saiz, Arneldy Cejas, Carlos González, y Yudd Favier.
Miembro de Honor: Mayra Navarro
5/08/2010
Entre el 20 y el 24 de Septiembre 2010, se desarrollará en Matanzas el Curso Creación de Espectáculos y Dirección Escénica de Teatro de Títeres y Actores, a cargo del director artístico aragonés Paco Paricio.
Será un curso solo para directores artísticos profesionales, con más de dos espectáculos de teatro de títeres en curriculum y miembros del Centro Cubano de la UNIMA.
La selección de los 15 profesionales cubanos que tomarán el taller se hará por la fecha de llegada de las solicitudes, la cual debe adjuntar una síntesis curricular de su obra artística como directores de espectáculos de teatro de títeres.
Los horarios de clase serán de 9 a 1 pm y de 4 a 6 pm, desde el lunes 20 al viernes 24.
La lista de profesionales seleccionados será dada a conocer antes del 31 de Agosto.
Francisco Paricio Casado:
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25/05/2010 The Czech UNIMA Centre invites you to read its last Report in pdf format
27/05/2009 Mateřinka'09 - Liberec
The festival invited this year 5 foreign and 10 Czech puppet theatres and groups. In the programme there is the children workshop of shadow theatre, led by Iranian puppeteers, the projection of new Czech animated film by J. Bárta and large exhibition of puppets in North Bohemian Museum.
27/10/2006 Report on the Activity of the Czech UNIMA Centre in 2005 The activity of the Centre consisted like each year of more or less important events organized by the Centre for its members and for the wider puppetry community. A friendly meeting of puppeteers and art lovers took place in the Prague Castle's Lobkowitz Palace in March as a tribute to the long-time UNIMA member Mrs.
Milada Trčková on the occasion of the end of the exhibition Academic Artist Milada Trčková - Life like in a Fairytale. The World Puppetry Day was commemorated at a press conference on 16/3/2005. An important social meeting of the Czech UNIMA Board and of almost half the members of the Executive of UNIMA International took place in June at the Mateřinka 2005 festival of professional puppet theatres. Besides the Czech members of the Board, the festival guests included also observers from four continents - Canada, Croatia, Slovenia, Australia, Denmark, Spain, Iran and Slovakia representing artistic institutions, festivals and the UNIMA organization headed by its Secretary General, Mr. Miguel Arreche. The events included also the meeting of the UNIMA's Committee for International Festivals whose chairman is Stanislav Doubrava, UNIMA's vice-president and director of the Naïve Theatre in Liberec. The Centre also participated in the preparation of the 15th annual festival One Flew over the Puppeteer's Nest (4–6/11/2005) and organized the UNIMA's regular annual General Meeting where it informed the members on the activity of the Centre and its plans for the future. A debate on the subject of "The Problems of the Czech Puppet Theatre" took place within the General Meeting.
The Board organized again the survey of puppetry specialists regarding the UNIMA Erik Award 2005. Based on personal visits of foreign puppeteers and on written inquiries, the Centre provided information on the history and the present of the Czech amateur and professional puppetry and on the possibilities of study at the Department of Alternative and Puppet Theatre of the Academy of Music and Dramatic Arts (KALD AMU) and it recommended programmes and ensured tickets to theatres and contacts to the performers, as needed.
Dead of Jan Dvořák
The sad news is the passing of our dear puppet master and friend - puppeteer, director and honorary member of UNIMA, Jan Dvořák, in the Czech Republic on 16 January 2006. He later became director of the legendary
DRAK Theatre, where he worked for many years, producing incredible puppet theatre, throughout Europe and around the world. All his students, friends and co-workers remember him as the initiator of several significant puppet theatre projects, such as the first international project after 1945 “Janošík”, where he united puppet theatres from Czechoslovakia and Poland.
EXHIBITION - SYMPOSIUM - MEETING In April 2006, there was a commemoration in Prague of the outstanding man of theatre and unforgettable personality of Czech modern puppetry - Dr. Erik Kolár.
His personality is connected not only with the Czech pre-war puppetry (he was active as a director and dramaturge in the Prague foremost amateur society Umělecká výchova) but, most of all, with the post-war era.
A number of events were held on the occasion of the 100th anniversary of his birth: The opening ceremony followed by a dramatic performance I HAD A WONDERFUL LIFE about the life and work of Erik Kolár.
The exhibition will last until the end of June. This event took place on 8 April 2006 at 10:00 a.m. in the Haller Hall of the Theatre Faculty in Karlova Street in Prague. Several prominent guests from among Kolár's students, UNIMA members who worked with him in the Presidium, former members of the teaching staff of the DAMU Puppetry Department and his closest friends are invited to these celebration events by the Theatre Academy of Performing Arts (DAMU) and the Association of Professional Puppeteers.
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7/07/2010
Kære medlem af UNIMA Danmark,
Læs i dette nummer:
Nyhedsbrevet kan også tilgås fra Nyhedsbrev2011
OBS Kurset med Carl Press er der kun meget få pladser tilbage på.
Med venlig hilsen / Best regards Email: saj@unima.dk
7/07/2010 REPORT
FOR
UNIMA
DANMARK
2009/2010 UNIMA
nationally: For
the
11th
year
consecutive
UNIMA
Danmark
has
been
granted
support
for
2009/2010
from
the
t he
Danish
Arts
Agency . The
amount
for
previous
years
has
been
50.000
Dkr
but
last
year
it
was
reduced
to
32.550
Dkr. This
is
due
to
a
general
reduction
in
support
on
a
yearly
basis
for
the
theater
organisations
receiving
this
kind
of
support. The
Danish
Arts
Agency
does
not
wish
to
support
the
running
of
the
various
associations
but
solely
the
international
work
carried
out
by
these.
For
the
year
2009/2010
we
have
received
35.000
Dkr
in
support.
This
must
be
regarded
as
an
appreciation
of
our
international
activities. As
a
matter
of
fact
it
is
a
double
victory
since
we
have
not
been
cut-back
as
could
have
been
expected
and
the
support
has
been
raised. To
this
should
be
added
that
we
have
re-thought
our
international
work
by
co-operating
and
starting
new
projects
with
other
UNIMA
centers. The
Newsletter: 3-4
newsletters
are
published
every
year. There
is
a
continued
evaluation
of
the
newsletter
by
the
committee
as
well
as
an
ongoing
debate
about
other
ways
of
communication
and
about
the
joint
venture
of
an
all
Nordic
magazine.
It
has
been
determined
that
the
newsletter
will
be
sent
out
mostly
by
email
in
the
future. The
Website: The
committee
also
evaluates
the
website
continuously
and
at
the
moment
it
is
being
totally
re-done
as
well
in
lay-out
as
in
content. Festivals: The
most
important
festivals
in
Denmark: Copenhagen
Puppet
Festival
(a
festival
for
grown
ups)
took
place
from
19
to
29th
March
at
Vesterbro
in
Copenhagen.
UINMA
Danmark
was
one
of
the
sponsors
of
the
international
programme
and
the
workshops. In
2010
the
puppet
festival
shall
be
back
as
a
festival
for
children
under
the
name
fPuppet
Juniorf.
Maria
Suh
and
Barnaby
Pedersen
are
the
extremely
active
people
behind
these
festivals. At
Bornholm
fBornholms
Middle
Ages
Centerf
in
co
operation
with
Svanekegården
arranged
a
flow
technology
and
environmentally
correctf
international
festival
from
11.
to
20.
