Algeria Chili Holland Mexico South Korea
Argentina China Hungary Moldavia Spain
Armenia Colombia Iceland Niger Sri Lanka
Australia Costa Rica India Norway Sweden
Austria Croatia Indonesia Pakistan Switzerland
Azerbaijan Cuba Iran Republic Islamic Peru Togo
Belarus Czech Republic Ireland Philippines Tunisia
Belgium Denmark Israel Poland Turkey
Benin Egypt Italy Portugal U.S.A
Bolivia Estonia IvoryCost Rumania Ukraine
Bosnia-Herzegovia Finland Japan Russia Uruguay
Brazil France Kenya Senegal Vietnam
Bulgaria Georgia Latvia Serbia
Burkina Faso Germany Lithuania Slovakia
Canada Great Britain Madagascar Slovenia
Cameroun Greece Mali South Africa

 

Algeria

14/11/2010

Annonce
Sous le haut patronage de Monsieur le Ministre de la Jeunesse et des Sports et Monsieur le Wali d'Alger, la Direction de la Jeunesse et des Sports de la Wilaya d'Alger organise le Salon National de La poupée "Coutumes et Traditions" du 18 au 22 Décembre 2010.

Plus d'information sur: http://www.salonpoupee2010.info

 


2/07/2007

A tous les Marionnettistes !
L’Unima-Algérie vous annonce le prochain lancement d’une revue en ligne qui s’intitule: "RENJA ONLINE".

Tous les marionnettistes sont invités à envoyer leurs textes afin d’enrichir ce nouveau média.
Le lancement aura lieu le 1ier Novembre 2007
Périodicité de la revue : Bimensuel.
En espérant que cette idée vous intéresse … à vos plumes !
Documents à envoyer à: unimalgerie@yahoo.fr
Langues : Toutes les langues.
Dès aujourd'hui, je vous en communique l'adresse: http://www.renja-on-line.blog.fr ; mais, le site ne sera ouvert que début Novembre.

Sid-Ahmed MEDDAH
Président de l'UNIMA-ALGÉRIE

 


12/04/2006

Chers amis,
L'Unima-Algérie a créé un blog intitulé "Marionnettes sans Frontières".
Tous les marionnettistes du monde entier sont invités à publier messages, études ou informations sur les arts de la marionnette.
Merci pour votre contribution.

L’adresse du blog:  http://mario-s-f.blogspot.com

Sid-Ahmed MEDDAH
Président de l'UNIMA-ALGÉRIE


22/02/2006

Très chers amis, Bonjour,
L’UNIMA-ALGÉRIE va organiser les premières Assises Nationales de la Marionnette le 23 et 24 Avril 2006 avec la présence du président de l’UNIMA, M. Massimo SCHUSTER.

Activités pendant les assises:
- Conférences
- Travaux de commissions
- Spectacles
- Exposition

Lancement de l’opération "MARIONNETTES SANS FRONTIÈRES".

L’UNIMA-ALGÉRIE offre deux bourses à des adhérents de l’UNIMA afin d’assister aux Assises Nationales et ceci en attendant l’organisation du Festival de la Marionnette et du Théâtre d’Objet ( FESMARTO ) en Juin 2007.

Cordialement
MEDDAH Sid-Ahmed
unimalgerie@yahoo.fr

 

 

 

 

Argentina

15/05/2009

Queridos amigos de Unima,
Es un placer volver a comunicarnos con Uds. para anunciarles que realizaremos la primera reunión del 2009 el sábado 30 de Mayo de 11 a 13:30hs.
Será un día a toda gracia, ya que se llevará a cabo una charla con proyecciones sobre EL HUMOR Y LA COMICIDAD, dictada por el director argentino de varieté Christian Forteza.
En ella nos transmitirá las herramientas básicas para la construcción del personaje cómico y la creación de distintas situaciones cómicas.

- Se proyectará además un compilado de escenas de grandes humoristas como Chaplin, Búster Keaton, Mr. Bean, etc.

- Se entregarán los certificados pendientes para los miembros que asistieron a la charla teórica que dictó Alejandra Rodríguez.

- Comunicamos que una vez más se otorgó una beca internacional, en este caso a la compañera Julieta García, para asistir al Taller sobre Títeres de Mesa dictado por la Cía. ARKETAL de Francia, en el XXIX Feria Internacional del Títere de Sevilla - Mayo 2009.

- Entrega y actualización del carnet nacional.
- Novedades sobre Unima y de próximos encuentros.
Adjuntamos gacetilla sobre la charla: EL HUMOR Y LA COMICIDAD.

Los esperamos el sábado 30 de Mayo a las 11 Hs. en la Sala Tuñón (1er.piso) del Centro Cultural de la Cooperación en Av. Corrientes 1543.

Saludos Cordiales.

 

EL HUMOR Y LA COMICIDAD

¿De qué y por qué nos reímos?

Se ha definido al hombre como el único animal que ríe, también se podría decir que es el único que puede hacer un chiste, e ir más lejos en asegurar que es de lo único que nos reímos.

Sólo nos reímos del hombre o por extensión cuando humanizamos una situación. Y en este último caso, el títere creo que es un ejemplo elocuente de esta premisa.

 

La charla estará destinada a un acercamiento desde lo teórico para diferenciar el humor (el chiste) de la comicidad (lo físico), como así también conocer los distintos recursos y en que forma se utilizan para la construcción del personaje cómico o para crear situaciones cómicas.
El gag.
El rodeo.
La dramaturgia de las acciones.
La psicología del personaje cómico.
Como piensa. Su lógica interna.
Diferentes maneras de enfrentar el conflicto.

La charla estará acompañada además de una proyección donde aparecerán distintas escenas de comediantes como Búster Keaton, Chaplin; Mr.Bean, etc., que ejemplifiquen por un lado los recursos y si es posible también para abrir un debate entorno al humor.

Christian Forteza pertenece a la Dirección Artística del “Centro Cultural de la Cooperación Floreal Gorini”, como coordinador, programador e investigador del área varieté, donde hizo sus últimas direcciones, entre ellas, “Puré de Nervios I y II”, “Vincent”, “Varieté en el CCC”,”CHELINCHA”, “Mr Xpender”.
Se especializa en la dirección de unipersonales y el entrenamiento actoral para el armado de rutinas y números de comicidad.
Varios de sus espectáculos han obtenido subsidios del INT el Fondo Nacional del las Artes y auspicios de embajadas como también han sido invitados a festivales internacionales y ha dado charlas de comicidad en diferentes instituciones y congresos como en el “II Congreso Internacional de Clown y Payamédicos” en la Facultad de Medicina (UBA).
Dicta talleres de entrenamiento y construcción del personaje cómico en la extensión cultural del Centro Cultural de la Cooperación y seminarios en el Centro Cultural Rojas (UBA).

 


1/02/2009

Les recordamos las informaciones respecto a la dirección del Secretario General de la Unima Argentina:

Unima Argentina
c/o Tito LOREFICE
UNSAM (Universidad Nacional de San Martin)
Irigoyen 3100
CP 1650 SAN MARTÍN (Buenos Aires)

Tel / Fax: +54 (11) 4006 1500 ó 4554 9408
Email:
unimargentina@gmail.com / titolorefice@yahoo.com.ar / centrotiteres@unsam.edu.ar

 

 

 

 

Armenia

24/03/2009

We invite you to discovery the last news from UNIMA-Armenia.

Read more

Best regards,
Armen Safaryan
President UNIMA-Armenia


23/03/2009

Members of UNIMA-Armenia send to you their heartfelt congratulations on the World Puppetry Day.

We wish you good health and hope that the puppets of the world will bring joy and happiness to everybody.

We also celebrated the event in Armenia and it became a real international celebration as we also had actors from India who came up with their own performance and showed their national puppets and dances.

They also accepted our invitation to participate in our annual "Toumanian Fairy-Tale Day" International Festival of puppet theatres which is traditionally held in early September in Armenia.

Please find some photos of the day.
Also, according to our trandition, on that day we give awards to the renowned puppeteers of the year.

Best regards,
Armen Safaryan
President UNIMA-Armenia

 

 

 

 

 

Australia

6/12/2010

 

Death of Norman Hetherington

We are very sad to inform you that Mr Norman Hetherington passed away after a long illness on Monday 6 December 2010.

 

Norman was most remembered for his pioneering work in Australian television with his show based on his puppet character Mr Squiggle.
Mr Squiggle first appeared in the late 50s, and which several generations of Australian children grew up with, being broadcast for over 42 years !.
Squiggle has a pencil for a nose and changed scribbles sent in by viewers into recognisable and mostly humorous drawings. Sometimes Squiggle drew sideways or upside-down.

 

Norman was awarded the Medal of the Order of Australia in 1990 for service to children's television programs and puppetry
He was a man whose involvement with puppetry was always motivated by a sense of fun and good humour.

 

A Video on Youtube

 

Norman was also very active in the formation of the UNIMA Australia Centre in its early years, and worked to encourage young performers, inspired them and set a benchmark for excellence.
He was president of the Puppetry Guild of NSW, which later changed to the Puppetry Guild of Australia, of which he was the NSW branch president, and was later president of UNIMA Australia (1970-1984).
He was a co-convenor of the original UNIMA Australia Scholarship to assist emerging puppeteers, and who was honoured at the UNIMA World Congress in Perth 2008, being bestowed Member of Honour.

 

12/11/2010

 

Australia UNIMA Centre news

 

The 09/2010 year comprised a surge of activity for UNIMA Australia which incorporated some big changes.

The committee have taken the view that to achieve real benefits for UNIMA Australia we must plan ahead. Notwithstanding the obligations of UNIMA Australia to hold yearly elections under our Australian Incorporated Rules of Procedure, the committee reviewed and extended the plans being discussed the previous year.

 

With a priority for designing a new website for UNIMA Australia we needed to evaluate our systems of communications so that we make the most of the technologies available to us.

We concluded that the new website needs to be our first channel of communication for most members, with up to date and ephemeral news, and for the site to link to other major sites of interest, for members to be able to use the site to promote their activities, and to promote discussion and debate through blogging functions and other social networking media.

 

In our review we addressed the printed magazine, Australian Puppeteer to see how we can make the two avenues of communication complimentary, viable and valuable. This was the basis of our decision to adjust the Australian Puppeteer into a publication that focuses more on features and articles/pieces that will not date quickly. This coincided with the stepping down of its last editor Vicki Jaeger, whom we thank enormously for her contribution.

Other new activities in planning will benefit all across the country and encourage the sense of community we so value in UNIMA.

 

VCA (or VCAM)

The committee put consistent effort into lobbying to keep puppetry in the curriculum at the VCA, currently known as VCAM, after puppetry was officially dropped in late 2009. The committee can claim much success with its continued pressing, including our submission having elicited an invitation to address the independent University of Melbourne Committee, chaired by Dr Ziggy Switkowski.

The impact of our (well-planned) presentation cannot be accurately measured, but on behalf of UNIMA Australia, Nancy Black, Gilly McInnes, and I, as well as industry representatives John Barchum and Penelope Bartlau, gave a good account of the reasons for having puppetry formally included in any artists training institution. This was reinforced by a letter General Secretary of UNIMA, Jacques Trudeau, wrote in support and sent directly to the review committee. The Switkowski report recommended that Puppetry and Musical Theatre be reinstated at the college.

The future of Puppetry at the college is still not determined, as the college adjusts and re-adjusts to what seems to me, as a postgraduate student working there, to be a continually fluid situation that is still not set on a path, or in policy.

I expect this will continue until at least after the Victorian State elections when funding realities will be better known. I do not anticipate much support from the University of Melbourne, which seems to be on a cost-cutting frenzy at the present time.

 

There are a number of other initiatives in the pipeline for UNIMA Australia. Some of these have been the result of the lobbying for Puppetry (detailed above), with a view to, whether or not there is to be any formal puppetry training courses included in Australia’s colleges and Universities, UNIMA Australia being pro-active. This will entail creating our own professional development and training opportunities that will offer workshops, seminars, Masterclasses, to members and to newcomers interested in puppetry that we initiate, facilitate and even organise. We envisage these activities being available and inclusive to members in every state, and being situated across the country. We are discussing the logistics and I plan to consult with colleagues in other states in the near future. To be continued…

 

UNIMA Australia website

We launched our new website in the later part of June. Our webmaster is Naomi Guss. Tg site has many functions which we recognise that our membership may need to educate and train ourselves how to best use the site. The web address is: http://www.unima.org.au

 

New Model for Magazine and New Editor

We have not set about putting our plans to adjust the printed magazine in motion hurriedly as we would like the new version of the publication to be a first-class item through which we may broaden our demographic and expand circulation both in Australia and overseas.

 

Over the previous months we advertised to the membership, and beyond, seeking a new editor for the printed Publication that we knew as Australian Puppeteer. I give thanks to Jhana-Pfeiffer Hunt who designed the visual ad for Editor in consultation with Beth McMahon that captured the desire for the kinds of innovation and vision that we sought in the new publication. (available for viewing at http://hapticmedia.com.au/design/graphic-art-collection/#1 )

We had a number of expressions of interest, and for the first time conducted interviews for the position.

I am happy to announce that the new Editor of the Magazine/printed publication is Robert Reid, an academic/puppeteer who has much publishing experience. He presented the Editorial committee, a sub-committee formed from committee members to assist and guide through this transition, with a submission that was impossible to pass up.

After a period of orientation and research in which Robert will consult with our previous State reps and other volunteers, and which I am sure he would like to get to know as many of the members as possible, the first 6-monthly edition will be scheduled in the first half of 2011.

 


24/05/2006

The 2nd National Puppetry Summit in Hobart 9-12 June 2006 was not able to offer a hosting for a Unima Asia-Pacific meeting.
However, they were able to offer an Asia-Pacific Forum.

So, Saturday 10/06/2006, in the historic Salamanca Arts Centre in Hobart, Tasmania, you are invited to attend the Asia-Pacific Forum with the participation of:
- Dadi Pudumjee (UNIMA & Ishara Puppet Theatre - India)
- Simon Wong (UNIMA & Ming Ri Institute for Arts Education - China)
- Nyoman Sedana (HOD Balinese Theatre & Culture, Denpasar University - Indonesia)
- Jennifer Pfeiffer (International Executive of UNIMA - Victoria)

_____________________________________

Pasts and Futures: the traditions and developments
Saturday 10/06/2006

Jennifer Pfeiffer
Positioning the UNIMA Asia-Pacific Commission and its work, the topic, Pasts and Futures, is imperative and urgent. The traditional forms are vulnerable in a rapidly modernising world. Jennifer introduces an esteemed panel to advance the topic in the present economic and cultural climate in their respective countries, discussing actions and strategies used in addressing these issues.

Tracking the development of puppetry, speakers bring us to the present, including accounts of new approaches to the traditional by way of: collaborations, finding new purposes for forms, or incorporating new or multi-media.
We discuss the merits and disadvantages of approaches such as, didactic uses for traditional puppetry, for example. The forum is proposed as a sounding board for new initiatives, solutions, and methodologies for preserving 'Intangible Cultural Heritage' as vibrant, living forms.

What sort of collaborations might be possible? Would creating festival circuits be a solution? What do traditional performers need? What role, if any, might Australian artists have in supporting these initiatives?

Dadi D Pudumjee
My paper broaches a vast subject we grapple with in India, not just with puppetry and the performing arts, but a change that is sweeping the subcontinent. Globalisation and extensive new economic opportunities promise a better life at a cost which could eventually be dear to the soul; we may end up in rituals without any meaning, but more as revivalist commodities.

Puppetry is one of the most sacred art forms, encompassing all the plastic and performing arts. However, today its fragility is most obvious with the onslaught of newer and faster ways of communicating. Traditions and families are fast disappearing, and need to be nurtured in whatever way we can. Funding alone is not going to solve the problem; it will need to come from the source itself.
The puppeteer will need to decide how, and in what way he or she needs to change; is it possible to change and adapt within the tradition?

Change has been going on for centuries at a slow pace. Today it is accelerated and causes distress in the viewer and the connoisseur. Does the puppeteer want it to be so?

We often romanticise ‘a living tradition’, little realising that possibly even the traditional puppeteer has aspirations, and is caught in a conflict between the new and the old.

Simon Wong
Tracing the origins of Chinese and Taiwanese puppetry from burial object through to the genesis of rod puppet, and shadow plays, Mr Wong maps this development and devolution into regional and discrete practices, at their peak exemplified in Chinese puppet opera. He outlines string and glove puppet styles as popular forms. This provides an historical context for the various uses of puppetry in Chinese society, for instance, as a diversion from the suffering of war. He shows that Chinese puppetry traditions migrated throughout a vast country.

This rich legacy is what modern Chinese puppetry has evolved from, surviving the revolutionary years in the service of the propaganda machine and various consequential reforms.

Mr Wong indicates further influences from other parts of the world from Russia to Disneyland, arriving at a variety of vehicles presently existing for traditional and contemporary Chinese puppetry: on the one hand the traditional state supported string and shadow troupes to the very modern, animation resembling that of Japanese Manga and anime, to Taiwanese acrobatic glove puppet combat plays.

I Nyoman Sedana
This article explores (1) the creative tradition and (2) the contemporary approaches to the preservation and continuing development of puppet theatre in Bali. By implementing creative tradition dalang (puppeteer/shadow master) has been responsible for transmitting and passing culture and tradition from one generation to another.

Creativity is not only crucial in perpetuating the genre, but it also allows each production to be distinct and unique, even though the dalang may perform the same story over and over again. Creative tradition demands that each performance change in accordance with the fluctuating place-time-circumstances.

The second part, focusing on the contemporary approaches to the preservation and continuing development of puppetry, gives accounts on how traditional repertory, aesthetic concept and performance methods are endlessly re-interpreted, renewed, and re-presented in the present economic and cultural climate.

Of course, also, this Summit will a rare and exciting opportunity to meet and work with colleagues from around Australia, Asia and the Pacific.

More Informations

 

 

 

 

Austria

8/10/2011

"Zheng He" receives STELLA 2011

Austrian Children and Youth Theatre Award STELLA 2011 for exceptional stage design KARIN SCHÄFER "ZHENG HE" - when the dragonships came"

Judgement of the Jury:
The most surprising thing about the set design of "ZHENG HE - when the dragon ships came" is above all the interaction of intricately designed video application and the action on stage: A Chinese character is painted on paper and turns magically into a hip, video and actors engage in dialogue and break between screen and stage.
The animated films, video clips, shadow images and masks form a poetic space where the narrative part is taken further on the visual level.
The professional and multi-faceted use of new media in this production is outstanding in the field of theater for young audiences.

Best regards
Ulrike Sümegi

 


1/10/2011

ENCHANTED SHADOWS
Chinese Colorful Shadow Puppetry
17 November 2011 to 27 February 2012

Austrian Theatre Museum
Palais Lobkowitz
Lobkowitzplatz, 2
1010 WIEN

Opening hour Wednesday to Monday
10 a.m. - 6 p.m.

http://www.theatermuseum.at

The Chinese shadow theater, hilarous, rambunctious, and mystifying, occupies a metaphoric realm that fuses the physical, sunlit world with the murky world of shadows. In the shadow theater, gods, demons, emperors, heroes, dragons, clowns, and lovers are all brought to life with light.
They exist on a stage that is somewhere between the theater of entertainment and the ritual of incantation.

Going back over 1,000 years, the shadow play is the first animated imagery, and certainly the precursor of film.
It is a folk art tradition that began in Shaanxi Province, the cradle of Chinese civilization, and it quickly took root as a form of entertainment. Combining music, singing, storytelling, smoke, fire, and complex puppetry, shadow theater eventually encompassed a wide dramatic range, from famous opera, myths, parables, and historical legends to farcical comedies and slapstick.

Without cultural boundaries, shadow play was, and still is, performed for the poor in rural villages and for the soldiers away from home, as well as for emperors in palaces. By the 13th century it had spread to Central and West Asia, by the 14th century to Persia, and in the 17th century, introduced by missionaries, the shadow play became popular in France.

In 1776 it was performed in Paris, and in 1774, Goethe introduced shadow theater at the Shenglan Exposition. Soon it was adapted to German myth and folklore.
An entertaining new exhibition at the Austrian Theatre Museum, "Enchanted Shadows: Chinese Colorful Puppetry Shadows explores this rich folk art tradition, which originated in Shaanxi Province.

Shadow-theater troupes can choose their repertory from more than 500 plays, which are often closely related to literature and Chinese operas. Among those represented in the exhibition are "Journey to the West," adapted from a Ming Dynasty novel about the monk Xuan Zang's pilgrimage to India, and "Madam White Snake", based on an ancient legend of a strong-willed woman who battles evil monks while pregnant. As the legend of Emperor Wu of Han suggests, shadow theater has always had a powerful connection to the afterlife.

The simplicity of the puppets' movements, coupled with the pure grace, beauty, and monumental grandeur of their forms and settings, provides for an exhibition that is enchanting as it is unforgettable. This exhibition makes an excellent argument for its continued survival.

With best regards
Ulrike Sümegi
Secretary UNIMA Center Austria

 


28/09/2011

Mistelbach International Puppet Festival
25-30/10/2011

The annual International Mistelbach Puppet Festival hosts many famous national and international puppeteers from as far as Estonia and Peru.
The festival will be organised for 33th time this year with plays, exhibitions and workshops on puppet and shadow theatre.
The festival programm is rich. Thirty well-known groups from 11 countries will present a total of about 100 shows in different venues.
Among other events to be organized as part of the festival will be the "Ironimus" Exhibition, workshops with Ute Kahmann and talks.

This year's festival is joined by selected groups from Germany, Estonia, Italy, Austria, Spain, Peru, Poland, Slovakia, Czech Republic, Russian Federation. This festival will make the art of puppetry a hot issue again.

The 33th International Mistelbach Puppet Festival will run from October 25 to 30.

Further information about the festival can be obtained at:
email: puppentheatertage@mistelbach.at
web: http://www.mistelbach.at

Best regards
Ulrike Sümegi
Secretary Unima Center Austria

 


3/05/2010

PannOpticum 17.-20.06.10
International Puppet Theater Festival Neusiedl am See Haus im Puls

The 4th edition of the International Puppet Theatre Festival will take place between the 17th of June and the 20th of June 2010.
Karin Schäfer is director of the International Festival of Visual Theatre "PannOpticum" in Neusiedl am See, Austria.
" ...Crossing frontiers at the interfaces of theatre music, visual arts, performance and dance ..."
...Extraordinary, memorable and impressive theatre experience ...
...From Austria, Germany, Israel, Lithuania, New Zealand, Russia, Spain and Argentina...
...For adults, teenagers, children and families ...
...Ideal for an early summer trip to the Burgenland, the most beautiful season on the lake ...
...To the combination of landscape, culinary and culture ...
Four days of international theatrical art - humorous, entertaining and fascinating ...
...Live in Neusiedl am See ...

Karin Schäfer
Karin Schäfer studied visual theatre at the Instituto del Teatro in Barcelona with the legendary old master Harry V. Tozer.
She founded her first company in Spain and worked at different theatres and together with well-known puppet masters.
In 1993 she moved back to Austria and founded a new company. Today she ranks herself among the few masters of this genre.
The "Karin Schäfer Figuren Theater", while basing its work on the classical techniques of puppetry, has always transcended artistic disciplines with its integration of visual arts, music, dance and the new media. It was from these sources that Karin Schäfer developed her own special art form of "Visual Theatre" over the last few years.
All the productions the theatre has developed to date are available for tour performances at home and abroad.
Up to now, Karin Schäfer and her company have been invited to guest performances and festivals in more than 30 countries on four continents.
Among many different distinctions for her work, she won the 1st Prize at the International Festival Solo Puppeteers and was awarded with the "Premio Villa nuevo" for the best foreign performance of the year in Cuba.
Currently, she is working on a new visual theatre production about Zheng He, the famous Chinese explorer of the 15th Century.

Please contact:
Peter Hauptmann
PannOpticum
Josef Haydngasse 25
7100 Neusiedl/See
Tel.: 02167/3384
info@figurentheater.at
http://www.figurentheater.at

Best regards
Ulrike Sümegi
Secretary UNIMA
Center Austria


23/01/2010

The Wels International Puppet Theatre Festival

Puppets from across the globe make public appearance in Wels from 11 March to 17 March 2010.
The Wels International Puppet Theatre Festival raises its curtains for its 19th edition.

Puppets from many countries will bring people from all age groups together in theatres.
This year’s festival, organized under the artistic management of Gerti Tröbinger, features shows from Germany, Austria, Slovakia, Switzerland, Slovenia and Italy.

The venues for the performances include “Stadttheater Wels”; “Alter Schl8hof Wels”; “Lebensspuren.museum Werkraumtheater ‘Im Kornspeicher’“; "NÖFA, Ja Jugend-Kreativzentrum MKH Medien Kultur Haus“.
The festival will open with a performance by Germany’s Matthias Kuchta, presenting the play “Marzooq the pitchbird” at the “Stadttheater Wels”.

Dresden figure theatre, Lille Kartofler, PIKI Theatre, Theatre Big Bang, Roof theatre, Margrit Gysin are some of the foreign troupes that will perform at the festival.

Please contact: http://www.figurentheater-wels.at

Best regards,
Ulrike Sümegi
Secretary UNIMA Center Austria

 

 

 

 

Azerbaijan

  Unima Azerbaijan
c/o Kukla Teatri
36, Neftchiler Avenue
BAKU AZ 1005
Tel:  +994 12 437 11 87 / Mobile: +994 50 615 5556
Fax:  +994 12 437 11 87
Email: rashadahmedzade@kuklateatri.com
rashad.ahmedzade@mail.ru
info@kuklateatri.com
Web:  

 

 

 

Belarus

  Unima Belarus
Lenina Street, 56 - Puppet Theatre
224030 BREST
Tel:  +357 162 263359
Fax:  +357 162 263359
Email: MShavel@tut.by
Web:  

 

 

 

Belgium

7127/2011

La section Francophone de l'Unima Belgique vous propose la lecture de son dernier bulletin d'information:

D'un Castelet à l'Autre n° 193 - Décembre 2011

 


27/07/2010

Centre Belge de l’UNIMA - Belgisch UNIMA Centrum - Belgisches UNIMA Zentrum

Suite au décès de Mr. Hubert ROMAN, Trésorier du Centre Belge et Membre d’Honneur de l’UNIMA Internationale, le conseil d’administration du Centre Belge de l’UNIMA a été renouvelé en Juin 2010.

Il est actuellement ainsi composé:
Président:
Ronny AELBRECHT
Westlangeweg, 8
B-9130 BEVEREN
Fax: +32 37552445
Tel: +32 476338403
Email: r.a@vlinders.be / vlinders@vlinders.be

 

 

Vice-Président:
Christian FERAUGE
Boulevard Zoé Drion, 28, Boite 3
B-6000 CHARLEROI
Tel: + 32 71587974 / + 32 476 296164
Email: christianferauge@gmail.com

 

 

Secrétaire et Trésorier:
Edmond DEBOUNY
Avenue Reine Elisabeth, 21
B-4820 DISON
Tel: +32 87338317
Email: edmond.debouny@skynet.be

 

 

Administratrice:
Veerle WALLEBROEK
Het Firmament vzw, Brusselpoort- Hoogstraat, 83
B-2800 MECHELEN
Tel: +32 15349436
Tel: +32 486626625
Email: veerle@hetfirmament.be

 

 

Administrateur:
Carlo TROVATO
MédiaCité asbl, RueWinandchamps, 2
B-4890 THIMISTER-CLERMONT
Tel: +32 87686177
Tel: +32 475730351
Email: contact@mediacite-asbl.org

 

 

 

 


25/05/2010

Le Centre Belge de l’UNIMA vous invite à lire son dernier Rapport en format pdf

The Belgian UNIMA Centre invites you to read its last Report in pdf format

 


13/11/2008

Centre Belge de l’UNIMA - Belgisch UNIMA Centrum - Belgisches UNIMA Zentrum

Président:
M. AELBRECHT, Ronny
Smisstraat, 23 à 9120 BEVEREN
Tel/Fax: +32 37552445
Tel: +32 476338403
Email: aelbrecht.ronny@telenet.be
Email: R.A@telenet.be

Vice-Président:
M. FERAUGE Christian,
Boulevard Zoé Drion, 28, Boite 3 à 6000 CHARLEROI
Tel: + 32 71587974 / + 32 476 296164
Email: ombressil@hotmail.com

Secrétaire:
M. DEBOUNY, Edmond
Avenue Reine Elisabeth, 21 à 4820 DISON
Tel: +32 87338317
Email: edmond.debouny@skynet.be

Trésorier:
M. ROMAN, Hubert
Bâty Marchal, 17 à 5380 FERNELMONT
Tel/Fax: +3 281834335
Compte: 636-3112501-92
Email: hubert.roman@hotmail.com

Administratrice:
Mme Milly JENNES
Breemdenstraat, 68 à 2930 BRASSCHAAT
Tel: +32 32817277
Email: milly.jennes@telenet.be

Administrateur:
Rudy VAN DRIESSCHE
Begoniastraat, 5 à 9120 BEVEREN
Tel: +32 32966776
Email: rudy.vd@telenet.be

 


 

Rapport du Centre Belge de l’UNIMA

Le Centre belge de l’UNIMA présidé par Ronny AELBRECHT tente d’établir des ponts entre les deux sections, flamande et francophone, de notre pays. C’est ainsi qu’un répertoire des troupes et compagnies belges, membres de l’UNIMA vient d’être édité dans trois langues afin de les aider à promouvoir leurs productions.

Par ailleurs une journée annuelle du Centre belge est en gestation. Une fois, les francophones seraient invités en Flandre pour assister à des spectacles donnés par des marionnettistes flamands tandis que, l’année suivante, les francophones accueilleraient leurs collègues flamands. La démarche a été lancée même si sa concrétisation n’est pas facile.
Le Centre belge participe, naturellement, à toutes les manifestations, congrès ou conseils, organisés par l’UNIMA internationale.

Le Centre belge rayonne, évidemment grâce aux initiatives de ses deux sections très actives dans leur Communauté respective.

La section francophone
La Section francophone poursuit la publication de sa revue «Marionnettes en Castelets» et de son périodique, plus modeste, mais plus en phase avec l’actualité «D’un Castelet à l’autre». Elle a aussi édité un fichier reprenant les différentes troupes et compagnies membres ainsi que des informations techniques sur les spectacles proposés.

Elle est à la base de la publication en français de l’ouvrage «Ô Miracle, les marionnettes !» rédigé par des membres de la Commission internationale «Marionnettes et Éducations». Pour réussir cette publication, le Centre belge a bénéficié de la précieuse collaboration de THEMAA, le Centre français de l’UNIMA.

La Section francophone collabore avec le Ministère de la Communauté Française de Belgique à la formation continuée des enseignants et plus spécialement à l’organisation de stages de marionnettes pour encourager les enseignants à utiliser les marionnettes dans le cadre de projets. Hubert ROMAN, Georges VETTERS, Edmond DEBOUNY sont impliqués dans ces formations.

Elle apporte aussi son appui à de multiples initiatives, festivals et autres manifestations.

De plus, en 2006, elle a organisé, pour la première fois, à Namur (Jambes) le «Bouquet de la Marionnette», une rencontre de 20 compagnies qui, en l’espace de quatre jours, ont présenté une vingtaine de spectacles. L’objectif de cette manifestation était de démontrer que le théâtre de marionnettes est un art universel, un art à part entière qui s’adresse à des personnes de tous âges, de tous milieux, de tous lieux.

Animés par la foi qui soulève les montagnes - trois membres dynamiques de la section francophone: Corinne BAILLEUX, Marcel ORBAN et Christian FERAUGE ont porté et concrétisé ce projet… malgré d’incontestables difficultés budgétaires, la Communauté Française de Belgique n’était pas très généreuse vis-à-vis des marionnettistes !

La section flamande (Opendoek)
Durant les vacances d’automne 2005, Opendoek a organisé «le Joyau national» des théâtres de marionnettes avec «CC de Spil» et la ville de Roeselare (Roulers).

Neuf théâtres de marionnettes ont concouru, après une interruption de 11 ans: Theater Tieret: «Eef je Donkerblauw»; Poppentejater Jejem Piron: «Een hele biezondere dag uit het luilekkerleven van Koning Klein»; Kindertheater Foesiemauw: «De nieuwe kleren van de keizer»; Poppentheater Pierewiet: «De Bremer stadsmuzikanten»; Poppentheater Ellebieke: «De koning zonder kroon»; Kinder- en Poppentheater Propop: «Ei,ei,ei….mijn vriendje is een ei»; Theater Top: «Boe»; Theater Barbar: «De Sociëteit der Degelijke Deugden»; Draadtheater Roeselare: «De kleine Sofie».

Un jury couronna la représentation du Theater Tiret avec le Joyau national. Le jury accorda aussi des prix spéciaux pour la scénographie de «Foesimauw» et au meilleur marionnettiste, Propop, pour «Ruud Alles». Le jury des enfants a choisi les représentations du Theater Tiret et du Draadtheater de Roeselare.

En parallèle au concours, cinq compagnies internationales ont été invitées à se produire: «Mister Punch» (Grande-Bretagne), «Mikropodium» (Hongrie), «Théâtre National d’Estonie» (Estonie), Philippe Genty (France) et le «Théâtre des Quatre Mains» (Belgique).

Lors de la remise des prix, le théâtre «Vlinders & Cie» a donné une représentation de «Ros» avec le quartet «Vier op de Rij»: une combinaison de théâtre de marionnettes et d’un concert de flutes.

La section flamande a organisé, en 2005, 4 cours, une exposition et un atelier d’été.