September. The
festival
in
Silkeborg
fFestival
of
Wonderf
arranged
by
Ulla
Dengsøe
takes
place
every
other
year
and
it
took
place
from
12.
to
15.
November
in
2009. This
festival
is
by
far
the
biggest
puppet-
and
animation
festival
in
Denmark.
It
also
has
work
shops,
films
and
exhibitions. Moreover
there
are
2
big
festivals,
the
children-and
youth
festival
plus
the
yearly
children
and
youth
festival
in
Horsens. Communication
and
Exhibition: The exhibition f Puppets turning up in the Round Towerf took place in Copenhagen from 4. October till 16. November 2008. There is a thorough description of the project in the newsletter. I would like to add that it was an impressive and very fine and beutiful project where a lot of spectators had the opportunity to see all the various exhibited puppets and take part in one of the many work shops. On top of it all Janne Kjærsgaard and Lilo Skaarup succeded in making a small profit on this abundant project.
Education and Post Education The Theater School in Odsherred is getting to be an important partner regarding education. The leader Martin Elung has opened up a new department especially designed for our area. The name of the department is Puppet and Animation Theater. On the web site it is possible to see all the courses that are offered and suggestions about other courses and activities are most welcome. I have been chosen to be in charge of this department.
UNIMA International: The Northern countries: In 2009 a Nordic/Baltic meeting was held from 12. to 19. May in connection with The Baltic Sea Countries Puppet Theater Festival in Northeim in Germany. There was a lot of support and satisfaction all over with the fact that these meetings were resumed. The next Nordic meeting took place in Oulo in Finland from 22. till 26. October 2009.
UNIMA in the Nordic countries define the Nordic/Baltic countries as Norway, Sweden, Denmark, Finland, Iceland, Germany, Poland, Estonia; Latvia, Lithauania and representatives from Saint Petersburg in Russia.
Commissions: Ida Hamre continues as member of the commission: Education, Development and Therapy.
I, the undersigned, continue as member of fThe Proffessional Training Commissionf
Best regards from the president, Hans Hartvich-Madsen
26/05/2009 National Activities The association issues a Newsletter about three times a year and has a relatively elaborate website and a web-based discussion forum - "Groupcare" with digital information services that is used by an increasing number of members. Additionally, the association collaborates with other Scandinavian countries in publishing a mutual Nordic magazine. For three years UNIMA Denmark has appointed a new Honorary Member each year, who is specially commended for his or her work, and who receives a free life membership and a specially crafted puppet. There are six or seven UNIMA Denmark board meetings a year.
Festivals Under the heading "Living Room" three round table discussions were arranged with the following themes: Three UNIMA Denmark board members were mediators along with with invited international guests from France, Slovenia and Serbia.
Education and Further Education
Other Activities
In the autumn of 2007 UNIMA Denmark initiated a seminar entitled "The Animation Figure as a Tool". Twenty-five people from many different lines of work with a common interest in this particular theme participated. Many people in Denmark are also working from this perspective and during the seminar the clear need emerged for further exchanges of experience and professional information.
International Activities UNIMA Denmark has initiated a bilateral collaboration with UNIMA Serbia that promotes the exchange of theatre professionals for mutual support, professional inspiration and the establishment of networks.
Three Nordic meetings were held in connection with the Baltic Sea Festival, the UNIMA Congress and the UNIMA Council.
UNIMA Denmark has provided financial support for a collaboration project with "Beong-Neere" (Håbets Kompagni) from Burkina Faso, West Africa. Seven youths pais a three-week visit to Denmark in September 2007 for exchange purposes with Danish youths, and to perform animation theatre shows and conduct workshops.
The Board of UNIMA Denmark
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1/09/2011
Official announcement from the Northern Eastern European Centre for Puppet Arts (NEECPA)
We’re happy to announce that in consequences of Nordic meeting in St Petersburg on the 25th of June 2011, we have founded The Northern and Eastern European Centre for Puppet Arts (NEECPA).
The charters of NEECPA are in English and in Russian.
If you’d like to know more about the membership, please don’t hesitate to ask questions from us !
Headquarter of NEECPA
19/08/2011
Tallinn, April 2011 The previous President (2009-2011) Mr Meelis PAI continues the work as a Board member. Riho TAMMERT continues his work as the National Treasurer.
The new National General Secretary of Estonian UNIMA is Annika LAND-REISSER and Anna-Liisa ÕISPUU continues the work as the board member. The headquarter locate in the rooms of NUKU.
The Estonian UNIMA Board for 2011-2013:
Members of the Board:
Rein AGUR
Harry GUSTAVSON
Mart PUUST
Rosita RAUD
Anna-Liisa ÕISPUU
Vilma ILVES
International Counillors from Estonian UNIMA: Meelis PAI - meelis.pai@nuku.ee
The number of members in UNIMA Estonian Centre is 59, including 7 puppet theatres.
UNIMA Estonia 11/05/2011
Tallinn Treff Festival and the fusion of arts
From
28th of May til 1st of June 2011 the streets of Tallinn Old Town will become more than a tourist attraction.
Since Tallinn is the European Capital of Culture, the festival programme will be bigger and stronger than ever. 700 performers will be arriving from 18 countries around the world and give 150 performances during the five days of the festival.
The fusion of arts at Tallinn Treff Festival includes a wide variety of performances, including dance, drama, puppet theatre, performance art, visual theatre, music, art. The street programme will start every day from 12 at noon and finish at 4 pm. All street performances are free of charge.
In the evening time one can visit world famous visual and contemporary puppet theatre shows. Including plays like Duda Paiva Company’s „Bastard“ (Netherlands), Compagnie Sans Soucis’ „Hamlet/Machine” (France), Compagnie Une de Plus’ „Trois” (France), Editta Braun Company „Luvos, vol. 2“ (Austria), Big Puppet Theatre of St Petersburg’s „We“ (Russia), Quanzhou Marionette Troupe’s „Ancient Arts, New Paths“ (China).
During the festival there will be two special exhibition openings “1000 Puppets” on the shop windows of Tallinn Old Town and 8 over life-size sculptures made of construction foam by Estonian greatest artists and that will be moving around the old town.
Tallinn Treff Festival is a meeting point for artists from the East and West, not only amongst professionals but also engaging students of performing arts.
More info on the Homepage of Estonian Puppet and Youth Theatre.
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18/01/2012 Unima Finland Report 2011 Unima Finland was founded February 11, 1984. February 11 has proclaimed the Day of Finnish Puppetry and it is celebrated with the Message for National Puppetry Day, and also Puppetry Award of the Year is given. Unima Finland got a grant from the Cultural Ministry of Finland. Office of UNIMA Finland was situated in the City of Oulu, in the Cultural Centre Valve. Unima got support for the salary of the part-time secretary from the Ministry of Employment and the Economy and from the City of Oulu. There was 180 members in Unima Finland: 148 individual members, 7 student members, 15 honorary members and 10 theatres.
Unima Finland was promoting the puppet theatre in many ways: During the weekend there was 11 performances, on saturday five performances for the young and adults and on sunday 6 performances for children and families.
There were more audience than ever, and Finland's main newspaper Helsingin Sanomat published two half-page articles on puppetry. The director of John-Eleanor; Merja Pöyhönen, was awarded by Kritiikin Kannukset, the Spurs of the Critique, which is very special acknowledgement of the Finnish reviewers.