Durant le «Joyau National», Rosita Raud (Estonie) a donné un cours sur la scénographie, Maria Petrova (Bulgarie), une formation sur la fabrication de marionnettes. Le théâtre «Het Koffertje» a donné un cours pour les enfants de maternelle et un pour ceux de primaire: ils ont fabriqué des marionnettes… et ont joué avec.

Dans le même temps, une exposition sur les marionnettes bulgares et la scénographie était présentée au musée Blomme.
Par contre l’atelier d’été a dû être annulé faute d’inscriptions en suffisance.

Opendoek a promu le théâtre de marionnettes en organisant au moins 6 manifestations sous les noms de «Marionnettes à la mer» et «Kids@zee» à Oostende, «Pop en top» à Beveren, «Poppenzaal» à Tournhout, «De Poppentovertrein» à Lier, et «Hoppelapop» à Sint-Truiden (Saint-Trond). De nombreuses compagnies membres ont participé à ces animations.

Une nouvelle organisation a vu le jour à Leuven (Louvain, Brabant flamand) sous le nom de «Pompelpoes».

Un théâtre de marionnettes, au moins, a pris part aux organisations théâtrales d’Opendoek tant aux fêtes du parc à Lokeren qu’à «Spots of West».

Dans la publication «Op&doek» 2006 figuraient deux contributions sur le théâtre de marionnettes.

Enfin, à Ieper (Ypres) fut organisée, cette année, à la fin septembre, une exposition sur les marionnettes chinoises tandis que des troupes membres de l’Unima Vlaanderen ont donné 11 représentations pour quelques 1 600 enfants.

On le voit, le Centre belge de l’UNIMA et ses deux sections ont été très actifs dans tout le pays!

Edmond DEBOUNY,
Secrétaire du Centre Belge de l’UNIMA

 

 

 

 

Benin

28/09/2011

Deuxième Édition du Festival TENI-TEDJI

Nous vous invitons à lire le rapport de la Deuxième Édition du Festival TENI-TEDJI au Bénin.

Festival organisé par l'association THAKAMOU CULTURE ARTS de Jude ZOUNMENOU, en présence de Monsieur Cheick amadou KOTONDI de la Zone C Afrique de l'UNIMA.

UNIMA BENIN
02PB858 Porto-Novo
Bénin
Fixe: (00229)20 063683
Cel:(00229)9739 1539 / 9839 5210
Email: unimabenin@yahoo.fr / unimabenin@gmail.com

Jude Hermann ZOUNMENOU
Président

 

 

 

 

Bolivia

Bolivia

  Unima Bolivia (Representation)
c/o Grober Mauricio LOREDO OLIVARES
Plazuela Virrey Toledo nº 1277
COCHABAMBA
Tel:  +591 4 4295968
Fax:   
Email:  groloredo@yahoo.com
Web:  

 

 

 

 

Bosnia-Herzegovia

  Unima Bosnia-Herzegovina
c/o Nermin TULIC
Kuloviceva, 8 - B. Grada 35/1
SARAJEVO
Tel:  +387 71 470942
Fax:   
Email:  
Web:  

 

 

 

Brazil

25/05/2010

 

ABTB/UNIMA BRASIL

Associação Brasileira de Teatro de Bonecos - Centro Unima Brasil

 

INFORME 2008 - 2010

 

Directorio 2008- 2010

Presidente:  Renato Perré (2006- 2010)
Vice-Presidente:  Anderson Dias
Secretaria: Jeovanilda Veiga
Tesorero:   Gilmar Carlos da Silva
Consejeros:   Luiz Reikdal y Lucas Matana

 

En el período de 2006 al 2010 , bajo la presidencia de Renato Perré la Asociación realizó importantes trabajos con la propuesta de fortalecer la Red Nacional de Titiriteros y el intercambio internacional con UNIMA.

En este periodo la ABTB - Centro UNIMA BRASIL trazó las siguientes metas:

 

 

Primera Meta

Dar continuidad al pedido de Registro de Teatro de Títeres Popular del nordeste de Brasil: Mamulengo, Babau, João Redondo y Cassimiro Coco, como Patrimonio Cultural de Brasil

La ABTB/ UNIMA Brasil consiguió iniciar el proyecto junto con IPHAN - Instituto del Patrimonio Histórico y Artístico Nacional, desarrollando el proyecto en etapas:

 

Etapa 1 - Levantamiento preliminar y Pesquisa

a) Levantamiento preliminar (2007- 2008) - Inventario de datos ya existentes sobre el teatro de títeres, como fuentes escritas (libros, tesis, artículos, material vinculado por los diarios y revistas, etc.) colecciones de títeres, otros materiales usados en los espectáculos y acervo de registros audio visuales.

 

b) Pesquisa etnográfica (2009- 2010) - Investigación y levantamiento de datos referentes al Teatro de Títeres Popular del nordeste brasilero y sus prácticas de trabajo ( historia de vida, realidad socio-económica, rutinas de trabajo, procesos de aprendizaje y formas y maneras de transmisión de conocimientos).

Se hicieron estudios en los estados de Pernambuco, Paraiba, Río Grande do Norte, Ceará y Distrito Federal. Durante la investigación marcamos encuentros entre los titiriteros populares para que ellos participen del proceso de registro proponiendo acciones de protección a este Patrimonio Cultural.

 

Etapa 2 - Elaboración del Dossier

Preparación de todo el material de Registro para que sea aprobado por el IPHAN - Instituto del Patrimonio Histórico y Artístico Nacional, que lo encaminará al Consejo Consultivo del Patrimonio Cultural de nuestro país.

En el 2010 pretendemos conmemorar el Registro del Teatro de Títeres Popular: Mamulengo, Babau, João Redondo y Cassimiro Coco como Patrimonio Cultural de Brasil.

Después de esta conquista, estaremos encaminando, con la ayuda de UNIMA, un pedido a UNESCO para que este Teatro Popular, sea Patrimonio Cultural de la Humanidad.

 

 

Segunda Meta

Promover el intercambio de experiencias y discusión de acciones estructurales sobre la Formación en Teatro de Títeres en Brasil.

a) ABRACE el TÍTERE BRASIL, se realizaron tres Encuentros nacionales, con Seminarios, Talleres y Espectáculos, con el objetivo del intercambio técnico y artístico entre antiguos titiriteros y nuevos artistas.

c ) ABTB - Centro UNIMA Brasil, fortaleció el intercambio y trabajo en conjunto de la asociación con las instituciones públicas, Ministerio de la Cultura, y Universidades del país.

c) Merece destaque la Digitalización de la Revista Mamulengo, realizada por la Universidad de Santa Catarina.

 

CENTROS de REFERENCIA del Teatro de Títeres , es un proyecto que se desarrolla con la colaboración de las asociaciones de titiriteros que trabajan en los estados brasileros, dando posibilidad que el Teatro de Titeres se desarrolle en todo el país.

 

Renato Perré

Presidente

ABTB/ UNIMA BRASIL


 

ABTB/UNIMA BRASIL

Brazilian Puppet Association - Unima Centre Brazil

 

Newsletter 2008 - 2010

 

Directory 2008- 2010

President:  Renato Perré (2006- 2010)
Vice-President:  Anderson Dias
Secretar y: Jeovanilda Veiga
T reasurer:   Gilmar Carlos da Silva
Co uncilors:   Luiz Reikdal y Lucas Matana

 

From 2006 to 2010, during Renato Perré s presidency, the Brazilian Puppet Association (ABTB) made important projects with the proposal of strengthening the national puppeteers ’ network and the international exchange with UNIMA.

D uring this period, the ABTB worked on the following strategies:

 

First Goal

To continue with the registration of Brazilian Popular Northeast Puppets - Mamulengo, Babau, João Redondo and Cassimiro Coco, as Brazilian Cultural Heritage.

The ABTB- UNIMA Brazil started the project with IPHAN - Instituto del Patrimonio Histórico y Artístico Nacional, developing it into steps:

 

Step 1 - Preliminary data-gathering and research

a) Preliminary survey (2007- 2008) - Inventory of existing database on puppets, such as written sources (books, thesis, articles, supplement material to magazines and newspapers, etc.), puppet collections, other materials used in plays and audio / visual collections of registrations.

 

b) Ethnographic research (2009- 2010) - Research and data-gathering referring to Popular Puppet Theatres in the North East of Brazil and their work practices (biography, social and economic realities, work routines, learning processes, ways of passing knowledge on, etc.).

Studies have been carried out in the States of Pernanbuco, Paraiba, Río Grande do Norte, Ceará and Distrito Federal. During the investigation, the Brazilian Puppet Association (ABTB) organized meetings among the folk puppeteers, so that they could participate in the registration process, suggesting actions of protection of this Cultural Heritage.

 

Step 2- Writing a dossier

Preparation of all the registration material in order to be approved by IPHAN - Instituto del Patrimonio Histórico y Artístico Nacional - the entity will send it to the Consulting Council of Cultural Heritage in Brazil.

In 2010, we intend to celebrate the registration of Popular Puppets such as Mamulengo, Babau, João Redondo and Cassimiro Coco as Brazilian Cultural Heritage.

With the help of UNIMA, after this achievement, we will send a request to UNESCO so that this type of theater becomes a Cultural Heritage of Humanity.

 

 

Second Goal

To promote the exchange of experiences and discussion of structural actions about the training in Puppet Theatres in Brazil.

a) ABRACE O BONECO BRASIL (HOLD THE BRAZILIAN PUPPET) Three National meetings have been organized, with seminars, workshops and shows in order to facilitate technical and artistical exchanges between older puppeteers and young artists.

b) ABTB - Centro UNIMA Brazil strengthened the exchange and work of the association with public institutions, Ministry of Culture and universities in the country.

c) The digitalization of the magazine Mamulengo by the University of Santa Catarina deserves to be emphasized.

The PUPPET REFERENCE CENTER is a growing project with the collaboration of puppet associations that work in the Brazilian states, giving the opportunity to Puppetry to expand in the whole country.

 

Renato Perré

President

ABTB/ UNIMA BRASIL

 


18/10/2009

 


El Projecto de Registro de los títeres populares, como el Mamulengo,  ya pasó de su etapa preliminar de investigación de documentos y sigue su curso, en el 2009, con el contacto personal con los titiriteros populares para que colaboren con el projecto, dando informaciones sobre su trabajo.

Visite el sitio creado especialmente para divulgar las acciones del registro:
http://www.mamulengopatrimonio.com

Renato Perré
Presidente de la ABTB- Centro Unima Brasil

 


14/02/2008

A.B.T.B - ASSOCIAÇÃO BRASILEIRA DE TEATRO DE BONECOS - CENTRO UNIMA BRASIL

 

BOLETIM Nº 22

Fevereiro de 2008

 

Editorial

Aos Bonecos e seus bonequeiros !
 Estão de parabéns os bonecos: de fio, luva, vareta, marrote, sombra e todos os outros que a cada dia se renovam e renascem muitas vezes das cinzas, dos trecos, dos cacarecos...
Devemos mesmo aprender com os bonecos. Veja como estão sempre prontos a entrar em cena! Sempre generosos e companheiros colaborando com nossa sobrevivência e transcendência.
Já pensaram se fôssemos assim de... Madeira, papel machê, de espuma, de pano?! Era só substituir um pedaço velho, magoado, ofendido, por um novo bem colado, recosturado. Fios novos, novas varetas, luvas refeitas, novos encaixes dos dedos.
Os bonecos, seus bonequeiros... Todos sentados numa grande mesa desse imenso ateliê que é a vida.

 

UM PRODUTIVO ANO DE 2008 !
São os votos da diretoria da ABTB/Centro UNIMA- Brasil

 

 

Homenagem

O Teatro de Bonecos, mais uma vez, de luto

Com tristeza, mais uma vez, noticiamos o falecimento de Odila Cardoso de Sena, aos 94 anos, pioneira do teatro de marionetes no Rio Grande do Sul, professora de artes e fundadora do TIM Teatro de Marionetes em 1954.
Dona Odila confeccionou 80 bonecos de fio com a preocupação que cada um fosse distinto do outro, cada boneco com características próprias com riqueza de detalhes nos figurinos, modelagem e pintura. Também criava os números para as marionetes pensando na melhor maneira de manipulá-los.
Seus bonecos seguem trabalhando pelas mãos de seus filhos, nora, netos e quem sabe seus bisnetos.
A ABTB e todos os bonequeiros do Brasil expressam sentimento de carinho e conforto a toda família de Dona Odília Cardoso de Sena.

 

 

2007 FOI UM BOM ANO
Algumas conquistas coletivas merecem registro

1 - Dando continuidade ao projeto da Diretoria anterior, a primeira etapa do registro do Mamulengo como patrimônio imaterial brasileiro já está aprovada pelo IPHAN e tem início em fevereiro de 2008.

2 - A realização do II Abrace o Boneco Brasil - Seminário sobre formação em teatro de Bonecos em convênio com a Funarte conquistado por meio da Bonecos em Ação, instituição dirigida pela companheira Susanita Freire e a continuidade de parceria com a Secretaria da Cultura de São José dos Pinhais-PR e a Secretaria de Estado da Cultura do Paraná.

3 - Início das discussões sobre a criação dos Centros de Referência em Teatro de Bonecos nos Estados.

4 - Encaminhamento do pedido de parcelamento da dívida da ABTB com o TCU em Recife.

5 - Quitação da divida ABTB com a Unima. (período 2003 a 2006)

6 - Escolha das candidatas Susanita Freire, Izabela Brochado e Ana Maria Allendes (Chile) para eleição do Comitê Executivo da Unima, para o período 2008-2012, que acontecerá no Congresso a ser realizado em Perth (Austrália) em abril de 2008.

7 - Pagamento da cota UNIMA 2007. A partir de este ano a ABTB tem direito a 2 Conselheiros, com direito a voto, no Congresso UNIMA.

8 - Lançamento do site: http://www.abtbon.rg3.net

 

Outras conquistas e aprimoramentos virão. Só depende de estarmos verdadeiramente associados!

2008, aqui vamos nós! Bonecos e Bonequeiros!

 

 

Aquele Abraço !

II ABRACE O BONECO BRASIL - Seminário sobre Formação em Teatro de Bonecos

 

Resumo

De 14 a 18 de novembro de 2007, na cidade de São José dos Pinhais foi realizado o II ABRACE O BONECO BRASIL - Seminário sobre formação em teatro de bonecos, dando continuidade ao projeto de garantir para os bonequeiros ligados à ABTB um espaço permanente de reflexão, confraternização e troca de importantes informações para o desenvolvimento da arte do Teatro de Bonecos no Brasil.

 

Em 2006 o I ABRACE O BONECO BRASIL inaugurou a série desses encontros com o seminário “o boneco na sociedade brasileira”, abrindo ampla pauta de discussões que permitiram a estruturação do plano de ação da ABTB para o biênio 2006/2008, elegendo 3 eixos de atuação: Memória, formação e fomento.

 

 

O II ABRACE O BONECO BRASIL teve como foco a formação básica do bonequeiro brasileiro e pretendeu por meio de palestras, debates, espetáculos e oficinas para comunidade reunir idéias para a criação de diretrizes que possibilitem uma formação básica de qualidade para o artista e qualquer cidadão que deseje enveredar pelos amplos caminhos do teatro de bonecos no Brasil.
O Mamulengo teve forte presença no evento, contribuindo com as discussões sobre formação e enriquecendo a programação do II ABRACE O BONECO BRASIL contando com a participação do mamulengueiro Josivan de Daniel, filho de Chico Daniel, técnicos do IPHAN e pesquisadores bonequeiros que estão envolvidos no projeto de registro do mamulengo no livro das formas e expressões do IPHAN.

 

O II ABRACE O BONECO BRASIL , contou com a presença de artistas, estudiosos e representantes de 10 estados brasileiros (RS, RN, SC, PR, RJ, MG, BA, DF, PE, PB, CE).
Também homenageou 3 importantes bonequeiros que passaram para o infinito espetáculo celeste, nos deixando com saudades em 2007: Chico Daniel (Rio Grande do Norte - Brasil), Pepe Otal (Barcelona-Espanha) e Hector Grillo (Córdoba - Argentina)

 

Ler os Resultados das discussões do II ABRACE em formato Word

 

ABTB/ Plano de Ação

Eixo formação:
Conforme conversamos durante o II Abrace o Boneco Brasil, ficamos de encaminhar documento para os órgãos públicos na intenção de chamar a atenção para a importância de ativarmos em todo o Brasil um processo de formação básica de qualidade em Teatro de Bonecos, principalmente no que se refere às oficinas de iniciação.
Este processo pretende não só capacitar novos bonequeiros como também dar sustentabilidade ao movimento bonequeiro nacional por meio da criação dos centros de referência de teatro de bonecos.
As associações estaduais se responsabilizarão pela coordenação e em manter ativos esses centros com apoio e parcerias possíveis no setor público e privado.
Os CERTB (centro de referência em teatro de bonecos) podem também realizar parcerias com Ongs, pontos de cultura, escolas etc..
Em anexo ao boletim segue as diretrizes para formações tiradas durante as discussões sobre formação no II ABRACE O BONECO BRASIL. Quem tiver sugestão e comentários sobre essas diretrizes para serem utilizadas em oficinas de formação pode escrever para: abtbon@uol.com.br.
No site também deveremos ter um espaço para formação com links para escolas de teatro de bonecos, cursos universitários e para os CRTBs (centros de referência de teatro de bonecos nos estados) quando eles existirem é claro.

 

Eixo memória:
Aline Buzato (secretária da ABTB) solicita material para o início do mapeamento e da guarda da memória do Teatro de Bonecos no Brasil. No nosso site teremos um espaço reservado à memória dos mestres bonequeiros brasileiros e do movimento em cada estado, como um museu virtual.
Se você é um pesquisador no seu estado ou conheceu mestres bonequeiros, que nos deixaram relevante contribuição, por favor, envie material (fotos, resumo histórico) para alinebusato@yahoo.com.br

 

Eixo fomento/circulação:
Vamos batalhar em todas as esferas do poder público: federal, estadual e municipal a inclusão de editais específicos para a produção e circulação do teatro de Bonecos. A ABTB vai encaminhar documento para Funarte, solicitando: editais de produção, circulação, apoio a festivais, concurso de dramaturgia e apoio à pesquisa e publicações específicas. Em Curitiba já conquistamos um bom espaço de fomento à produção por meio da APTB (Associação Paranaense de Teatro de Bonecos) com a Fundação Cultural do município.

 

 

AVISOS DA TESOURARIA

Nossos débitos junto a UNIMA foram quitados, inclusive o ano de 2007.

Os sócios quites estão recebendo pelo correio as carteirinhas e os selos referente a 2007.

 

PAGAMENTO ANUIDADE 2008

 1 - O valor do pagamento da anuidade para sócios individuais ABTB continua sendo o mesmo praticado em 2007, ou seja, R$ 40,00 (quarenta reais).

2 - Para sócios Unima, o valor também é ou mesmo do ano passado, R$ 25,00 (vinte e cinco reais) por sócio.

3 - Para os estados onde existem Associações o valor é de R$ 100,00 (Cem reais) referente a todos os sócios que constarem da listagem, que deve ser enviada imediatamente após efetuado o pagamento.
Os núcleos que desejarem já podem efetuar o pagamento, respeitando a data limite de 30 de Março de 2008.

4 - Esclarecemos que o valor da anuidade Unima não está incluído na anuidade paga pelos Núcleos, o pagamento deve ser individual. A anuidade UNIMA deve ser paga diretamente a ABTB através de depósito bancário e o comprovante do mesmo deve ser enviado a Tesouraria via e-mail (pode ser escaneado) ou via correio.

5 - O prazo para pagamento da anuidade UNIMA é até o dia 30 de Março 2008.
Após esse período enviaremos a listagem dos sócios quites para a diretoria Unima e estaremos repassando os selos referente a 2008.

 

PROCEDIMENTOS PARA PAGAMENTOS DAS ANUIDADES

 

Depósito para:
BANCO BRADESCO
AGENCIA – 3051-1
CONTA POUPANÇA – 1000.145-5
Para Crédito de:
GILMAR CARLOS DA SILVA

 

Valor da anuidade para sócios individuais: R$ 40,00 (Quarenta Reais)

Valor da Anuidade para sócios Unima: R$ (Vinte e cinco Reais)

Valor da anuidade para Núcleos: R$ 100,00 (Cem Reais)

 

Após efetuarem o depósito, enviar cópia do documento para o seguinte endereço
Gilmar Carlos Silva
Rua Dr. Augusto Lobo de Moura, 262 - Fazendinha.
CEP 81330-010
CURITIBA - Paraná


Dúvida ligue: (41) 3019-5090 // 9681-7772 – Gilmar
E-mail: abtbon@uol.com.br

 

SÓCIOS UNIMA QUITES 2007
01 - ALESSANDRA FLORES / PR
02 - CARLOS HENRIQUE CASANOVA / RJ
03 - CLAUDIO MIILLER / PR
04 - CONCEIÇÃO ROSIERE/MG
05 - EVALDO BARROS/PR
06 - GILMAR CARLOS SILVA / PR
08 - GISELE LAMB / SC
09 - HUMBERTO BRAGA / RJ
10 - IVAN VERAS GONÇALVES (GRUPO CASEMIRO COCO) / MARANHÃO
11 - IZABELA BROCHADO / DF
12 - KAISE HELENA / DF
13 - MAGDA MODESTO / RJ
14 - MANOEL KOBACHUK FILHO / PR
15 - MARCELLO SANTOS / PR
16 - MARIA DE FÁTIMA SOUZA MORETTI (SASSÁ) / SC
17 - NEIVA FIGUEIREDO / PR
18 - PAULO AFONSO DE CASTRO / PR
19 - RENATO CARVALHO SILVA / PR
20 - RUBEM CARVALHO SILVA / PR
21 - SEBASTIAN MARQUES / SP
22 - SUSANITA FREIRE / RJ
23 - TARCISIO MEIRA / PR
24 - VALMOR BELTRAME (NINI) / SC

 

SÓCIOS UNIMA QUITES 2008
01 – ALEJANDRO DOMINGUEZ (CHINA) / PR
02 – ANDRÉ LUIZ OLIVEIRA / PR
03 – BERNARDO GRILLO / PR
04 – BERNARDO KOBACHUK / PR
05 – CLAUDIO MIILLER / PR
06 – EDSON NAINDORF / PR
07 – EDUARDO USUI SCHOTEN / PR
08 – ELCIO TRENTO / PR
09 – EVALDO BARROS / PR
10 – GILMAR CARLOS SILVA / PR
11 – JOÃO ANDIRÁ / PR
12 – KASSIA KESSEL / PR
13 – LUANA LUA / PR
14 – LUIZ REIKDAL / PR
15 – MANOEL KOBACHUK / PR
16 – MARCELLO SANTOS / PR
17 – NEIVA FIGUEIREDO / PR
18 – ODILIO MALHEIROS / PR
19 – OLGA ROMERO / PR
20 – PAULO AFONSO DE CASTRO / PR
21 – PROF. BORDENOWSKI / PR
22 – RENATO PAULO CARVALHO SILVA (PERRÉ) / PR
23 – RÔ FAGUNDES / PR
24 – RUBEM CARVALHO SILVA (CAUÊ) / PR
25 – SANDRO MARANHO / PR
26 – SERGIO RAMOS / PR
27 – TADICA VEIGA / PR
28 – TARCISIO MEIRA / PR
29 – TINA DE SOUZA / PR
30 – VALMOR BELTRAME / SC

 

ASSOCIAÇÕES ESTADUAIS QUITES 2008
01 - APTB - Associação Paranaense de Teatro de Bonecos

 

Pedimos a todos que continuem enviando informações para que possamos manter ativo nosso Boletim.

Gilmar C. Silva

Tesoureiro/ABTB

 

 

Notícias

 

Yukiza, Teatro de Bonecos

Grupo secular chega ao Brasil para apresentações

 

Com uma história de mais de 370 anos, a companhia de teatro de marionetes de Edo, Yukiza, realiza pela primeira vez uma turnê pelo Brasil em fevereiro.
Organizado pela Fundação Japão, as apresentações serão nas cidades de Santos, Rio de Janeiro, Brasília e São Paulo, respectivamente. Também serão ministrados workshops para interessados.
Fundada por Yuki Magosaburo I durante o período Edo (1603-1868), Yukiza é o mais antigo grupo de teatro de marionetes de Edo do Japão e é atualmente liderada por Magosaburo XII.
Para a turnê, participam 14 membros da companhia, sendo que oito são manipuladores de bonecos.

Duas peças do seu repertório clássico serão apresentadas ao público brasileiro: "Shinpan Utazaimon - Nozakimura no Dan" (A Vila Nozaki), onde é retratado o romance impossível entre dois jovens, e "Tsuna-Yakata" (A Casa de Tsuna), peça onde é narrada a briga de um guerreiro de Kyoto com um demônio perspicaz.

 

Histórico
A companhia começou com interpretações de sutras budistas, acompanhadas de narrativa e música de shamisen. Com um teatro permanente na capital do país, em 1956 Yukiza foi designado como um importante bem cultural pelo Governo Metropolitano de Tóquio, ganhando também reconhecimento do governo nacional, em 1995.
Além de peças tradicionais, produz atualmente novos trabalhos e os divulga no exterior, como Europa, Ásia Central, Sudeste Asiático e União Soviética. Um dos prêmios recebidos é pela versão de "Macbeth" de Shakespeare, apresentado em 1986 no Festival Internacional de Teatro de Belgrado.

 

 

 

Serviço

Turnê no Brasil:

 

Santos
Dias: 14 e 15 de fevereiro de 2008, às 20h30
Local: SESC Santos
Endereço: Rua Conselheiro Ribas, 136 Aparecida SP
Telefone: (13) 3278-9800
Site: http://www.sescsp.org.br/sesc

 

Rio de Janeiro
Dias: 19 e 20 de fevereiro de 2008, às 19h
Local: Teatro do SESI
Endereço: Rua Graça Aranha, 1 Centro RJ
Telefone: (21) 2563-4163
Site: http://www.sesi.org.br

 

Brasília
Dias: 22 de fevereiro de 2008, às 14h (workshop)
23 e 24 de fevereiro de 2008, às 20h e 18h, respectivamente
Local: FUNARTE - Teatro Funarte Plínio Marcos
Endereço: Eixo Monumental Setor de Divulgação Cultural Lote 2 DF
Telefone: (61) 3322-2077
Site: http://www.funarte.gov.br

 

São Paulo
Dias: 26 de fevereiro de 2008, às 14h (workshop)
27 de fevereiro de 2008, às 21h , e 28 , às 17h / 21h, respectivamente
Local: Teatro SESC Anchieta - SESC Consolação
Endereço: R. Dr. Vila Nova, 245 Vila Buarque SP
Telefone: (11) 3234-3000 / 0800 118220
Site: http://www.sescsp.org.br/sesc

 

Ingressos à venda nos teatros.

 

 

Congresso ABTB /eleição em Curitiba

Atenção todos os sócios e representantes das associações estaduais!
Em julho, durante o Festival Espetacular de Teatro de Bonecos de Curitiba teremos eleição para nova diretoria da ABTB/CUB.
Os candidatos, as chapas e suas propostas já podem ir se organizando e aquecendo o debate.
O importante é não deixar o trem parar ! Ele está subindo a serra com dificuldade, mas está subindo e o combustível desta jornada é a força coletiva !

O bom e ancestral companheirismo está vivo. E como diz os mineiros:
Êta trem bão!
Até o próximo Boletim!
Diretoria da ABTB/CUB

 


 

Notícias Estaduais

 

MINAS GERAIS !

ATEBEMG já está no ar: http://www.orassociados.com/atebemg

 

Para este ano de 2008, esperamos encher de bonecos o Estado de Minas Gerais.
Além da Atebemg com um novo projeto coletivo, vários grupos tiveram projetos aprovados na Lei Estadual e Municipal de Incentivo à Cultura.

Atebemg - Garimpo de Histórias e Manutenção de Atebemg - um projeto conjunto para participação de todos os associados.
Nesta nova empreitada, além da manutenção do espaço físico (estamos alugando um novo), vamos realizar o projeto Garimpo de Histórias no interior do estado:
Na primeira etapa vamos ter um primeiro contato com crianças das escolas públicas, por meio de palestra sobre o teatro de bonecos e apresentação de cenas curtas e no término vamos propor que nos enviem histórias e personagens que gostariam de ver no teatro.
Na segunda etapa, de posse destas sugestões, vamos fazer uma oficina de dramaturgia, para transformar estas idéias em roteiros.
Na terceira etapa os grupos voltam às cidades e ministram uma oficina de longa duração com pessoas do local, para montar a história selecionada.
Quem quiser mais detalhes entre em contato com: mcrosiere@gmail.com

Grupo Caixa 4 - Tropeiros e Cantigas - montagem e circulação de um espetáculo que conta a saga dos tropeiros que percorriam o interior do Brasil.

Grupo Matraca - O Anjo Aleijadinho - montagem e circulação de um espetáculo que conta a história de Aleijadinho, o mestre escultor mineiro, de uma forma delicada e com final surpreendente.

Grupo Aldeia - Histórias com Bonecos, Trecos e Objetos - montagem e circulação de um novo espetáculo, recheado de estórias e fantasia.

Paulinho Polika - Circo Teatro Vagalume um espetáculo de sombras, contanto estórias escritas por Leonardo da Vinci.

Grupo Patati Patatá - circulação de espetáculo, que mostra uma oficina de teatro de bonecos, o nascimento dos mesmos e suas divergências com os manipuladores.

Grupo Giramundo - manutenção do Museu Giramundo

Família Silva Teatro de Bonecos - circulação do caminhão palco da família.

Caminhão Mambembe Fiorini - montagem e circulação no caminhão palco.

O Catibrum também aprovou uma nova montagem - Dom João - sobre a vinda da Família Real para o Brasil.
Isto além do Festival de Bonecos é claro...

 

 

RIO DE JANEIRO

O Rio de Janeiro continua Lindo !

ARTB - Associação Rio de Teatro de Bonecos

 

Eleita a nova Diretoria da ARTB período 2008/2011.
Presidência: Carlos Henrique Casanova
Vice-presidência: Sérgio Bif
Secretário / Tesoureiro: Dircéa Damasceno
Suplente: Marta Castilhos
Conselheiros (5):
- Ana Deveza
- Clarêncio Rodrigues
- Cleise Campos
- Fátima Café
- Jorge Gonzaga (GIM)

 

Plataforma de trabalho da nova diretoria da ARTB
- Resgatar antigos sócios e atrair o interesse de novos companheiros.
- Incentivar a reciclagem e intercâmbio de associados.
- Encorajar a consolidação das regiões do Estado do Rio de Janeiro, a começar pelos municípios ligados aos nossos Conselheiros; a saber: Cabo Frio, São Gonçalo, Rio e Volta Redonda.
- Dar continuidade de divulgação aos Boletins eletrônicos com informações pertinentes. - Recompor acervo bibliotecário para consulta de sócios e pesquisadores em geral.
- Apoiar a produção de Eventos Artísticos (Festivais, Mostras, Seminários, etc.).
- Levantar e organizar a história da ARTB através de todas as suas ações.
- Lutar em favor da arte titeriteira como forma de expressão artística, necessária a formação de nossa identidade cultural.

 

 

PARANÁ

Paranauê, Paranauê, Paraná !

APTB - Associação Paranaense de Teatro de Bonecos

 

FÉRIAS ANIMADAS 2008
A APTB recebeu o Prêmio Myriam Muniz com o projeto FÉRIAS ANIMADAS.
Espetáculos oferecidos ao público nos parques de Curitiba em palcos sobre rodas (um ônibus-palco, um carroção-palco e uma tenda-palco).
Também foram realizados espetáculos em hospitais, asilos de idosos e orfanatos.
Debaixo de uma grande lona que protegia todo público e artistas.
Foi oferecido além dos espetáculos, Oficinas para crianças, adolescentes, bonequeiros e artistas em geral.
Foi realizado ainda o Seminário “Teatro de Bonecos - Formas Animadas”.
Foram 30 dias de muito trabalho, onde a APTB restaurou sua alma, gerando trabalho e animação para todos que fazem Teatro de Bonecos, assistem e, enfim, todos que amam a arte.
Para nós que acreditamos na “associação” como ideal, foi bom mais uma vez enxergar aqueles que realmente estão dispostos ao trabalho coletivo. VIVA A APTB, VIVAAAA !!!
Ruben Carvalho Silva-Cauê - Pres. APTB
cauetiteres@yahoo.com.br

 

Destacamos o trabalho da diretoria da APTB na conquista de mais um importante edital público via fundo municipal de Cultura de Curitiba, o edital de produção de pequenos espetáculos.
Vários sócios da APTB/ABTB/CUB foram contemplados. 10 companhias com o valor máximo de R$ 20.000,00 (vinte mil reais para cada produção).
A contrapartida social são apresentações gratuitas nos 3 espaços específicos para teatro de bonecos na cidade, conquistados pelo coletivo do movimento de bonequeiros ao longo de vários anos de baalha.

 

Tadica e sua turma do projeto o Boneco na Sociedade de São José dos Pinhais-PR realizaram com êxito mais um carnaval dos bonecos gigantes desta vez com o tema da paz. Gandhi, Mandela e etc, desfilaram pelas ruas da cidade.

 

 CURSOS

A Secretaria de Estado da Cultura do Paraná, em parceria com a Secretaria do Trabalho e o FAT estará promovendo alguns cursos em 2008 e entre eles estarão os cursos de CONFECÇÃO DE BONECOS E CENOGRAFIA APLICADA e CENOGRAFIA E ILUMINAÇÃO.
A Agência do Trabalhador de Curitiba está recebendo inscrições dos interessados.