A Finnish group was also awarded abroad: There is Puppet theatre education in puppetry specialization in Arts Academy at Turku performing arts department, and in Pieksämäki in Agricola Training center, which prepares for vocational examination in puppetry pedagogue or puppet constructing. Ten years of professional education in Finland can be seen on the stage today. It is affecting on the quantity and quality. The themes of performances are modern and current as well as the technical and artistic realisation have risen on a new level.
In this and forthcoming years Unima Finland in going to pay more attention to amateur puppeteers and puppet theatres. Councillor Katriina Andrianov attended the meeting of Research Commission in Connecticut 3.4.2011. Councillor Kati-Aurora Kuuskoski attended in St. Petersburg XII th Baltic Sea Countries Puppet Theatre Festival and meeting and Xth Jubilee Festival Kykart in 24.-26.6.2011. Councillors Kati-Aurora Kuuskoski and Janne Kuustie participated in the International Barents Puppet Theatre Festival in Murmansk, 14.-17.9.2011.
Unima Finland joined to NEECPA, The Northern and Eastern European Centre for Puppet Arts.
Unima Finland apply Unima Congress 2016. General Secretary Jacques Trudeau visited in Oulu, Finland in the end of October on the End of Daylight saving time -festival.
Nukketeatteri magazine is the one and only puppetry magazine in Finland. President of Unima Finland in 2011 was Ms. Teija Muurinen, Puppeteer, Puppet Theatre Centre Buoy, Helsinki
Board members 2011:
Unima Finland Report 2010 The day of constitutive meeting of Unima Finland, February 11, has proclaimed the Day of Finnish Puppetry and it is celebrated with the Message for National Puppetry Day, and also Puppetry Award of the Year is given. The exhibition of Theatre puppets from Theatre Museum, "Invisible hand" was touring in Vaasa and Joensuu. Unima Finland gets a grant from the Cultural Ministry of Finland. Office of UNIMA Finland is situated in the City of Oulu, in the Cultural Centre Valve. Unima gets support for the salary of the part-time secretary from the Ministry of Employment and the Economy and from City of Oulu. There were 172 members in Unima Finland: 143 individual members, 4 student members, 15 honorary members and 10 theatres. There was six board-meetings and one general meeting. Membergatherings were in February in Oulu, in September on cruise from Turku to Helsinki and in December in Helsinki. Unima has organized a festival called the Showcase of Finnish puppetry for four times since 2007. The Showcase 2010 was in Oulu in February as a part of Oulu International Children's Theatre Festival. Counsillors of Unima Finland were in Dordrecht in Unima Congress.
Some Finnish groups have been awarded abroad lately:
25/05/2010 Report
2009
UNIMA
Finland
Anniversary Celebration In 2009, UNIMA Finland celebrated its 25th anniversary with several events while Finnish puppetry was celebrating its 100th anniversary. As early as 1909, Kalle Nyström’s Marionett-teatern started giving regular puppetry performances in Helsinki, the capital of Finland.
On the 11th of February, The Day of Finnish Puppetry was celebrated with t he Message for National Puppetry Day, and also the first Puppetry Reward of the Year was given. On that special day, in co-operation with Unima Finland, an extensive puppetry exhibition "The Invisible Hand" opened in Theatre Museum in Helsinki. There were more than 300 theatre puppets from 19th to 21st century that are now touring Finland in different museums. On that very day was published the first ever Book of Finnish Puppetry, which tells in 326 pages about the history, development and present status of Finnish puppetry.
During the spring Theatre Museum hosted also a series of lectures on puppetry research in collaboration with Helsinki University and a panel discussion on puppetry education in Finland in collaboration with UNIMA Finland.
In February and March UNIMA Finland organized two Puppetry Showcases, in Oulu and in Helsinki presenting 12-14 puppetry groups and workshops for children and adults.
In October puppet theatres from Finland, Iceland, Norway, Russia and Sweden- as well as artists from Denmark and USA - convened at the VII Barents Sea Region Puppet Theatre Festival in Oulu and Rovaniemi.
The puppet theatre networks in the Barents and the Baltic sea regions, which were launched in the early 1990s, have regularly organised festivals, joint projects and training events in their member countries. The Baltic Sea Countries Puppet Theatre Network gathered together in conjunction with the Barents Region puppet theatre festival in Oulu to decide on joint projects and the next festival in 2010 in St. Petersburg, Russia.
Research on puppetry is also marching on in Finland: in October 2009 The University of Tampere, The Centre for Practice as Research in Theatre hosted the very first International Conference of Stage Animation, where the leading researchers (Ida Hledikova, John McCormick and others) in the field discussed stage animation and puppetry as a modern form of art. The project was headed by Katriina Andrianov, a member of the UNIMA Research Commission, who is currently working on her doctoral dissertation on puppetry at the University of Tampere.
The first meeting of the Research commission for 2008-2012 was held on Saturday the 31st of October 2009 at the Centre for Practise as Research in Theatre, Tampere.
There will be several international puppetry festivals in Finland in 2010: In May the VIIth International Puppet Theatre Festival in Tampere organised by Theatre Mukamas and The the Black and White Theatre Festival in Imatra. In Oulu Puppet Theatre Akseli Klonk will host in the end of October a regular puppetry festival called "Summer Time Ends". In context of "Summertime Ends" there will be the 6th National Puppetry Contest, where the winner gets reward of 2500 euros. Puppetry has also a signifcant part in many other Theatre festivals in Finland.
Unima Finland publishes twice a year puppetry magazine called Nukketeatteri. Some of the articles are also in English. Membership newsletter is sent 3 - 4 times a year and every month members are informed by e-mail.
12/06/2009 DIMENSIONS OF FINNISH PUPPETRY CELEBRATING ITS 100th ANNIVERSARY
Finnish puppetry has been celebrating its
100th anniversary in 2009. As early as 1909, Kalle Nyström’s Marionett-teatern started giving regular puppetry performances in Helsinki, the capital of Finland. The repertory consisted of satirical shows for adults and tales for children. In the course of one century Finnish puppetry has made a long journey from the margin to become part of the mainstream in theatrical arts.
The 1990s continued the strong growth of Finnish puppetry with many new groups. The young generation graduating from The Turku Arts Academy vocational puppetry education started entering the puppetry stage. The beginning of a new millennium in 2000 was marked by three generations of puppeteers working side by side with various approaches to the art of puppetry. Traditional stories and fairytales for children meet new themes and aesthetics, plays aimed at adult audiences are presented combining modern puppetry, dance, circus, video clips and visual theatre.
In 2009, UNIMA Finland celebrated its
25th anniversary with several events. On the
11th of February, The Day of Finnish Puppetry, Theatre Museum in Helsinki opened an extensive puppetry exhibition “The Invisible Hand”. More than 300 theatre puppets from
19th to
21st century are now touring
around Finland in different museums. The puppet theatre networks in the Barents and the Baltic Sea regions, which were launched in the early 1990s, have regularly organised festivals, joint projects and training events in their member countries. The Baltic Sea Countries Puppet Theatre Network gathered together in conjunction with the Barents Region puppet theatre festival in Oulu to decide on joint projects and the next festival in 2011 in St. Petersburg, Russia.
Finnish puppetry artists have contacts and networks spanning many continents.
Research on puppetry is also marching on in Finland: In 2010 Finland hosts several puppetry festivals: In the beginning of May the
VIIth International Puppet Theatre Festival in Tampere organised by Theatre Mukamas will be attended by guests from all over the world. The festival also involves courses and workshops. The Black and White Theatre in the eastern city of Imatra will arrange as well in May the Black and White Theatre Festival, where guest artists as far as from Iran have been performing. In western Hämeenlinna, the Hippalot festival is held each August including puppet theatres from various countries.