Lembramos que as vagas são limitadas, 25 alunos por turma.
A carga horária é de 216 horas, quatro horas por dia, inclusive sábados e tem término previsto para o dia 30 de abril.
Os participantes que concluírem os cursos receberão certificados de conclusão.

LOCAL DE INSCRIÇÕES E INFORMAÇÕES
AGÊNCIA DO TRABALHADOR
Rua Pedro Ivo, 744 - Setor de Cursos
Tel: 3883-2226 (Sionara ou Elaine)
DOCUMENTOS NECESSÁRIOS: Carteira de Trabalho, RG, CPF e Comprovante de Endereço

 

 

SANTA CATARINA

 

Sassá Moreti, organizadora do (FITA) Festival Internacional de Teatro de Animação de Florianópolis que acontecerá de 17 a 22 de junho/2008, começa a se movimentar, junto com outros, no caminho da fundação da Associação Catarinense de Teatro de Bonecos.
Estamos na torcida !!

 

Ponto de Cultura Anima Bonecos recebe três Prêmios Nacionais
O Ponto de Cultura Anima Bonecos de Rio do Sul SC recebeu no dia 8 de novembro três prêmios nacionais em reconhecimento às suas ações.
Em Belo Horizonte no evento TEIA 2007, encontro nacional dos Pontos de Cultura o Anima Bonecos recebeu das mãos do Secretário de Programas e Projetos Culturais do Ministério da Cultura, Célio Turino, duas vezes o "Prêmio Escola Viva", um pelo trabalho desenvolvido com o Grupo dos Bonecos Gigantes, formado por jovens estudantes do município de Rio do Sul e outro pelo trabalho desenvolvido com os alunos da Escola Indígena Lá-Klánò no município de José Boiteux.
Em Curitiba no mesmo momento o Anima Bonecos recebia o "Prêmio Itaú-Unicef" como vencedor regional 2007, também um reconhecimento pelas atividades desenvolvidas junto à Escola Indígena Lá-Klánò.
Junto com mais 32 projetos selecionados entre cerca de 1700 de todo o país, o Ponto de Cultura Anima Bonecos participou da premiação nacional em São Paulo no dia 26.
Esses prêmios visam reconhecer e estimular projetos de organizações sem fins lucrativos que desenvolvem ações socioeducativas, contribuindo, em articulação com a escola pública, para a educação integral de crianças e adolescentes.

 

Teatro de Animação de Rio do Sul em Festival no Vietnan !
A Trip Teatro de Animação, grupo ligado ao Ponto de Cultura Anima Bonecos de Rio do Sul (SC), segue viagem para Hanói, capital do Vietnan, nessa quarta-feira, dia 13.
O grupo foi convidado para participar do "The First International Marionette Festival" que acontecerá entre os dias 16 e 23 de fevereiro e contará com 10 companhias profissionais de países como Vietnan, China, Tailândia, Filipinas, Egito, Singapura, Indonésia, Suécia, Bélgica e Israel.
A Trip Teatro viaja com apoio da FUNARTE (Fundação Nacional das Artes) e além da companhia rio-sulense representará também o Brasil a companhia Morpheus Teatro 12, de São Paulo.
http://www.tripteatro.com.br

 

 

SÃO PAULO

Fala Campinas !
O Bonequeiro Sebastian Marques promoveu em Joaquim (Campinas/SP) o Carnaval é só poesia e alegria !
Uma grande festa popular !
Bloco dos Bonecos Gigantes, poesias...
O bloco saiu todas as noites de sábado, domingo, segunda e terça as 20:00 horas.

Sebastian Marques
Poeme-se sempre !

 

BAHIA
Esta preparando eleições para Nova Diretoria.
Estamos na torcida e desejando muita sorte e força nessa empreitada !

 

 

 


 

NOTÍCIAS INTERNACIONAIS

 

BOLSA EM SEVILLA - Curso para Profissionais

Iniciação ao teatro de papel clássico e contemporâneo
Prof. Alain Lecucq
Bolsa de estudo para sócios ABTB / UNIMA

Todos os sócios ABTB poderão concorrer a esta Bolsa oferecida pela UNIMA Espanha e o Ayuntamiento de Sevilla através da Comissão para América Latina de UNIMA.
O sócio deverá estar quite com as anuidades 2007 e 2008 ABTB/ UNIMA.
Enviar currículo e dados pessoais até 14 de Março de 2008.
Para: Teatro Alameda (a la atención de Guadalupe Tempestini)
C/ Crédito, 13 , 41002 – Sevilla (España)

Com Copia para: ABTB/Centro UNIMA Brasil
A/c Renato Perré Carvalho
Rua Paula Gomes, 394, aptº. 41 - CEP 80510-070 - CURITIBA - PR

A Bolsa da direito a Matricula do Curso, Hospedagem e alimentação, Ingressos para assistir os espetáculos do Festival.

 

XXVIII FERIA INTERNACIONAL DEL TÍTERE DE SEVILLA

De 9 a 18 de Maio de 2008

ORGANIZA:
- XXVIII Feria Internacional del Títere de Sevilla.
- Teatro Alameda. Instituto de la Cultura y las Artes del Ayuntamiento de Sevilla (ICAS)

COLABORAM:
- UNIMA Andalucía
- UNIMA Federación España
- Comissão para América latina de UNIMA

 

O Instituto Internacional da Marionete (Charleville-Mézieres-France)

Avisa que estão abertas as inscrições para o Concurso de Admissão para a ESNAM - Escola Nacional Superior das Artes da Marionete.
Inscrições até 15 de fevereiro de 2008.
Concurso de admissão acontecerá no período de 24 março a 4 de Abril de 2008.
Maiores informações pelo site: http://www.marionnette.com
E- mail: institut@marionnette.com

 

Fique de olho também nos estágios de verão de 2008

Talleres de Verano 2008 en el Instituto Internacional de la Marioneta Charleville Mézières - Francia
Del dia 7 al 25 de Julio - Why use Puppets
Taller dirigido por Gavin Glover - Faulty Optic (Huddersfield-England) - http://www.faultyoptic.co.uk
Del dia 1ro al 19 de Septiembre - El Secreto de Pulcinella
Taller dirigido por Bruno Leone - I Teatrini (Napoli-Italia) - http://www.iteatrini.it

 

A "Hoja del Titiritero" N°11

Jornal eletrônico da Comissão para América Latina da UNIMA
Personagem inolvidável: Serguei Obraztsov (1901- 1992 ) e uma homenagem a Pepe Otal artigo de Maria Madeira
Faça click ! : http://takey.com/hojacal

 

Festival Mundial de Teatro de Títeres na cidade francesa de Charleville-Mézières acontecerá de 18 a 27 de setembro de 2009.
Estão abertas as inscrições para todas as companhias no site: http://www.festival-marionnette.com
A data final de envio do material é 31 de julho de 2008

 

 

 

Bulgaria

18/03/2011

 

Death of Evgeni Fabiani

 

Dear friends and colleagues,
With deep sorrow we inform you about the death of Evgeni Fabiani (1 August 1924 - 16 March 2011), actor at Sofia Puppet Theater and longtime National Secretary of the Bulgarian UNIMA Centre.

 

He dedicate nearly 40 years of his life to the puppetry art in Bulgaria and Sofia Puppet Theater.
For these years he had played more than 100 characters in nearly 45 titles from the repertoire of the theater.

 

We will remember him as a very eager man, for whom devotion to art was stronger than anything. Moreover, he was one of the most active promoters for Bulgarian puppetry in all over the world.

 

He was National Secretary of Bulgarian UNIMA Centre since its establishment in 1963 until 1988 and member of honor of UNIMA International since 1992 at a Congress in Ljubljana.

 

Bulgarian National Centre of UNIMA.

 

 

 

 

Burkina Faso

27/01/2006

 

Bonjour,
L'UNIMA BURKINA FASO commence ses activités 2006 avec:
- Un spectacle de marionnettes jeune public intitulé "Romy et Julie".
  Deux représentations sont programmées au Centre Culturel Français de Ouagadougou les 9 et 11 Février
  puis à Bobo-Dioulasso (à 360 km de la capitale) le 16 Mars
- Une animation à la Semaine nationale de la Culture du 25 Mars au 1 Avril à Bobo-Dioulasso
- Un atelier de formation / initiation à la marionnette, du 10 au 30 Avril à Ouagadougou
- Une résidence de création d'un spectacle tout public, du 1 au 31 Mai à Ouagadougou

 

Nous souhaitons avoir des adresses d'organismes qui peuvent financer ou soutenir certaines activités autour de la marionnette au Burkina Faso (formations, créations, tournées...)


Salut à vous et à bientôt !!!


Athanase KABRE
UNIMA-BURKINA FASO
c/o Athanase KABRE - La Compagnie du Fil
B.P 561
OUAGADOUGOU 01
Burkina Faso
Tél : +226 78 81 59 00
Fax : +226 50 30 60 99
Email: lefil1@yahoo.fr

 

 

 

 

Cameroun

Cameroun

  Unima Cameroun
c/o Frédéric TALLA
Tel:  09 96 41/79 79 42 64
Fax:  +
Email:  gathemac@yahoo.fr
Web:  

 

 

 

Canada

18/01/2006

Le Centre Canadien de l’UNIMA vous invite à lire son dernier Rapport en format pdf

The Canadian UNIMA Centre invites you to read its last Report in pdf format

 

 

 

 

Chili

9/11/2011

 

Lanzamiento del boletín Cachinchín de Unima Chile
.

El Martes 18 de Octubre de 2011, se realizó el lanzamiento del Boletín Cachinchín, de Unima Chile, en la Sala del Instituto Cultural del Banco del Estado.

 

Los invitados pudieron apreciar en un Power Point el formato digital del Boletín, se hizo una exposición de muñecos en diferentes técnicas y se culminó con un cóctel.

 

El boletín está en el sitio web: http://revistacachinchin.blogspot.com

 

Ver el díptico hecho para el lanzamiento

 

 

 


14/02/2010

 

CHILE AGRADECE

 

La Unión de Marionetistas y Titiriteros de Chile, agradece profundamente la ayuda prestada por la Comisión de Cooperación y de la Comisión para América Latina de la Unión Internacional de la Marioneta, Unima Canadá y Unima Suiza.

 

El 27 de Febrero de 2010, a las 3:34 am, se registró en la zona centro-sur de Chile un terremoto de gran magnitud (8,8 Mercalli), seguido de un maremoto o tsunami.

 

Aunque se registraron solamente 578 víctimas fatales, destruyó pueblos completos y gran parte de importantes ciudades en la zona central y sur; el segundo terremoto del Jueves 11 de Marzo en la VI región, que repercutió gravemente en otras regiones como Santiago, Concepción, Valparaíso, etc., continuó con los destrozos y poniendo en peligro a la población. Las constantes réplicas, que aún continúan, algunas muy fuertes y otras un poco más suaves, pero igual de intensas y frecuentes, tuvieron y tienen a una multitud de gente atemorizada, casi sin esperanzas de lograr recuperar su normalidad.

 

Los destrozos en muchas zonas del sur del país fueron catastróficos, pero afortunadamente los daños físicos graves que afectaron a los titiriteros (casas caídas o seriamente dañadas) fueron pocos, un caso en Chillán y otro en Concepción y daños importantes en el Museo del Títere y el Payaso en Valparaíso. Sin embargo lo más grave era cómo resolver su futuro laboral. La gran preocupación de todos los titiriteros y actores era la drástica disminución de las oportunidades de trabajo. Los teatros estaban cerrados por temor a derrumbes o vacíos por la misma razón; las escuelas funcionan medianamente, ya que muchas de ellas están dañadas en su estructura física; los pueblos que formaban parte del circuito de muchos titiriteros-juglares, están total o parcialmente dañados, imposibilitados de contratar funciones, dado que ni siquiera tenían las condiciones para vivir normalmente. En Santiago, UNIMATI CHILE organizó un evento solidario, (maratón titiritera) donde todo lo recolectado fue en beneficio los compañeros damnificados.

 

Fue entonces cuando llegó a través de Unima una ayuda real y digna para los titiriteros más afectados de la zona Sur, a través de una compra de 4 funciones a cada uno de los titiriteros de Concepción: Hugo Aguilera y Lientur Rojas destinadas a niños de escasos recursos. Asimismo una ayuda en dinero para el Museo del Títere y el Payaso, con el compromiso de de su Director de abrir la sala una vez reconstruida, a las compañías de títeres, para realizar funciones gratuitas a la comunidad más desposeída de la región, además de apoyar a las compañías de Chile con el préstamo gratuito de la sala para realizar funciones a colegios y particulares de manera que los recursos fueran en beneficio directo a ellas y así difundir el amor por los títeres.

Esto generó una instancia que permitió a las personas, que estaban es una situación de stress post traumático, tener un momento de grato esparcimiento y ayudó a que los titiriteros a través de su oficio, solucionar sus requerimientos más urgentes y empezar a reconstruir su vida laboral. Las 2 compañías de titiriteros chilenos más afectadas, hicieron espectáculos para niños, familiares y sus comunidades, recibiendo por su trabajo 50 euros por integrante de cada compañía en cada función realizada.

 

 

RENDICIÓN DE CUENTAS AYUDA COMISION COOPERACION DE UNIMA

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en Euros

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CONVERSIÓN A PESOS

GASTOS BANCARIOS

1982,5

652,23

1293.055

15.774 (24 euros)

 

Destinatarios

Valor en pesos

Cuotas

Corresponde a

Museo del Títere

383.184

Una

 

Lientur Rojas Serrano

510.912

4 (4 integrantes)

127.728

Hugo Aguilera Suazo

383.184

3 (tres integrantes)

  95.796

 

 

AYUDA UNIMA CANADA DESTINADA AL MUSEO DEL TÍTERE

DINERO RECIBIDO Dólares Canadienses

VALOR DEL DÓLAR

CONVERSIÓN A PESOS

GASTOS BANCARIOS

1.185

463.279

548.986

9.064

Entregado al Museo del Títere y el Payaso $ 539.922

 

 

AYUDA UNIMA SUIZA DESTINADA AL MUSEO DEL TÍTERE

DINERO RECIBIDO

Francos Suizos

VALOR DE LA MONEDA

CONVERSIÓN A PESOS

GASTOS BANCARIOS

1.329

480.893

669.404

8.587.00

Entregado al Museo del Títere y el Payaso $ 660.817

 

TOTAL ENTREGADO AL MUSEO DEL TÍTERE Y EL PAYASO: $ 1.583.923

 

RENDICIÓN DE CUENTAS AYUDA DE LA COMISION PARA AMERICA LATINA DE UNIMA

Destinatario

Moneda

Museo del Títere y el Payaso

300 Euros (Trescientos euros)

 

 

La recepción y entrega de los dineros están debidamente documentados, cuyas copias han sido mandadas a los Presidentes de las Comisiones.

Aparte de la ayuda solidaria, ha sido también una oportunidad de fortalecer la unidad, levantando la UNIMA como una entidad en torno a la cual se puedan reunir, fortalecerse y proyectarse hacia un gpaís nuevoh. No es una simple figura de lenguaje: esta catástrofe ha significado la desaparición de muchas vidas, de pueblos y ciudades; pero debe ser, por lo mismo, el inicio de la reconstrucción del país y en el cual los titiriteros deben tener parte activa, ghaciendo lo que saben hacer.

 

Gracias Pierre-Alain Rolle - Presidente de la Comisión de Cooperación
Gracias Susanita Freire - Presidenta de la Comisión para América Latina
Gracias Unima Canadá
Gracias Unima Suiza

 

Ana MariaALLENDES
Miembro del Comité Ejecutivo
Unión Internacional de la Marioneta

 

¡Arriba los títeres! ¡Viva la Unima!

 

 


18/01/2006

 

Estimados amigos y colegas titiriteros,
Como Presidente de UNIMATICHILE, quiero hacerles llegar a nombre mío y de toda la Directiva, un muy Feliz Año Nuevo, esperando que este año nos traiga toda clase de beneficios y felicidad.

 

Leer el Boletín N° 4


En esta ocasión, en la sección Reportajes, podrán conocer la importante experiencia que vivió Cesar Denecken durante la beca que todos los años concede Guadalupe Tempestini, Directora del teatro Alameda, dentro del marco del Festival Internacional de Sevilla.

 

Asimismo les hacemos llegar algunas noticias que consideramos de su interés. Asimismo les informamos sobre los Festivales programados en nuestro país.

 

Los invito además a publicar información de sus espectáculos y montajes o de los Festivales que tengan conocimiento enviando la información con fotos a prensaunimati@yahoo.es

Para concluir, quiero reiterar la invitación a todos los titiriteros, marionetistas y amantes del teatro de muñecos, a ayudar con el catastro que estamos realizando para saber cuantos estamos participando en este trabajo tan bonito como es el Teatro de Muñecos, enviando un correo a la misma dirección, con el título “catastro”.

Un abrazo deseándoles toda clase de felicidades.

Rafael Brozzi
Presidente

 


 

 - Boletín N° 3

 

 

 

 

China

15/01/2011

Be careful, the Chengdu's organizing Committee annouced that there is a new delay for the companies that want to send their propositions of shows for the International Festival.
The limit date is now March 31

 

    The 21st UNIMA Congress & International Puppet Festival

 

Address: F6, Qintai Plaza, No.25 Tonghuimen Road,  
Chengdu, China Postcode: 610015   

Tel: 0086 28 86639821  
Fax: 0086 28 86630133   

E-mail: mpxuehui@126.com   

 

Invitation Letter

 

Dear Friends,

The 21st UNIMA Congress & International Puppet Festival will be held in Chengdu, China from May 28th to June 4th, 2012.

This will be a grant event for puppet artists from all over the world to communicate with one another and renew friendship.

We sincerely invite you to the 21st UNIMA Congress & International Puppet Festival in Chengdu during May 28th and June 4th, 2012.

 

Traveling expenses, accommodation in Chengdu and Congress fees should be borne by the participants.

The Organization Committee will pay for the cost of meals, transportation in Chengdu, package tickets of this Festival and tickets for visiting Chengdu museums and Panda Base.

 

Traveling expenses and shipping costs of performance facilities from your country to Chengdu should be borne by your side.

The Organization Committee will pay for each participant troupe (no more than 10 persons) the cost of accommodation, meals, transportation in Chengdu, package tickets of this Festival and tickets for visiting Chengdu museums and Panda Base.

According to the duration (the length of playing time is from 50 minutes to 70 minutes), we will also pay RMB 2000 to 3000 yuan for each show.

 

Organization committee will give some Awards to the best, such as: Best Show, Excellent Show, Best Performance, Excellent Performance, Best Puppetry Carrier, Best Innovation, and awards on character modeling, stage design, and audio-visual effects.

The award cups and certificates will be given by the Organization Committee of the 21st UNIMA Congress & International Puppet Festival.

 

We believe that the 21st UNIMA Congress & International Puppet Festival will be a great platform to strengthen mutual understanding and friendship, to enhance communication and cooperation, and to accelerate the development and prosperity of puppetry in the world.

Your participation is highly welcome and we are looking forward to sharing with you the achievement and happiness.

We would be very grateful if you can reply as soon as possible.

 

Please reply by email or fax before November 30th 2010, if you decided to participant in and attach with the following documents:

- Application form,

- Participantfs list,

- Performance DVD/VCD (same as your performance), photographs (for the pass).

Erratum: The limit date for the companies is now March 31

 

Address: F6, Qintai Plaza, No.25 Tonghuimen Road, Chengdu, China

Postcode: 610015

 

Contact person: Lin Yingwen, Xiong Wei

Tel: +86 28 86639821 Fax: +86 28 86630133

E-mail: mpxuehui@126.com

 

Organization Committee

21st UNIMA Congress & International Puppet Festival (Chengdu)

Art Director: Wang Yi Tang Dayu

June 16th, 2010

 

 

 

 


25/05/2010

 

The Chinese UNIMA Centre invites you to read its last Report in pdf format

 


9/02/2010

2nd “Golden Magnolia” Shanghai International Puppet Festival & Competition

Dear friends,
The 2nd Shanghai International Puppet Festival & Competition will hold in Shanghai from October 11th to 15th this year.
It is held by China Shanghai International Arts Festival Committee, Shanghai Municipal Administration of Culture Radio Film & TV, Shanghai Media & Entertainment Group (SMEG), China Puppetry & Shadow Arts Association, UNIMA CHINA, SMEG Performing Arts Group and Shanghai Puppet Theatre.

Our Festival will be a grant Celebration for the puppeteer from all over the world.
Welcome to Shanghai Festival to celebrate Puppetry Art.
For every Participant Theatre, duration of show should be control within 45 min - 70 min.
And the total number of persons should no more than 12 for each theatre.
For every Participant Theatre, the Festival Committee will pay for the cost of eating, accommodation, transportation in Shanghai during the Festival. Other wise, we will also pay RMB 3500 yuan for each show.

Festival committee will give some Awards to the best, such as: Best group award, Best Solo performer award, Best emerging artist award, Puppet arts heritage award, Best director award, Best author award, Best theatre design award, Innovation award, Sound design and music composition award.
There will be 9 juries chosen by the committee.
We will give the award cups and certificates to the winners.

For every Participant Theatre should pay for the cost of transportation and shipping from your country to Shanghai, and also from Shanghai to your country.

Please send the materials of your show before April 1st 2010, if you decided to Participant this Festival.
Including: DVD/VCD, application form, photographs, and so on. Contact person: Zhao Xue.
Address: The 5th floor, No.388, Nan Jing Rd. (w.) (Ciro’s Plaza) SHANGHAI 200003 - China
Tel: +86 21 63345208 / +86 21 63345141
Fax: +86 21 63345208
E-mail: shmojt-388@hotmail.com

Open the Application form

We believe that by the puppetry arts exchange activities that will help to further enhance the world's puppetry arts development and prosperity.

Committee of Shanghai International Puppet
Festival & Competition
28 January 2010

 

 

 

 

Colombia

21/03/2009

CELEBRACIÓN DIA DEL TÍTERE

Mas allá de las fronteras, las diferencias y las distancias, el títere, a través de su sencillez y complejidad nos une para celebrar hoy 21 de Marzo,
la responsabilidad de seguir llevando emociones y alegría para afianzar ese niño que todos llevamos en el corazón

Unima Colombia

 

 

 

 

Costa Rica

  Unima Costa Rica (Representation)
c/o Kembly AGUILAR
San Francisco de Dos Ríos, Residencial El Bosque #431
SAN JOSÉ
Tel:   
Fax:   
Email: kemblyaguilar@gmail.com
Web:

 

 

 

Croatia

25/05/2010

REPORT ON THE ACTIVITIES OF THE CROATIAN CENTRE OF UNIMA
FROM 2008 TO 2010

 

1. THE 2008 CONGRESS

Livija Kroflin, Zrinka Kolak Fabijan and Marsinah Vokši from Rijeka took part at the Perth Congress.

Puppets from the Rijeka City Puppet Theatre and the Branko Mihaljević Children's Theatre from Osijek were among those on show as part of the Million Puppet Project.

 

2. CO-OPERATION BETWEEN THE INTERNATIONAL CHILDREN'S FESTIVAL AND THE PUPPETS IN EDUCATION COMMISSION

The International Children's Festival in Šibenik has made an offer of ongoing hospitality to the Puppets in Education, Development and Therapy Commission and, in return, its members are offering workshops for teachers and educators.

Commission meetings were held in Šibenik on June 24, 25 and 26, 2008.

 

3. PARTICIPATION IN UNIMA BODIES

Livija Kroflin is a member of the Executive Committee, President of the Puppets in Education, Development and Therapy Commission and a Councillor.

Jasminka Mesarić and Jasenka Ramljak are Councillors.

Livija Kroflin participated in the Executive Committee Meetings at Perth 2008 and Yekaterinburg 2009.

 

4. PUBLISHING ACTIVITIES

The Croatian Centre of UNIMA published the Croatian Puppetry Bulletin, providing the repertoire of Croatian puppetry theatres, festivals, and news from UNIMA.

The 11th Issue of the Bulletin came out in 2009, with the repertoire of Croatian puppetry theatres in the 2005/2006 and 2006/2007 seasons.

Issue No. 12 came out in 2010 giving the repertoires of the theatres in the 2007/2008 and 2008/2009 seasons.

The Bulletin is published in Croatian and in English and is sent free of charge to all the members of the Croatian Centre of UNIMA.

 

5. PUPPETRY FESTIVALS IN CROATIA AND NEWLY-ESTABLISHED PRIZES

The Meeting of the Puppetry Theatres of Croatia is held biennially in Croatia under the auspices of the Croatian Centre of UNIMA.

It was held in Osijek in 2009.

The Centre is one of the founders of the Vukovar Puppetry Spring, which is held every year.

Some new puppetry prizes were established in 2008: a Lifetime Achievement Award for Contribution to the Art of Croatian Puppetry, and a Prize for Contribution to the Acting Art in Croatian Puppetry.

The PIF (the International Puppet Theatre Festival held in Zagreb) is usually dedicated each year to one of the UNIMA events.

In 2008, it marked the 80th anniversary of the UNIMA.

Thanks to the initiative of the Croatian Centre of UNIMA, a special prize has been awarded at the Actors' Festival since 2007: the Nevenka Filipović Prize for the Best Puppetry Acting or Best Acting in Productions for Children and Young People.

 

6. WORLD PUPPETRY DAY

World Puppetry Day has been celebrated in Croatia since 2003.

Puppet theatres put on shows on that day, many of them free of charge.

The International Message is read prior to the performances.

The idea is that one particular town be “the centre of Croatian puppetry” on that day with performances given there, festive meetings of the Board or Assembly held, prizes and plaques given to deserving members, and puppetry journals, bulletins or books promoted.

The city of Zadar was chosen for 2004, followed by Vinkovci in 2005, Šibenik in 2006, Osijek in 2007, Rijeka in 2008, Vukovar in 2009 and Virovitica in 2010.

A Croatian Message was introduced in 2004, to be read along with the International Message.

The first Croatian Message was written by Luko Paljetak, Honorary Member of UNIMA International.

 

7. FINANCING PROFESSIONAL TRAINING AND ADVANCED TRAINING IN THE FIELD OF PUPPETRY

In 2003, the Centre issued By-laws on the Setting of Criteria for Financing Professional Training and Advanced Training in the Field of Puppetry.

Applications for professional training or advanced training may be submitted by public city theatres for their professional employees (actors, directors, scenographers, puppet builders/creators, puppetry technologists, or lighting designers), by other institutions that have a need for trained staff in the field of puppetry, and by free-lance artists active in puppetry.

The Centre has to date offered support to its members for the study of puppetry at Charleville-Mézières (France), Bratislava (Slovakia) and Paris (France); for study visits to Charleville-Mézières and Berlin (Germany); for participation in the Albrecht Roser marionette workshop in Varaždin (Croatia) and in Stuttgart (Germany), and in the seminar entitled Managing a Cultural Organisation in the International Context held at the Paris Chamber of Commerce, and for attending the puppetry school at Bialystok (Poland).

It has also awarded support to Tamara Kučinović, who graduated in Acting and Puppetry from the Academy of Arts in Osijek, now a 3rd year student of Directing at the St Petersburg State Academy of the Theatre Arts, as the first future graduate puppetry director in Croatia.

 

8. CO-OPERATION WITH THE MINISTRY OF THE FAMILY, VETERANS AND INTER-GENERATIONAL SOLIDARITY

Thanks to the Ministry of the Family, Veterans and Inter-Generational Solidarity, and as part of the “national Campaign against Physical Punishment of Children in the Republic of Croatia”, eight puppetry theatres from all over Croatia (the Branko Mihaljević Children's Theatre in Osijek, the Rijeka City Puppet Theatre, the Split City Puppet Theatre, the Zadar Puppet Theatre, the Zagreb Puppet Theatre, the Ivana Brlić-Mažuranić Puppet Stage - Zagreb, the Ivana Brlić-Mažuranić Children's Theatre - Slavonski Brod, and the Face-to-Face Theatre - Split) performed a total of 13 free puppet shows on 20 and 21 November 2008, particularly oriented to children with special needs, children from hard-up families and all their most faithful fans. The entire drive was given an excellent reception by the public and the media.

 

9. OTHER ACTIVITIES

A) The Croatian Centre of UNIMA carries out all the customary activities as a centre of information and communication.

It receives notifications about important events taking place in the world of puppetry both at home and abroad, and keeps its members informed thereon.

It also provides information on Croatian puppetry to international organisations.

B) When necessary, the Centre helps theatres by writing letters of support to the relevant city or county institutions.

It also promotes solidarity between theatres, calling on those that are better off and better equipped to aid the more poorly equipped companies.

C) The Croatian Centre of UNIMA is actively included in the founding of the Puppetry Museum in Osijek, which will be the central museum.

The Assembly has issued a decision to call for support from Croatian puppet theatres in the drive for collection of puppets for the Museum (with the possibility of their being bought, given as gifts, or provided on the basis of permanent loan).

D) The Croatian Centre of UNIMA supports in various ways the work of the Academy of Arts in Osijek (study of Acting and Puppetry).

 

10. NEW MEMBERS

One new collective member and one individual member have been accepted over the last two years.

 

In Zagreb, April 2010

Livija Kroflin

Secretary

Croatian Centre of UNIMA

Amruševa 19, 10000 Zagreb - Croatia

Phone: +385 (1) 481 3252

Telefax: +385 (1) 481 3252

Email: hc-unima@zg.t-com.hr

 


23/03/2004

Dear friends,
If you have been using one of the old addresses of the Croatian Centre of UNIMA hc-unima@zg.tel.hr OR hc-unima@zg.hinet.hr ; please forget them.
They will not function after 11th April 2004
.

Here is the new address: hc-unima@zg.htnet.hr

Best regards,
Livija Kroflin
Croatian Centre of UNIMA


Hrvatski centar UNIMA
ZAGREB
B. Magovca bb, 10010 Zagreb
telefon: +385/1/66 01 626, 66 92 574
telefaks: +385/1/66 01 619
email: hc-unima@zg.htnet.hr

Web:  http://www.unima.hr


30/04/2002

REPORT ON THE ACTIVITIES OF THE CROATIAN CENTRE OF UNIMA
2000 TO 2002

1. PREPARATIONS FOR THE UNIMA 2004 CONGRESS
As is known, the Croatian Centre of UNIMA has been entrusted with the organisation of the UNIMA 2004 Congress and a major part of the Centre's activities are being oriented to that goal.

It is planned that the Congress and the Festival be held in Rijeka, a city on the coast of the northern Adriatic Sea.

Mr Miguel Arreche, the Secretary General, and Ms Idoya Otegui, his associate, visited Zagreb and the 34th International Festival of Puppet Theatres - the PIF - in September, 2001 and later travelled to Rijeka and Opatija, a resort just along the coast, to inspect the venues proposed for holding the Congress and the Festival. The delegation was received by the mayor of Rijeka.
After his visit, Mr Arreche sent the Croatian Centre of UNIMA a letter giving his comments and suggestions to ensure the best possible organisation of the planned events, and we are most grateful for his advice.

An Organising Committee and various working bodies have been set up: for financing, for organisation of the Congress, and for organisation of the Festival.

2. PUBLISHED ACTIVITIES
Croatian Puppetry, the Croatian Centre's bulletin that provides readers with information on the repertoires of Croatian puppet theatres, festivals and UNIMA news came out with Issue No. 5, and preparations have been made for Issue No. 6.
The bulletin is published in both English and Croatian.

The second revised an supplemented issue of the brochure, Croatian Puppetry, came out and it is also published in English and Croatian.

The Centre asisted with the publication of Josip Činkl's book on the history of puppetry in the city of Brod, and copies have been sent out to members.

The Centre also purchased for its members copies of the so-called Blue Book ("L'art mondial de la marionnette / The Worldwide Art of Puppetry / UNIMA 2000").

The Centre is participating in the preparations for the book being published by the Puppetry in Education Commission.

3. THE INTERNATIONAL CHILDRENH'S FESTIVAL IN ŠIBENIK
The International Children's Festival in Šibenik has made an offer of ongoing hospitality to the Puppetry in Education Commission, and, in return, its members are offering a workshop for teachers and educators.
The Commission's metings and the workshops and/or presentations of work were held in Šibenik in the summer of 2000 and 2001.

4. INTERNATIONAL ACTIVITIES
As a member of the Executive Committee, president of the Puppetry in Education Commission and member of the Festival Commission, Livija Kroflin takes part in the work of these bodies.

Some of the Centre's members have availed themselves of the information on the Festival Network.

Preparations are under way for a three-week marionnette seminar in Varaždin, to be conducted by Mr Albrecht Roser.

5. OTHER ACTIVITIES
The Croatian Centre of UNIMA carries out its customary activities as an information and communications centre.
It received notices of important events in the world of puppetry both at home and abroad, and passes on the information to its members.
It also keeps international organisations informed about what is happening in Croatian puppetry.