The vocational training in puppetry started in Turku in 1994 and has from the start had a strong international dimension. The head of The Puppet Theatre Department of Turku Arts Academy at the University of Applied Sciences is Dr. Anna Ivanova-Brashinskaya from St. Petersburg. At the moment the department has students from Finland, Estonia, France, Germany, Lithuania and Japan.
Puppetry has become a vital and important part of theatrical arts in Finland, it is widely used also in productions of municipal and dance theatres, even in circus performances. It is also a very popular form of art: according to the official theatre statistics (which include only a part of ca. 30 professional units) puppet theatres had nearly 190 000 spectators attending appr. 2000 performances all over Finland. Marjut (Maiju) Tawast, member of UNIMA Finland since 1984
12/08/2009 Unima Finland will arrange Baltic-Nordic Unima meeting in Oulu, 25th of October. Meeting will be held during The Baltic Region Puppet Theatre Festival 22.-26.10. which will be held in Oulu and one day in Rovaniemi.
There will be "a puppet train" from Oulu to Rovaniemi and back on Friday
23th.
After Barents Festival it is possible to participant to the international conference of stage animation which is held in Tampere
29.-30th of October.
Contact info:
13/08/2009
Report 2008 UNIMA FINLAND
STEADY
RATE
OF
MEMBERSHIP
ASSURES
CONTINUITY There are three permanently state subsidised professional theatres (Puppet Theatre Sampo in Helsinki , Theatre Hevosenkenkä in Espoo and Theatre Mukamas in Tampere). The Finnish state has granted a state subsidy for two groups (The Akseli Klonk Puppet Theatre from Oulu and Puppetry Centre Poiju from Helsinki) for their activities in 2008. Furthermore there are some twenty professional free groups and solo theatres, over fifty amateur groups, six Puppetry Centres and quite a number of persons who actively use puppetry in their work in schools, day-care centres and libraries. The range and rate of members have assured continuity and credibility to the UNIMA activities. Although UNIMA Finland, like most of its sister organizations in the world, lacks the economical resources for any big projects, it has been able to share its expertise of puppetry in many levels and become a seriously-taken partner in the national and regional cultural policy-making. All
the
activities
of
our
centre
has
been
volunteer-based
until
February
2008.
After
24
years
activity,
UNIMA
Finland
had
its
first
paid
employee,
a
part-time
secretary.
Salary
was
paid
by
Unima
Finland
together
with
city
of
Oulu.
The
financial
resources
came
from
the
membership
fees
and
a
Ministry
of
Education
support,
which
was
last
year
8000
euros. The
corner
stones
of
UNIMA
Finland
activities
are: LINES
OPEN:
INFORMATION
AND
COMMUNICATION UNIMA Finland biannual periodical, UNIMA Lehti (from autumn 2008 named Nukketeatteri -lehti), publishes articles on various aspects of puppetry, both theoretical and practical. Each issue focuses to one theme containing interviews, articles and reports. Themes in 2008 were Acting in Puppetry and Festivals. Altogether 400 copies of this periodical were distributed to the Finnish UNIMA members plus to the national and regional bodies of cultural decision-making, the arts councils, the national theatre organizations, Nordic UNIMA centres and to the UNIMA International. In the year 2008 UNIMA Finland published two magazines: the Nordic UNIMA Magazine (together with Sweden, Norway, Danmark and Island) and Nukketeatteri-lehti in autumn. The National Day of Finnish Puppetry was celebrated on the 11th of February, the birthday of UNIMA Finland. On this very day puppet theatre performances and other events take place all over the country. A special Puppetry Day Statement is written by a person who has a keen involvement in the Finnish Puppetry events. This statement was distributed nation wide to the press and recited to the public before the performances. In the year 2008 statement was written by UNIMA board member Marja Susi. REGENERATION:
IN
THE
SPIRIT
OF
GOOD
CHANGE A positive development for puppetry has been the naming of four Regional Artists in Puppet Theatre Arts by the regional Arts Councils, which form a part of our national cultural administration. The system allows the chosen artist to work full-time for 2 - 6 years to promote his/her field of art in the region. Ms. Leila Peltonen worked in 2001-2006 in Lapland, Mr. Hannu Räisä continues his work (2002 - 2008 ) in Häme, Mr. Timo Väntsi in Turku ( 2007- ) and Mr. Jyrki Tamminen (2008-) in North-Carelia. SECURING
THE
FUTURE:
GOAL-ORIENTED
TRAINING
AT
ALL
LEVELS DOCUMENTING
TRADITION
AND
DEVELOPMENT:
THE
BOOK
ON
PUPPETRY
IN
FINLAND PART
OF
THE
WORLD:
INTERNATIONAL
CO-OPERATION Other
international
connections In
Rijeka
2004
Congress,
Theatre
director,
Ms.
Mansi
Stycz
was
chosen
to
the
UNIMA
International
Executive
Committee
and
was
appointed
as
the
chairperson
of
the
European
Commission.
She
was
not
anymore
selected
in
the
kongress
of
Perth. CONTACTS:
Secretary UNIMA
Finland UNIMA
Finland
Board
2007
–
2008 UNIMA
Finland
Councillors
2008
–
2012
6/03/2008 Report 2008 UNIMA FINLAND UNIMA FINLAND STEADY RATE OF MEMBERSHIP ASSURES CONTINUITY There are three permanently state subsidised professional theatres (Puppet Theatre Sampo in Helsinki , Theatre Hevosenkenkä in Espoo and Theatre Mukamas in Tampere). The Finnish state has granted a state subsidy for two groups (The Akseli Klonk Puppet Theatre from Oulu and Puppetry Centre Poiju from Helsinki) for their activities in 2008.
Furthermore there are some twenty professional free groups and solo theatres, over fifty amateur groups, six Puppetry Centres and quite a number of persons who actively use puppetry in their work in schools, day-care centres and libraries. All the activities of our centre has been volunteer-based until February 2008.
After 24 years activity, UNIMA Finland has its first paid employee, a part-time secretary.
The financial resources come from the membership fees and a Ministry of Education support, which is this year 8000 euros.
LINES OPEN: INFORMATION AND COMMUNICATION
UNIMA Finland biannual periodical, UNIMA Lehti, publishes articles on various aspects of puppetry, both theoretical and practical. Each issue focuses to one theme containing interviews, articles and reports.
The National Day of Finnish Puppetry is celebrated on the
11th of February, the birthday of UNIMA Finland. This year 2008 statement was written by UNIMA board member Marja Susi.
REGENERATION: IN THE SPIRIT OF GOOD CHANGE
A positive development for puppetry has been the naming of four
Regional Artists in Puppet Theatre Arts by the regional Arts Councils, which form a part of our national cultural administration.
SECURING THE FUTURE: GOAL-ORIENTED TRAINING AT ALL LEVELS Puppetry is also included to the
Competence Based Professional Qualification
Programme, run by The Finnish National Board of Education. The Vocational Qualification system is funded by the state and municipalities and is working under the auspices of the Ministry of Education. Additional training is practically always needed to pass the test. This training is provided by Adult Education Institutes in Pieksämäki and in Tuusula.
UNIMA Finland is represented in the Commission that defines and supervises the puppetry skills standards.