In Zagreb, April 2002                   
Livija Kroflin                                  
Secretary                                      
Croatian Centre of UNIMA           

 

 

 

Cuba

1/02/2012

 

Les invitamos a leer nuestro último Boletín Informativo: Pelusín el Mensajero n° 1 (Enero 2012)

 

También, dejamos en linea los antiguos números:

  Pelusín el Mensajero n° 1 (2010)

  Pelusín el Mensajero n° 2 (2010)

  Pelusín el Mensajero n° 3 (Mayo 2010)

  Pelusín el Mensajero n° 4 (2010)

  Pelusín el Mensajero n° 5 (2010)

  Pelusín el Mensajero n° 6 (Julio 2010)

  Pelusín el Mensajero n° 7 (Julio 2010, numero especial)

  Pelusín el Mensajero n° 8 (Agosto 2010)

  Pelusín el Mensajero n° 9 (Septiembre 2010)

  Pelusín el Mensajero n° 10 (Octubre 2010)

  Pelusín el Mensajero n° 11 (Noviembre 2010)

  Pelusín el Mensajero n° 12 (Diciembre 2010)

  Pelusín el Mensajero n° 1 (Enero 2011)

  Pelusín el Mensajero n° 2 (Febrero 2011)

  Pelusín el Mensajero n° 3 (Marzo 2011)

  Pelusín el Mensajero n° 4 (Abril 2011)

  Pelusín el Mensajero n° 5 (Mayo 2011)

  Pelusín el Mensajero n° 6 (Junio 2011)

  Pelusín el Mensajero n° 7 (Julio-Agosto 2011)

  Pelusín el Mensajero n° 8 (Septiembre 2011)

  Pelusín el Mensajero n° 9 (Octubre 2011)

  Pelusín el Mensajero n° 10 (Noviembre 2011)

  Pelusín el Mensajero n° 11 (Diciembre 2011)

 

CENTRO CUBANO DE LA UNIMA

Galería El Retablo No 8313 e/ Medio y Milanés

MATANZAS 40100 - Cuba

Telf: 45 28 31 78

(titeres@atenas.cult.cu)

 

 

 

 

 

 

 

 

 

Comité Ejecutivo del Centro Cubano de la UNIMA

 

Presidente: René Fernández Santana. (papalote@atenas.cult.cu)

 

Vicepresidentes: Armando Morales (armandotiteres@cubarte.cult.cu)

                                 Norge Espinosa. (norge@cubaescena.cult.cu)

 

Secretario General: Rubén Darío Salazar (títeres@atenas.cult.cu)

 

Tesorera: Blanca Felipe (leonor@infomed.sld.cu)

 

Vocales: Maribel López, Zenén Calero, Cristian Medina, Yosbani Abril, y Julio Cordero

 

Consejeros permanentes: Roberto Fernández y Pedro Valdés Piña.

 

Contactos regionales: Félix Dardo, Miguel Santiesteban, Idania García, Eudys Rodríguez, Maribel López, Yosbani Abril,, Cristian Medina, Yaki Saiz, Arneldy Cejas, Carlos González, y Yudd Favier.

 

Miembro de Honor: Mayra Navarro

 


5/08/2010

 

Entre el 20 y el 24 de Septiembre 2010, se desarrollará en Matanzas el Curso Creación de Espectáculos y Dirección Escénica de Teatro de Títeres y Actores, a cargo del director artístico aragonés Paco Paricio.

 

Será un curso solo para directores artísticos profesionales, con más de dos espectáculos de teatro de títeres en curriculum y miembros del Centro Cubano de la UNIMA.

 

La selección de los 15 profesionales cubanos que tomarán el taller se hará por la fecha de llegada de las solicitudes, la cual debe adjuntar una síntesis curricular de su obra artística como directores de espectáculos de teatro de títeres.

 

Los horarios de clase serán de 9 a 1 pm y de 4 a 6 pm, desde el lunes 20 al viernes 24.
La entrada al hotel será el domingo 19 a las 4 pm y la salida el viernes al mediodía.
El cumplimiento de los horarios del curso serán de estricto cumplimiento.

 

La lista de profesionales seleccionados será dada a conocer antes del 31 de Agosto.

 

Francisco Paricio Casado:
Fundó junto con Pilar Amorós en 1975 la compañía Los Titiriteros de Binéfar, en Aragón, España.
Ha escrito y dirigido todos los espectáculos de la compañía.
Es autor de diversos libros como Títeres y titiriteros, Títeres y demás parientes, etc.
También ha dirigido espectáculos a otras compañías de teatro de muñecos como son la Baldufa (Cataluña), la Gotera de lazotea (Andalucía), Teatro Comunidad (Colombia).
Padrino del Balcón de los Niños de la Expo Zaragoza 2008, pertenece al Comité de Honor del Rolde de Estudios Aragoneses y es asesor artístico del Topic de Tolosa y profesor del Curso de Postgrado de Literatura Infantil de la Universidad de Zaragoza.
Ha impartido cursos y talleres de dramaturgia de los títeres para el Gremio de Titiriteros de California en San Diego; en la Universidad de las Artes de Taipei y Colegio Nacional de Profesores de Taitung, Taiwán.
Sus espectáculos han obtenido numerosos premios, entre los que destacan: Finalistas en los premios Max como mejor espectáculo infantil en 2006, Premio al mejor espectáculo Drac d´Or en la Fira de Teatre de Titelles de Lleida, en 2007, Premio “Coherencia y al compromiso social” en la 24 Mostra Internacional de Titelles a la Vall d’Albaida, en 2008, y el Premio Nacional de Teatro Infantil y Juvenil en 2009.

 

 

 

 

 

Czech Republic

25/05/2010

The Czech UNIMA Centre invites you to read its last Report in pdf format

 


27/05/2009

Mateřinka'09 - Liberec

From 24 to 28 June 2009, the 20th issue of Mateřinka - Festival of professional puppet theatres for preschool aged children will be held in Liberec.

The festival invited this year 5 foreign and 10 Czech puppet theatres and groups.

In the programme there is the children workshop of shadow theatre, led by Iranian puppeteers, the projection of new Czech animated film by J. Bárta and large exhibition of puppets in North Bohemian Museum.

More Informations

 

 

 


27/10/2006

Report on the Activity of the Czech UNIMA Centre in 2005

The activity of the Centre consisted like each year of more or less important events organized by the Centre for its members and for the wider puppetry community.

A friendly meeting of puppeteers and art lovers took place in the Prague Castle's Lobkowitz Palace in March as a tribute to the long-time UNIMA member Mrs.

Milada Trčková on the occasion of the end of the exhibition Academic Artist Milada Trčková - Life like in a Fairytale.
For the third time already, our Centre has initiated the celebration of the Puppet Theatre Day (21 March) based on the invitation of the UNIMA secretariat. An Open Day was organized on this occasion in the Museum of Puppetry Cultures in Chrudim.

The World Puppetry Day was commemorated at a press conference on 16/3/2005.

An important social meeting of the Czech UNIMA Board and of almost half the members of the Executive of UNIMA International took place in June at the Mateřinka 2005 festival of professional puppet theatres.

Besides the Czech members of the Board, the festival guests included also observers from four continents - Canada, Croatia, Slovenia, Australia, Denmark, Spain, Iran and Slovakia representing artistic institutions, festivals and the UNIMA organization headed by its Secretary General, Mr. Miguel Arreche.

The events included also the meeting of the UNIMA's Committee for International Festivals whose chairman is Stanislav Doubrava, UNIMA's vice-president and director of the Naïve Theatre in Liberec.

The Centre also participated in the preparation of the 15th annual festival One Flew over the Puppeteer's Nest (4–6/11/2005) and organized the UNIMA's regular annual General Meeting where it informed the members on the activity of the Centre and its plans for the future. A debate on the subject of "The Problems of the Czech Puppet Theatre" took place within the General Meeting.

The Board organized again the survey of puppetry specialists regarding the UNIMA Erik Award 2005.
The award was officially granted to the winner within the scope of the festival One Flew over the Puppeteer's Nest on Saturday; the winner was the DNO ensemble with the production Circus.

Based on personal visits of foreign puppeteers and on written inquiries, the Centre provided information on the history and the present of the Czech amateur and professional puppetry and on the possibilities of study at the Department of Alternative and Puppet Theatre of the Academy of Music and Dramatic Arts (KALD AMU) and it recommended programmes and ensured tickets to theatres and contacts to the performers, as needed.

 

Dead of Jan Dvořák

The sad news is the passing of our dear puppet master and friend - puppeteer, director and honorary member of UNIMA, Jan Dvořák, in the Czech Republic on 16 January 2006.
Dvořák can also be found at the roots of many famous theatre productions in the field of modern Czech puppetry.
When Josef Skupa was still alive, Dvořák was one of the members of the Spejbl and Hurvínek Theatre and was one of the initiators of the young group, Salamandr in this theatre.

He later became director of the legendary DRAK Theatre, where he worked for many years, producing incredible puppet theatre, throughout Europe and around the world.
For several years, Dvořák was an excellent pedagogue at the puppet theatre academy in Prague, and worked as one of the first pedagogues in the International Puppetry Institute in Charleville Mézieres.
He realised his first exhibit at the Museum of Puppet Culture in Chrudim, and was an indispensable lector of a series of seminars for amateur puppeteers.
He is a superb technician, artist, author, designer and director, and has educated many of the Czech Republic’s finest puppeteers, as well as instructed pupils from countries such as Germany, Bulgaria, Norway, Canada and South Africa.

All his students, friends and co-workers remember him as the initiator of several significant puppet theatre projects, such as the first international project after 1945 “Janošík”, where he united puppet theatres from Czechoslovakia and Poland.

 

EXHIBITION - SYMPOSIUM - MEETING
on the occasion of the 100th anniversary of the birth of Erik Kolár

In April 2006, there was a commemoration in Prague of the outstanding man of theatre and unforgettable personality of Czech modern puppetry - Dr. Erik Kolár.

His personality is connected not only with the Czech pre-war puppetry (he was active as a director and dramaturge in the Prague foremost amateur society Umělecká výchova) but, most of all, with the post-war era.
He was a dramaturge of the Prague Central Puppet Theatre where he brought as new authors a number of foremost Czech writers.
He is remembered by several generations of students as a teacher who guided their first steps in art and life.

A number of events were held on the occasion of the 100th anniversary of his birth:
The National Museum in Prague prepared the exhibition ERIK KOLÁR AND THE WORLD OF PUPPETS that was installed in the exhibition rooms of the Lobkowitz Palace at Prague Castle and opened on 7 April 2006 at 5:30 p.m.

The opening ceremony followed by a dramatic performance I HAD A WONDERFUL LIFE about the life and work of Erik Kolár.

The exhibition will last until the end of June.
A SYMPOSIUM ON THE LIFE AND WORK OF ERIK KOLÁR prepared jointly by the management of the Theatre Faculty and the Department of Alternative and Puppet Theatre was held the next day after the opening of the exhibition.

This event took place on 8 April 2006 at 10:00 a.m. in the Haller Hall of the Theatre Faculty in Karlova Street in Prague.

Several prominent guests from among Kolár's students, UNIMA members who worked with him in the Presidium, former members of the teaching staff of the DAMU Puppetry Department and his closest friends are invited to these celebration events by the Theatre Academy of Performing Arts (DAMU) and the Association of Professional Puppeteers.

 

 

 

 

 

Denmark

7/07/2010

 

Kære medlem af UNIMA Danmark,
Vedlagt det nye nummer af Nyhedsbrev (December 2011).

 

Læs i dette nummer:
*Ny bestyrelse
*Stemningsbilleder fra Workshop i Silkeborg
* Interview med formanden
*Og meget mere...
* Profilbank på hjemmesiden
* Dukketeater på Charlottenborg
* GOD JUL
*Bådteateret M.O.J.N
* HÅNDDUKKER m. Carl Press
* Nye kurser på Odsherred

Nyhedsbrevet kan også tilgås fra Nyhedsbrev2011 12.pdf

 

OBS Kurset med Carl Press er der kun meget få pladser tilbage på.

 

Med venlig hilsen / Best regards
Sune Aske Jørgensen
UNIMA Danmark
Web: http://www.unima.dk

Email: saj@unima.dk

 

 


7/07/2010

 

REPORT FOR UNIMA DANMARK 2009/2010

 

UNIMA nationally:

For the 11th year consecutive UNIMA Danmark has been granted support for 2009/2010 from the t he Danish Arts Agency .

The amount for previous years has been 50.000 Dkr but last year it was reduced to 32.550 Dkr.

This is due to a general reduction in support on a yearly basis for the theater organisations receiving this kind of support.

The Danish Arts Agency does not wish to support the running of the various associations but solely the international work carried out by these. For the year 2009/2010 we have received 35.000 Dkr in support. This must be regarded as an appreciation of our international activities.

As a matter of fact it is a double victory since we have not been cut-back as could have been expected and the support has been raised.

To this should be added that we have re-thought our international work by co-operating and starting new projects with other UNIMA centers.

 

The Newsletter:

3-4 newsletters are published every year.

There is a continued evaluation of the newsletter by the committee as well as an ongoing debate about other ways of communication and about the joint venture of an all Nordic magazine. It has been determined that the newsletter will be sent out mostly by email in the future.

 

The Website:

The committee also evaluates the website continuously and at the moment it is being totally re-done as well in lay-out as in content.

 

Festivals:

The most important festivals in Denmark:

Copenhagen Puppet Festival (a festival for grown ups) took place from 19 to 29th March at Vesterbro in Copenhagen. UINMA Danmark was one of the sponsors of the international programme and the workshops.

In 2010 the puppet festival shall be back as a festival for children under the name fPuppet Juniorf. Maria Suh and Barnaby Pedersen are the extremely active people behind these festivals.

 

At Bornholm fBornholms Middle Ages Centerf in co operation with Svanekegården arranged a flow technology and environmentally correctf international festival from 11. to 20. September.

 

The festival in Silkeborg fFestival of Wonderf arranged by Ulla Dengsøe takes place every other year and it took place from 12. to 15. November in 2009.

This festival is by far the biggest puppet- and animation festival in Denmark. It also has work shops, films and exhibitions.

Moreover there are 2 big festivals, the children-and youth festival plus the yearly children and youth festival in Horsens.

 

Communication and Exhibition:

The exhibition f Puppets turning up in the Round Towerf took place in Copenhagen from 4. October till 16. November 2008. There is a thorough description of the project in the newsletter.

I would like to add that it was an impressive and very fine and beutiful project where a lot of spectators had the opportunity to see all the various exhibited puppets and take part in one of the many work shops.

On top of it all Janne Kjærsgaard and Lilo Skaarup succeded in making a small profit on this abundant project.

 

Education and Post Education

The Theater School in Odsherred is getting to be an important partner regarding education.

The leader Martin Elung has opened up a new department especially designed for our area.

The name of the department is Puppet and Animation Theater.

On the web site it is possible to see all the courses that are offered and suggestions about other courses and activities are most welcome.

I have been chosen to be in charge of this department.

 

UNIMA International:

The Northern countries:

In 2009 a Nordic/Baltic meeting was held from 12. to 19. May in connection with The Baltic Sea Countries Puppet Theater Festival in Northeim in Germany.

There was a lot of support and satisfaction all over with the fact that these meetings were resumed.

The next Nordic meeting took place in Oulo in Finland from 22. till 26. October 2009.

 

UNIMA in the Nordic countries define the Nordic/Baltic countries as Norway, Sweden, Denmark, Finland, Iceland, Germany, Poland, Estonia; Latvia, Lithauania and representatives from Saint Petersburg in Russia.

 

Commissions:

Ida Hamre continues as member of the commission: Education, Development and Therapy.

 

I, the undersigned, continue as member of fThe Proffessional Training Commissionf

 

Best regards from the president,

Hans Hartvich-Madsen

 


26/05/2009

National Activities
UNIMA Denmark has existed for about 20 years and has approx. 120 members. For the last five years the association has received a small state subsidy for its international work. In 2006 the association amended a new and more accurate set of statutes.

The association issues a Newsletter about three times a year and has a relatively elaborate website and a web-based discussion forum - "Groupcare" with digital information services that is used by an increasing number of members.

Additionally, the association collaborates with other Scandinavian countries in publishing a mutual Nordic magazine.

For three years UNIMA Denmark has appointed a new Honorary Member each year, who is specially commended for his or her work, and who receives a free life membership and a specially crafted puppet.

There are six or seven UNIMA Denmark board meetings a year.

Festivals
Denmark has two major festivals with special focus on Puppet and AnimationTheatre.
The town of Silkeborg, Jutland, has hosted a festival every other autumn.
Apart from this a new Copenhagen-based festival has seen the light of day, namely the Copenhagen Puppet Festival.
UNIMA Denmark participated in February 2006 with an open forum for presentations and discussion.

Under the heading "Living Room" three round table discussions were arranged with the following themes:
"New Artistic Tendencies", "Networks and Collaboration Projects" and "Animation Theatre in Education".

Three UNIMA Denmark board members were mediators along with with invited international guests from France, Slovenia and Serbia.

Education and Further Education
A three-year post doc. bachelor programme in Animation Theatre for educators was concluded in Thisted in 2007.
A so-called "Animation Line" that comprised film and theatre as well as the usual subjects in educator training.
Odsherred Teaterskole, Zealand, is responsible for the preparation of a three-year basic training programme for post-doc bachelors.
Additionally Odsherred Teaterskole offers courses in Puppet and Animation Theatre.
Thy Teater is also planning an education programme for young professionals mainly from Europe.