DOCUMENTING TRADITION AND DEVELOPMENT: THE BOOK ON PUPPETRY IN FINLAND
The book will be published 11.2. 2009, on the 25th anniversary of UNIMA Finland.
PART OF THE WORLD: INTERNATIONAL CO-OPERATION Scandinavia: there is a long tradition of the Nordic UNIMA Centres to discuss common issues and policies and implement joint projects in training, festivals and publishing. In the connection of the Tolosa
UNIMA Council Meeting a meeting was held by the Nordic councillors present. The Baltic Network between the Nordic and the other countries around the Baltic Sea - Germany, Russia, Estonia, Poland, Lithuania and Latvia has been active for over ten years. The next festival will be held in 2008 in Germany.
The Barents Region Network consists of regions of northern Norway, Sweden, Finland and the Northwest Russia. Started by the initiative of puppeteers in Finnish Lapland,
Barents Puppetry Network has gradually been built up.
Other international connections This year 2008 two (Janne Kuustie and Katriina Andrianov) of four councillors will participate to the Congress in Perth. In Rijeka 2004 Congress, Theatre director, Ms. Mansi Stycz was chosen to the UNIMA International Executive Committee and was appointed as the chairperson of the European Commission. The International Mukamas Puppet Theatre Festival will be arranged in Tampere 12.-17.2008. The Fifth international “Black and White” Theatre Festival , which includes mostly puppetry, will take place 28.-31. of May in Imatra. In August 28.-31.8.2008 Seven plus Seven International Solo Puppet Theatre Festival will be arranged second time in Rovaniemi, Lapland. The Akseli Klonk Puppet Theatre arranges “Summertime Ends” puppet theatre festival 23.-26.10.2008 in Oulu. In context of “Summertime Ends” there will be the 5th Puppetry Contest, where the winner gets reward of 2500 euros. Over the last two years many UNIMA member theatres and individual members have been performing in international festivals or made exchange visits abroad, in Europe, Asia, Africa, South America and USA. CONTACTS:
President
Secretary UNIMA Finland
UNIMA Finland Board 2007 - 2008 Secretary: Ms. Kati-Aurora Kuuskoski - Oulu
UNIMA Finland Councillors 2008 - 2012
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25/05/2010
Themaa - UNIMA France vous invite à lire son dernier Rapport en format pdf
4/06/2009 THEMAA
L’art de la marionnette Le théâtre de marionnettes est un lieu où acteurs et spectateurs sont en intelligence. Par le théâtre de marionnettes, le public adulte s’incorpore l’esprit de créativité passionnée de l’enfant. Et l’enfant accède à la tempérance enjouée de l’adulte. Le public en est changé. Et l’art change à son tour… C’est une des raisons pour lesquelles l’art de la marionnette est l’un des plus vivants sur la scène nationale et internationale. En tant que structure professionnelle, THEMAA entend défendre la légitimité de ce phénomène afin de répondre à la détermination des artistes: jouer pour chacun.
THEMAA
THEMAA fédère également la plupart des lieux de formation, des structures de programmation et des festivals dédiés à ce domaine. Cette solidarité fait de THEMAA un outil de relation et d’influence sur le territoire et auprès des tutelles. C’est un indispensable foyer de connaissance et de reconnaissance et un organe de transmission d’informations, de rencontres et de d’échanges.
Un dispositif éditorial
Un journal trimestriel: MANIP
Des publications
Un site Internet
La lettre d’information
Des actions
Les Rencontres nationales Pour 2010, s’organisent les Rencontres nationales «Marionnettes et Musiques».
Les états généraux de la marionnette
La Scène des chercheurs
Les journées professionnelles THEMAA suscite, propose et participe régulièrement à des rencontres à l’occasion d’événements, de festivals, de manifestations en régions afin d’être au cœur de la profession.
Des événements Cinq groupes de travail sont constitués, regroupant une centaine de participants: «Formation»; «ProfessionS»; «Création-production-diffusion»; «Recherche-patrimoine-édition»; «Communication». De ces groupes sont issus des projets cohérents: citons les Centres de Développement des Arts de la marionnette (lieux de compagnonnage), les «Points de vue» (la marionnette sous le regard de néophytes), TAM TAM (temps des arts de la marionnette du 14 au 18 Octobre 2009). De nouveaux partenaires régionaux et nationaux se joignent à ce mouvement en y associant leurs identités, leurs convictions, leurs publics ou leurs savoir-faire.
Autonomie et cohésion Aujourd’hui, par le rassemblement qu’il opère, THEMAA en est l’initiateur, l’un des acteurs premiers et le témoin.
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29/08/2010
Cette rencontre a eu lieu pour la première fois en 1988, lors du tout premier festival international du théâtre en papier, et se tient chaque année le deuxième weekend de septembre, à Preetz, une petite ville du nord de l’Allemagne. Entretemps il existe des festivals de ce genre en France et au Canada, mais les artistes ne se lassent pas de se retrouver à Preetz.
On peut y acheter de la littérature spécialisée, des modèles ou des tirages anciens, mais aussi participer à un workshop. UNIMA Allemagne sort un numéro spécial du DaT en collaboration avec le PuK (Museum für PuppentheaterKulktur) et la maison d’édition Puppen & Masken: „Bross 100“ (63 pages avec de nombreuses illustrations de ses marionnettes pour le théâtre et la télévision). Fritz Herbert Bross (1910-1976), un des fabricants de marionnettes allemands les plus connus, aurait fêté son 100ème anniversaire cette année. Après avoir étudié l’article de Kleist sur le théâtre de marionnettes, il a complètement révolutionné la fabrication et le jeu des marionnettes dans l’Allemagne d’après guerre. Il a développé la croix qui permet de manipuler les différentes parties de la marionnette ainsi que la technique de jeu selon les lois du mouvement pendulaire; ses marionnettes atteignaient par leurs mouvements une grâce indescriptible. Bross a transmis son savoir dans de nombreux cours. Son élève le plus important, Albrecht Roser, l’a fait connaître sur le plan international.
L’exposition „Bross 100 - Ein hundert Figuren aus Meisterhand“ se tient au PuK du 2 septembre 2010 au 30 janvier 2011 et est accompagnée par une série de conférences et de représentations à caractère historique.
The 23rd International Paper Theatre Gathering is taking place in Preetz from 10-12 September 2010. Founded in 1988, the festival takes place every year during the second weekend in September in Preetz, an historical small town in northern Germany. While larger paper theatre festivals have been established in France and Canada in the meantime, artists still love to gather in Preetz.
As well as performances, specialist literature, models, antique prints and workshops are also on offer.
Fritz Herbert Bross, (2.9.1910 – 26.5.1976), one of the most well-known German marionette makers, would have celebrated his 100th birthday this year. After reading Heinrich von Kleist's essay "On Marionette Theatre", Bross radically revolutionised marionette construction and performance in Germany post-1945. He developed control designs and performance techniques in accordance with the laws of pendular motion; his marionettes achieved an indescribable grace of movement. He passed on his experise in countless workshops. His most significant pupil, who also succeeded in bringing his teacher international recognition, was Albrecht Roser.
The Special Exhibition "Bross 100 - one hundred figures from the master's hands" offers the public lectures and historical productions from 2 September 2010 until 30 January 2011.
Le Musée de la Ville de Munich présente l’exposition Halt! „Die Klappe“ - Mechanisches Theater Göttingen du 12 février 2010 au 30 janvier 2011 En 1962, lors du congrès UNIMA à Varsovie, «Die Klappe» reçoit deux prix d’un coup. A partir de 1977, le groupe se produit sur la scène internationale, et ce jusqu’en 1997. Le fonds de l’exposition est une donation faite à la ville de Munich. Du 11 au 19 septembre 2010 a lieu pour la 27ème fois à Husum le festival international de la marionnette. A cette occasion, des artistes venus d’Allemagne, du Danemark, de Belgique et du Luxembourg joueront près de 60 pièces. Cette année le programme tournera autour du thème «littérature et théâtre de marionnettes»: on retrouvera Mark Twain, Lew. N. Tolstoi, Michael Ende, mais aussi Astrid Lindgren, H.C. Andersen et des contes des frères Grimm.
Le tout sera accompagné par une exposition de marionnettes de Fritz Herbnert Bross et des Danois Dänen Astrid Bernth et Lars Ringgaard.
"Die Klappe" won two awards at the UNIMA Congress 1962 in Warsaw. The group performed internationally from 1977 to 1997, at which time their archive was presented to the town of Munich. The town Husum will host its popular International puppet theatre festival for the 27th time from 11-19 September 2010. Companies from Germany, Denmark, Belgium and Luxembourg will stage almost 60 performances. The theme for this year is "literature and puppet theatre". Works from Mark Twain, Leo Tolstoy, Michael Ende and Astrid Lindgen will be performed as well as tales from Hans Christian Andersen and the Brothers Grimm.
An exhibition of puppets by Fritz Herbert Bross (Germany), Astrid Bernth und Lars Ringgaard (Denmark) will accompany the live performances
A cette occasion se tient un festival international du théâtre de marionnettes en trois blocs, dans lesquels la figure comique est au centre de nombreuses représentations et d’un symposium:
Inauguration de l’exposition «Kasper / Figure comique» avec des artistes contemporains venus des villes partenaires La ville de Lübeck héberge l’immense collection Fritz Fey jun., une collection privée jusqu’aujourd’hui encore trop peu connue sur le théâtre de marionnettes en Europe jusque dans les années 60, le théâtre de marionnettes et surtout le théâtre d’ombres en Asie et le théâtre de marionnettes à caractère religieux en Afrique.
Le catalogage de cette collection sera entrepris dès la fin de cette année et sera peu à peu rendu accessible au public sur Internet. Une exposition permanente d’une partie de cette collection se tient depuis environ 30 ans dans la vieille ville de Lübeck.
The town Bottrop is participating in the event Cultural Capital Ruhr 2010 TWINS with a Kasperiade (Kasper is the German equivalent of Punch, UK, or Pulcinella, Italy).
As part of the Kaspariade, an international puppet theatre festival will take place in three installments spaced throughout the year, during which the "comic figure" will be explored in symposiums and performance.
Exhibition opening "Kasper / Comic Figure" With international contemporary artists from the partner towns. The Hanseatic League town of Lübeck accommodates the enormous, yet largely unheard-of private collection of Fritz Fey Jr. The collection is a treasure trove of artifacts relating to puppet theatre in Europe from 16th century until the 1960s, puppet and shadow theatre in Asia and religiously influenced puppet theatre in Africa.
The collection will be gradually catalogued and made publicly available via the Internet starting at the end of this year. The Permanent Exhibition representing only a fraction of the total collection has been on display for the last 30 years in the old town centre of Lübeck.
25/05/2010
Report from UNIMA Germany c/o Theater der Nacht · Obere Straße 1 · 37124 Northeim Telefon 0049-5551-9080779 · Fax 0049-5551-919059 buero@unima.de - http://www.unima.de
With great grief we have to inform you that Rolf Mäser died in old age. He had been a board member of UNIMA GDR for many years and is therefore probably still known personally by many of you. We also mourn for Karl-Heinz Rother, a great collector of puppets. He had passed on his collection a few years back to the city of Bad Kreuznach which installed a museum for puppetry Museum für Puppentheaterkultur (PUK) based on this collection. He was a great and successful advocate for the fact that puppets should not just be displayed in glass show cases but like in any other exhibition puppetry exhibits should be presented in a meaningful and attractive way. It was important for him to present puppet theatre In a way that the dramaturgy of the exhibition becomes apparent.
UNIMA Germany currently has 407 members.
Publications of UNIMA Germany: We publish the magazine „Das andere Theater“ regularly 3 times a year. Each issue has a special topic. This topic is known far in advance so that members and other interested writers can submit articles. Topics of the last issues: No. 70 Paper and Toy theatre No. 71 - no special topic - No. 72 Amateur Puppetry No. 73 Literature and Puppetry No. 74 Effect of Puppets No. 75 Puppet makers of the 20th century - working title (commemorating the 100th anniversary of Fritz Herbert Bross) - to be published in September 2010
UNIMA Germany has 7 working groups which intensively follow the spirit of UNIMA and move it to public awareness. Working Group Deutscher Kulturrat (german cultural council): This council coaches representatives of German Cutural Afffairs. For the allocation of subsidies - for which all strands of the arts fight facing ongoing cuts in this sector - the public acknowledgement of puppetry art is vital. UNIMA Germany specifically supports the implementation of the medium puppetry in drama classes in schools. It points out continually the broad variety of contemporary puppet theatres in Germany. Contact: Frieder Paasche
Working Group Puppet theatre and Research: We counselled the opening of the International „Kasperiade“ in Bottrop within the framework of „Kulturhauptstadt RUHR 2010 TWINS“ and the first symposium „The Funny Character in Puppetry in Europe. A comparative study“ with participants from Hungary, Turkey and Germany was accompanied with a talk and a representative for the podium. Further talks and events are planned in September, 5-10th: „The funny character in politics“ and in November, 27-29th: The funny character and its educational significance“. In Magdeburg, a Mitteldeutsches Figurentheaterzentrum (centre for puppet theatre in mid-Germany) is planned. The building will soon start as an extension of the existing Puppentheater Magdeburg. Courses, an archive for central German puppet theatres, shows and festivals will shape the profile of this centre. The TheaterFigurenMuseum Luebeck published a new catalogue of its exhibits. Special publications are planned to slowly make the enormous resources of this museum accessible to the public. Contact: Silke Technau
Working Group Amateurs: Amateur puppeteers are organised regionally in Germany (see addresses below). They are organising workshops, shows and festivals where amateur and professional productions are shown. Contact: Rita Berg, Angelika Albrecht-Schaffer, Peter Räcker, Angelika Pauels
Working Group Puppetry and Education: A festival for school puppetry groups is held biennially in Theater der Nacht in Northeim- organised by Ruth Brockhausen. In Bochum - organised by the dfp led by Annette Dabs - the Fritz-Wortelmann-Preis is awarded to School and Amateur puppetry productions. Contact: Inga Hartmann, Hartmut Fischer
Working Group Shadow Theatre: The international centre for shadow theatre is led by Rainer Reusch; he currently tries to initiate a museum for shadow puppets in Schwaebisch-Gmuend. He passed on the organisation of his successful festival, held every three years in Schwaebisch-Gmuend to Sabine Hirtzel who had assisted him before. In October 2009 another successful edition of this festival took place. Recently a division of this working group formed in Hannover, which is also organising an international festival. The first two happened in 2007 and 2009. Contact: Rainer Reusch, Frieder Paasche
Working Group Puppetry in Therapy was initiated in March 2010 at the AGM. Contact: Barbara Scheel
Working Group „Road of Puppetry“: The aim is to create an internet map on which puppet theatres, venues, and puppetry museums in Germany can be found. Denmark, Norway and Latvia are joining this project. Contact: Ruth Brockhausen
Cooperations with other organisations and associations: In cooperation with Verband deutscher Puppentheater e.V., the Association of Professional German Puppet Theatres, we published the broshure „Figurentheater entdecken“ (Discover Puppetry), with which we are advertising the art of puppet theatre. There is no cooperation with the dfp in Bochum (led by Annette Dabs).
Further Information from Germany Northeim in the „Theater der Nacht“ hosted the Baltic Sea Country Festival in June 2009 organized by Ruth and Heiko Brockhausen. 10 productions from 10 countries around the Baltic Sea and from Norway were invited. The International Figurentheaterfestival in Erlangen/Nürnberg/Fürth was threatened by financial problems of the city, but international protest caused that Siemens will finance the festival in 2011. But the further future is unknown.
In Germany every federal state is solely responsible for arts and education, there is no central management. The financial situation of every city or community immediately affects the cultural events and subsidies. The general cuts demanded by the state are severe and are passed on firstly to the cultural/arts sector.
The department for puppetry arts at the University for Music and Dramatic Arts in Stuttgart who was threatened to be folded, after a huge protest officially still exists, but due to restructuring there are no interviews and auditions for the coming academic year. ---------------- http://www.unima.de ---------------------------
Also, the German UNIMA Centre invites you to read this Report in pdf format
6/07/2009
Dear madams, Dear sirs, For photos please visit our homepage: http://www.fidena.de For further information please contact me any time.
Best regards
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251/05/2010 Br UNIMA Centre report for the Dordrecht Council Meeting June 2010 Since the Perth Congress in 2008 we have continued to be financially stable and have gradually increased our membership (mainly due to the efforts of our Treasurer and Membership Secretary, and the interest generated by the Puppet Notebook).
We hosted two public John Philips Memorial Lectures; the first in November 2007 - Lordly Shades - Cambodian Shadow Puppetry - given by Robert Fowler. It was held at the Horniman Museum in London, which has a fine collection of puppets.
Caroline Astell Burt set up the BrUNIMA Puppetry in education and therapy study group in October 2008 and ran a seminar at the Rosemary Branch in London that included performances, talks and discussions.
BrUNIMA remains actively involved in PuppeteersUK, a consortium of British national puppetry organisations which also includes the British Puppet and Model Theatre Guild, and the two Punch and Judy organisations. Generally, U.K. puppetry continues to be in a strong position; an increasing number of art schools and university drama departments now offer puppetry modules; the annual International Student Puppet Festival, held in London at the Central School every spring, is now in its fourth year; puppets are appearing in many West End and provincial theatre productions, and at The National Theatre. The War Horse is still running to packed audiences. The puppetry scene in Scotland is vibrant, with the Manipulate Festival for adults and Puppet Animation Festival. Festivals in Bath, Skipton and Buxton, and Dynamics Festival in Birmingham, to name but a few, have become annual events. The Little Angel Theatre ran the Suspense Festival in autumn 2009, an important new festival for adult audiences. It has also hosted several events for BrUNIMA and their programme of shows, and masterclasses for adults is now well established, alongside the programme for children. Norwich Puppet Theatre is still open, in spite of funding cuts. It has become a receiving venue while awaiting funding decisions from the Arts Council, but it has also held a series of masterclasses over the past year ,and there are exciting plans afoot for a programme of in-house productions in collaboration with UK touring companies.
11/01/2006 We invite you to visit the British UNIMA website We are very sad to announce the death at the age of 91 of UNIMA Member of Honour George Speaight on
22nd December 2005.
Meg Amsden
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2/12/2005
The address is http://www.geocities.com/unimahellas which in a week or so it will turn into Best regards
5/09/2002
Sthatis Markopoulos - UNIMA-HELLAS |
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25/05/2010 NVP/UNIMA invites you to read its last Report in pdf format
31/03/2009 We presente you the new updated version 31 March 2009 of Holland, NVP/UNIMA titled Puppetry in the Netherlands.
2/11/2006 ANNUAL REPORT OF THE NVP-UNIMA , 2006 At the present moment the year 2006 is still with us and that is the reason why this annual report is not only a reflection of what has been happening over the past year but is also an indication of what lies ahead of us in the future. The NVP-UNIMA celebrated its’ 50th jubilee in 2005.
It gives us great pleasure to inform you that this festive year was a big success and had no financial consequences for the NVP-UNIM whatsoever.
1) Survey and policy 2007-2010
The board discussed the first draft of this new policy with members at the autumn meeting in Schoorl.
2) Courses:
3) Flemish organization ‘Open Doek’
4) A concept ‘Basic puppet show schooling for amateurs and beginners’ is in the process of being
written
5) Autumn tour
6) A Festival - “Dutch Puppet Show Days” - was
organized
Summarizing the above we can conclude that 2006 was an important year for:
Secretary NVP-UNIMA The Dutch Puppet Show Association - NVP / UNIMA
The NVP which was founded in 1955, celebrates its 50th anniversary this year.
The members of the association assemble twice a year in order to meet eachother and discuss association policy etc. The association also organizes other activities throughout the country and has its own magazine, website and extensive library. Every three years there is a presentation of the Wim Meilink prize.
Activities throughout the country:
WP:
Website:
Library
The 'Wim Meilink" prize: Further information about the NVP-UNIMA can be obtained from: http://www.poppenspelers.nl
or near the Secretary: Association Néerlandaise du Théâtre de la Marionnette - NVP / UNIMA
La NVP a été fondée en 1955 et elle en est donc cette année à son 50ème anniversaire. Dans les années 80 la NVP est devenue aussi le Centre-Unima pour les Pays-Bas. Deux fois par an les membres se réunissent pour discuter de la politique de l’association et pour se rencontrer. En plus de cela ces réunions s’ouvrent à des conférences et à des représentations.
L’association organise aussi des activités à travers le pays, elle publie une périodique, entretient un site et possède une bibliothèque bien outillée.
Activités à travers le pays:
WP:
Website:
La bibliothèque:
Le prix Wim Meilink:
Pour de plus amples renseignements touchant la NVP-UNIMA nous vous renvoyons à notre site:
ou auprès du Secrétariat de la NVP-UNIMA:
De Nederlandse Vereniging voor het Poppenspel - NVP / UNIMA
Die Vereinigung NVP wurde 1955 gegründet und besteht also in diesem Jahr fünfzig Jahre.
Aktivitäten im Land
WP:
Website:
Die Bibliothek:
Der Wim Melinkpreis:
Weitere Information über die NVP-Unima finden Sie auf unserer Website:
Sie können uns auch anrufen oder schreiben Sie an:
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9/01/2012
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21/03/2011
Dear UNIMA members around the world, happy "Worldwide Puppetry Day" !
We in UNIMA Iceland are so happy and bursting with pride of all the wonderful things that are going on these days in the world of puppetry in Iceland that we want to share it with all UNIMA members around the world.
Of course everybody is most welcome to come over and share the happiness with us.
Here is what's going on for the next couple of weeks:
B I P - Borgarnes International Puppet Festival
Workshop with Nicolas Gousseff
Michael Meschke, Guest of honor at the first B I P Festival, 2011
More information on Meschke: http://www.bruduheimar.is/en/bip/MICHAEL_MESCHKE.
Best wishes to you all from UNIMA Iceland ( http://www.unima.is
P.S:
We in UNIMA Iceland are on Facebook under the name: UNIMA Iceland and the B I P Festival is also there under the name: B I P - Borgarnes International Puppet Festival.
7/01/2010
UNIMA
Iceland The
art
of
puppetry
has
a
short
history
in
Iceland,
but
has
flourished
and
become
an
important
part
of
the
culture. During
the
past
50
years
many
groups
have
been
born,
some
of
them
have
died
young
whereas
others
have
been
very
successful,
participated
in
festivals
abroad
and
won
prizes
for
their
work. UNIMA
Iceland
was
founded
in
1975
with
the
generous
support
of
Michael
Meschke.
After
several
years
of
inactivity
a
new
board
was
elected
in
the
fall
of
2007
and
has
been
busy
with
promoting
the
art
of
puppetry
in
Iceland
and
reconnecting
with
the
international
community
of
UNIMA,
especially
with
the
fellow
Nordic
countries. Activities
have
included
the
following: -
Creating
a
website:
http://www.unima.is -
Curating
and
organizing
a
series
of
performative
lectures
in
the
National
Theatre
on
puppet
theatre
and
related
arts. -
Curating
and
organizing
3
small
scale
festivals,
raising
funds
for
Himalaya
Children
and
UNICEF.
There
is
an
ongoing
collaboration
between
UNIMA
Iceland
and
these
organizations. -
Organizing
workshops
for
puppetry
and
related
arts.
In
August
2009
we
invited
Petr
Matásek
to
Iceland
to
do
a
workshop
on
design
for
stage
for
puppetry.
The
workshop
proved
to
be
a
huge
success
and
inspired
fruitful
collaborations
and
brought
new
members
to
our
organization. We
have
good
news
to
share: -
Earlier
this
spring,
on
May
20th,
"Brúduheimar:
Center
for
Puppetry
Arts"
was
opened
in
Borgarnes,
a
small
picturesque
town
within
an
hour
from
Reykjavík
capital.
Brúduheimar
is
founded
by
renowned
puppeteer
Bernd
Ogrodnik
and
his
wife
Hildur
M.
Jónsdóttir.
The
centre
runs
a
museum,
a
café,
a
theatre
and
a
gallery
and
aims
to
organize
various
events
and
happenings
related
to
puppetry. -
The
Reykjavík
Maritime
Museum
has
started
a
collaboration
with
puppet
theatre
groups
Tíu
Fingur
and
Sögusvuntan,
introducing
the
Icelandic
Sagas
through
innovative
puppet
performances
in
Icelandic
and
English. There
is
still
much
work
to
be
done
to
promote
the
art
of
puppetry
in
Iceland,
but
these
are
indeed
exciting
and
vibrant
times
where
puppetry
is
getting
more
visible
and
approachable. We
hope
to
be
able
to
welcome
you
to
an
international
puppet
theatre
festival
in
Iceland
soon,
we
will
keep
you
informed
with
further
news
on
the
subject. We
are
happy
to
be
a
part
of
the
international
puppetry
community
again
and
hope
to
contribute
to
further
development
and
appreciation
of
the
art. Sigrídur
Sunna
Reynisdóttir Secretary
for
UNIMA
Iceland
7/01/2010 New
Board
of
UNIMA
Iceland
President: Helga ARNALDS
Secretary: Sigríður Sunna REYNISDÓTTIR
Tresurer: María Björk STEINNARSDÓTTIR
Website of UNIMA Iceland:
http://www.unima.is
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17/01/2011
We want to remind you the right address of the Indonesian Unima Centre:
Unima
Indonesia Phone: +62 21 8778 3566, +62 21 8779 9388 Fax: +62 21 8779 9387 Email: info@unima-ina.org
and we invite you to visit our website: http://www.unima-ina.org
7/07/2010
Report of UNIMA Indonesia
BACKGROUND
The stories of Ramayana and Mahabharata that originate from India have become the main branches of wayang stories not only in Indonesia but also in other parts of the world like South East Asian region. Presently, in Indonesia there are around 60 types of wayang and marionnette including the ones with non Ramayana-Mahabharata stories: such as wayang Suluh, Wayang Gebyog, Wayang Beber, Wayang Suket, Wayang Si Gale-Gale, SiI Unyil (that has ever been so popular on Indonesian television just like Muppet Show in USA), Wayang Potehi, etc.
Indonesian different types of wayang particularly Wayang Kulit Purwa (Javanese shadow puppet show), Wayang Bali, Wayang Orang (human puppet) and Wayang Golek Sunda (Sundanese Wooden Puppet) have performed countless numbers abroad. But, the encounter with other countries' puppetries in the terms of establishing organizations dates back in 2006 when ASEAN Puppetry Association was formed in Jakarta consisting of 10 ASEAN member countries (Brunei Darussalam, Cambodia, Indonesia, Laos, Malaysia, Myanmar/Burma, Philippines, Singapore, Thailand, Vietnam; then Asian Puppetry Gathering (Chinese, India and Indonesia ) in 2008 in Yogyakarta, Indonesia.
UNIMA
Indonesia
THE
ADDRESS
OF
UNIMA
Indonesia: Email: suparminsunjoyo@gmail.com , yulitasamodra@yahoo.com
EVENTS AND ACTIVITIES THAT HAVE BEEN CARRIED OUT SINCE THE ESTABLISHMENT OF UNIMA Indonesia:
1.
The
Performance
of
POTEHI
Puppet
(marionnette
originating
from
China
in
the
stories,
costume,
the
format
particularly
the
musical
accompanyment, 2.
Wayang
Drama,
in
which
the
Speech
of
Mr.
Le
Page
to
commemorate
the
World
Puppetry
Day
was
redelivered/read
at
the
main
Theater
of 3.
Series
of
Meeting
for
organizational
consolidation
almost
every
week,
and
in
preparat ion
to
send
Indonesian
delegates
attending
EVENTS AND ACTIVITIES THAT WILL BE DONE/WILL BE IMPLEMENTED AMONG OTHERS:
Domestic/in
Indonesia:
Overseas/Abroad: 1.Participation
in
the
Dordrecht
Councillor
Congress/Meeting,
21-24
June
in
Dordrecht,
the
Netherlands.
THE COMPOSITION OF ORGANIZATIONAL STRUCTURE OF UNIMA Indonesia: Adviser:
Executive Board:
Membership: Those who take the forms of membership application are 170 persons, but those who have paid the membership fees are 150 (one hundred and fifty) persons.
Jakarta, 30 April 2010
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9/01/2012 14th International Puppet Theatre Festival - Tehran The 14th International Puppet Festival - Tehran (MOBARAK) will be held from 1st to
7th of July 2012 in Tehran. We invite you to read our official invitation letter
Best Regards, 14ième Festival International du Théâtre de Marionnettes - Téhéran Le 14ième Festival International du Théâtre de Marionnettes - Téhéran (MOBARAK) aura lieu du 1ier au 7 Juillet 2012 à Téhéran. Nous vous invitions à lire (en Anglais) notre lettre d'invitation officielle
Sincères salutations 14to Festival Internacional del Teatro de Títeres - Teherán El 14to Festival Internacional del Teatro de Títeres - Teherán - (MOBARAK) tendrá lugar del día 1ro al día 7 de Julio 2012 en Teherán. Os invitamos a leer (en Inglés) nuestra carta de invitación oficial
Cordialmente
28/11/2011 | |