Other Activities
A large scale exhibition project in one of Copenhagen's most famous buildings has been underway for a long time. The project is entitled "Puppets Turning Up in the Round Tower" and will take place from Oct 4 to November 16 2008.

In the autumn of 2007 UNIMA Denmark initiated a seminar entitled "The Animation Figure as a Tool". Twenty-five people from many different lines of work with a common interest in this particular theme participated.
The background for our inviting to this meeting was the work of the French organisation "Marionette et Thérapie".

Many people in Denmark are also working from this perspective and during the seminar the clear need emerged for further exchanges of experience and professional information.

International Activities
Two of Denmark's three Council Members took part in the Council in Tolosa, Spain.
Reports from the meeting were published as articles in the association's Newsletter.
In international commission work UNIMA Denmark is represented by Ida Hamre, member of the commission "Puppets in Education", and Hans Hartvich-Madsen, member of the "Professionel Training Commision".

UNIMA Denmark has initiated a bilateral collaboration with UNIMA Serbia that promotes the exchange of theatre professionals for mutual support, professional inspiration and the establishment of networks.

Three Nordic meetings were held in connection with the Baltic Sea Festival, the UNIMA Congress and the UNIMA Council.
The Nordic countries collaborate on appointing candidates for the Executive Committee, festivals and Nordic publications.
UNIMA Denmark has initiated a bilateral collaboration with UNIMA Serbia that promotes the exchange of theatre professionals for mutual support, professional inspiration and the establishment of networks.

UNIMA Denmark has provided financial support for a collaboration project with "Beong-Neere" (Håbets Kompagni) from Burkina Faso, West Africa. Seven youths pais a three-week visit to Denmark in September 2007 for exchange purposes with Danish youths, and to perform animation theatre shows and conduct workshops.
Their puppet shows were about fighting malaria and on special problems of education in Burkina Faso.

The Board of UNIMA Denmark
Chairman: Hans Hartvich-Madsen
Vice-President: Martin Elung
Treasurer: Sune Aske Jørgensen
International Council Members: Martin Elung, Ida Hamre, William Frohn
Board Members: Hanne Kusk, Svend E Kristensen, Lilo Skaarup, Jette Klit, Conni Humeniuk, Astrid Kjær.

 

 

 

 

Egypt

Egypt

 Unima Egypt
Elshek Zaed Gate 2 - Hadaek al Mohandessen 210/3 - 6 of October
CAIRO
Tel: +20 123 938 659
Fax:  
Email: unimaegypt@gmail.com
info@welyawel.com
Web:http://www.unimaegypt.org

 

 

 

Estonia

1/09/2011

 

Official announcement from the Northern Eastern European Centre for Puppet Arts (NEECPA)

 

We’re happy to announce that in consequences of Nordic meeting in St Petersburg on the 25th of June 2011, we have founded The Northern and Eastern European Centre for Puppet Arts (NEECPA).

This organisation gives much better possibilities to gain support for our communication, gatherings and organising festivals at Northern and Eastern European countries in future.
For now we've founded NEECPA as sovereign organisation, not as a part of UNIMA, but we should certainly cooperate with UNIMA very closely as we share the same goals.
The members of NEECPA can be all national UNIMA centres of the region, but also theatres and other organisations from the region, who are making their contribution to puppetry.

The charters of NEECPA are in English and in Russian.

 

If you’d like to know more about the membership, please don’t hesitate to ask questions from us !
If you have made the decision already, please fill the Application forms in English or Russian
for your organisation and send it back to us by email or by mail.

Headquarter of NEECPA
Lai 1, TALLINN 10133
Estonia
E-mail: annika@nuku.ee
Tel: +372 6679 531

 


19/08/2011

 

Tallinn, April 2011
On the Day on April 11
th 2011 the UNIMA Estonian general meeting was held, including the elections of the President and Board members.
The new National President for the next two years is Mr Vahur KELLER.

The previous President (2009-2011) Mr Meelis PAI continues the work as a Board member. Riho TAMMERT continues his work as the National Treasurer.

 

The new National General Secretary of Estonian UNIMA is Annika LAND-REISSER and Anna-Liisa ÕISPUU continues the work as the board member.

The headquarter locate in the rooms of NUKU.

 

The Estonian UNIMA Board for 2011-2013:
President of UNIMA Estonia:
Vahur KELLER
(Artistic Director of NUKU)
vahur.keller@nuku.ee

 

Members of the Board:
Meelis PAI
(General Manager of NUKU)
meelis.pai@nuku.ee

 

Rein AGUR
(director, Artistic Director of Estonian State Puppet Theatre 1981-92)
rein.agur.001@mail.ee

 

Harry GUSTAVSON
(Leader of the Harry Gustavson Family Theatre, founder and President of UNIMA Estonia 1998-2003)
harry.gustavson.001@mail.ee

 

Mart PUUST
(Leader of the theatre Marionette)
mart@salme.ee

 

Rosita RAUD
(puppet and set artist, President of UNIMA Estonia 2007-2009)
rosita.raud@mail.ee

 

Anna-Liisa ÕISPUU
(Head of Foreign Relations in NUKU, Secretary of UNIMA Estonia 2004-2011)
annaliisa@nuku.ee

 

Vilma ILVES
(Deputy Manager of the Viljandi Puppet Theatre, actor)
vilma.ilves@viljandi.ee

 

International Counillors from Estonian UNIMA:
Vahur KELLER - vahur.keller@nuku.ee

Meelis PAI - meelis.pai@nuku.ee

 

The number of members in UNIMA Estonian Centre is 59, including 7 puppet theatres.

 

UNIMA Estonia
Lai 1
10133 TALLINN 
Estonia

Phone:
+372 6 679 531
Email:
unima@nuku.ee
Webpage: http://www.unima.ee


11/05/2011

 

Tallinn Treff Festival and the fusion of arts

 

From 28th of May til 1st of June 2011 the streets of Tallinn Old Town will become more than a tourist attraction.
It’s this time of the year when Estonian Puppet and Youth Theatre celebrates the magnificent world of performing arts in the form of Tallinn Treff Festival in the streets and theatre venues of old town. It's the biggest performing arts festival in Estonia.

 

Since Tallinn is the European Capital of Culture, the festival programme will be bigger and stronger than ever. 700 performers will be arriving from 18 countries around the world and give 150 performances during the five days of the festival.

 

The fusion of arts at Tallinn Treff Festival includes a wide variety of performances, including dance, drama, puppet theatre, performance art, visual theatre, music, art. The street programme will start every day from 12 at noon and finish at 4 pm. All street performances are free of charge.

 

In the evening time one can visit world famous visual and contemporary puppet theatre shows. Including plays like

Duda Paiva Company’s „Bastard“ (Netherlands),

Compagnie Sans Soucis’ „Hamlet/Machine” (France),

Compagnie Une de Plus’ „Trois” (France),

Editta Braun Company „Luvos, vol. 2“ (Austria),

Big Puppet Theatre of St Petersburg’s „We“ (Russia),

Quanzhou Marionette Troupe’s „Ancient Arts, New Paths“ (China).

 

During the festival there will be two special exhibition openings “1000 Puppets” on the shop windows of Tallinn Old Town and 8 over life-size sculptures made of construction foam by Estonian greatest artists and that will be moving around the old town.

 

Tallinn Treff Festival is a meeting point for artists from the East and West, not only amongst professionals but also engaging students of performing arts.
The international students of dance, drama, puppetry, scenography and music will get to meet each other, see high-level professional performances and hear fascinating lectures by world famous theoreticians.
At Tallinn Treff Festival you get to witness the present and future artists of performing arts.

 

More info on the Homepage of Estonian Puppet and Youth Theatre.

 

 

 

 

Finland

18/01/2012

Unima Finland Report 2011

Unima Finland was founded February 11, 1984. February 11 has proclaimed the Day of Finnish Puppetry and it is celebrated with the Message for National Puppetry Day, and also Puppetry Award of the Year is given.
Actress Satu Paavola was awarded this year of her performance for adults, 3D - Dirty, Difficult and Dangerous.

Unima Finland got a grant from the Cultural Ministry of Finland. Office of UNIMA Finland was situated in the City of Oulu, in the Cultural Centre Valve.

Unima got support for the salary of the part-time secretary from the Ministry of Employment and the Economy and from the City of Oulu.

There was 180 members in Unima Finland: 148 individual members, 7 student members, 15 honorary members and 10 theatres.

Unima Finland was promoting the puppet theatre in many ways:
Unima has organized a festival called the Showcase of Finnish puppetry for five times since 2007.
The Showcase in Helsinki in March 2011 was a great success. There were performaces, exhibition of puppets, workshops and a seminar of Finnish puppetry globally.

During the weekend there was 11 performances, on saturday five performances for the young and adults and on sunday 6 performances for children and families.

There were more audience than ever, and Finland's main newspaper Helsingin Sanomat published two half-page articles on puppetry.
There are some performaces for adults that have gained a lot of positive attention, which is of course positive for the whole field of puppetry art.
One of them is John-Eleanor, a play about a cross-dresser who lived in the middle ages in London. The performance by puppet theatre group HOX Company is based on medieval records.

The director of John-Eleanor; Merja Pöyhönen, was awarded by Kritiikin Kannukset, the Spurs of the Critique, which is very special acknowledgement of the Finnish reviewers.

A Finnish group was also awarded abroad:
The Theatre Mukamas performed in Omsk, South-West Siberia, Russia, on the international Puppet Theatre festival ”Visiting Arlekin” 25.4.-3.5.2011.
The play was Hölmöläiset, directed by Mansi Stycz and awarded with the Grand Prix prize.
The international jury agreed the performance was the best of the festival.

There is Puppet theatre education in puppetry specialization in Arts Academy at Turku performing arts department, and in Pieksämäki in Agricola Training center, which prepares for vocational examination in puppetry pedagogue or puppet constructing.

Ten years of professional education in Finland can be seen on the stage today. It is affecting on the quantity and quality. The themes of performances are modern and current as well as the technical and artistic realisation have risen on a new level.

In this and forthcoming years Unima Finland in going to pay more attention to amateur puppeteers and puppet theatres.
Unima Finland has been concentrating on professional matters, but now it's time to focus also on amateurs. There is plan to offer courses for amateurs and the theme of autumn issue of Nukketeatteri-magazine was puppet theatre as a hobby.

Councillor Katriina Andrianov attended the meeting of Research Commission in Connecticut 3.4.2011.

Councillor Kati-Aurora Kuuskoski attended in St. Petersburg XII th Baltic Sea Countries Puppet Theatre Festival and meeting and Xth Jubilee Festival Kykart in 24.-26.6.2011.

Councillors Kati-Aurora Kuuskoski and Janne Kuustie participated in the International Barents Puppet Theatre Festival in Murmansk, 14.-17.9.2011.

Unima Finland joined to NEECPA, The Northern and Eastern European Centre for Puppet Arts.
The main idea of NEECPA is to develope the network of organizations who will show the use of puppettheatre as a means of development of intercultural understanding between different nations. Councillor Kati-Aurora Kuuskoski was in the opening ceremony of NEECPA.

Unima Finland apply Unima Congress 2016. General Secretary Jacques Trudeau visited in Oulu, Finland in the end of October on the End of Daylight saving time -festival.
Mr. Trudeau and members and board members of Unima Finland met to talk about the requirements of Unima Congress. He also visited some venues and performances.

Nukketeatteri magazine is the one and only puppetry magazine in Finland.
It is the most important media for information and discussion of all fields of puppet theatre. It is coming out two times a year. The editor is Timo Väntsi.
In April/May 2012 there will be an English issue of the magazine.

President of Unima Finland in 2011 was Ms. Teija Muurinen, Puppeteer, Puppet Theatre Centre Buoy, Helsinki

Board members 2011:
Ms. Marja Susi, Programme Manager, Turku Arts Academy. Performing Arts, Turku
Ms. Kati-Aurora Kuuskoski, Puppeteer - Oulu
Mr. Riku Laakkonen, Puppeteer/Director - Akaa
Mr. Timo Väntsi, Puppeteer and Editor of Nukketeatteri-magazine - Turku
Ms. Johanna Uusiranta, secretary - Oulu - unimafinland@gmail.com - Cell: +358 468 114 024

 

Unima Finland Report 2010

The day of constitutive meeting of Unima Finland, February 11, has proclaimed the Day of Finnish Puppetry and it is celebrated with the Message for National Puppetry Day, and also Puppetry Award of the Year is given.
Ms. Katriina Andrianov, Researcher in University of Tampere, School of Communication, Media and Theatre got the acknowledgment in 2010 for organizing the International Conference of Stage Animation.
The message of the year was written by Regional Artist Aapo Repo.

The exhibition of Theatre puppets from Theatre Museum, "Invisible hand" was touring in Vaasa and Joensuu.

Unima Finland gets a grant from the Cultural Ministry of Finland. Office of UNIMA Finland is situated in the City of Oulu, in the Cultural Centre Valve. Unima gets support for the salary of the part-time secretary from the Ministry of Employment and the Economy and from City of Oulu.

There were 172 members in Unima Finland: 143 individual members, 4 student members, 15 honorary members and 10 theatres.

There was six board-meetings and one general meeting. Membergatherings were in February in Oulu, in September on cruise from Turku to Helsinki and in December in Helsinki.

Unima has organized a festival called the Showcase of Finnish puppetry for four times since 2007. The Showcase 2010 was in Oulu in February as a part of Oulu International Children's Theatre Festival.

Counsillors of Unima Finland were in Dordrecht in Unima Congress.

Some Finnish groups have been awarded abroad lately:
The production Joutsenpoika Jykserge (Swanboy Jykserge), was awarded for the first prize at Finnish-Ugrian Theatre Festival in the Republic of Mari-El in Russia in 2010.
The play, directed by Oili Sadeoja, performed by Anne Lihavainen and Teija Muurinen, was produced by Puppet Theatre Center Buoy.
Puppet theatre magazine Nukketeatteri was issued twice in 2010.

 


25/05/2010

Report 2009 UNIMA Finland

Contacts: (Board 2010)

 

President

Mr. Janne Kuustie

+358 400 963 145

janne.kuustie@dnainternet.net

 

 

Secretary

Mrs. Johanna Uusiranta

Unima Finland, PL 42,

90015 OULUN KAUPUNKI

FINLAND

+358 468 114 024

unimafinland@gmail.com

 

 

 

Vice president

Mrs. Marja Susi

+358 414 420 159

susi@pp1.inet.fi

 

 

Board Members

- Mrs. Teija Muurinen

- Mr. Aapo Repo

- Mr. Timo Väntsi

 

Unima Finland Homepage: http://www.unima.fi

 

Councillors 2008 - 2011

 

- Mrs. Katriina Andrianov - katriina.andrianov@kolumbus.fi

- Mr. Janne Kuustie

- Mrs. Anne Rautiainen - anne.rautiainen@teak.fi

- Mr. Hannu Räisä - hannu.raisa@gmail.com

 

 

Anniversary Celebration

In 2009, UNIMA Finland celebrated its 25th anniversary with several events while Finnish puppetry was celebrating its 100th anniversary.

As early as 1909, Kalle Nyström’s Marionett-teatern started giving regular puppetry performances in Helsinki, the capital of Finland.

 

On the 11th of February, The Day of Finnish Puppetry was celebrated with t he Message for National Puppetry Day, and also the first Puppetry Reward of the Year was given.

On that special day, in co-operation with Unima Finland, an extensive puppetry exhibition "The Invisible Hand" opened in Theatre Museum in Helsinki. There were more than 300 theatre puppets from 19th to 21st century that are now touring Finland in different museums.

On that very day was published the first ever Book of Finnish Puppetry, which tells in 326 pages about the history, development and present status of Finnish puppetry.

 

During the spring Theatre Museum hosted also a series of lectures on puppetry research in collaboration with Helsinki University and a panel discussion on puppetry education in Finland in collaboration with UNIMA Finland.

 

In February and March UNIMA Finland organized two Puppetry Showcases, in Oulu and in Helsinki presenting 12-14 puppetry groups and workshops for children and adults.

 

In October puppet theatres from Finland, Iceland, Norway, Russia and Sweden- as well as artists from Denmark and USA - convened at the VII Barents Sea Region Puppet Theatre Festival in Oulu and Rovaniemi.

 

The puppet theatre networks in the Barents and the Baltic sea regions, which were launched in the early 1990s, have regularly organised festivals, joint projects and training events in their member countries.

The Baltic Sea Countries Puppet Theatre Network gathered together in conjunction with the Barents Region puppet theatre festival in Oulu to decide on joint projects and the next festival in 2010 in St. Petersburg, Russia.

 

Research on puppetry is also marching on in Finland: in October 2009 The University of Tampere, The Centre for Practice as Research in Theatre hosted the very first International Conference of Stage Animation, where the leading researchers (Ida Hledikova, John McCormick and others) in the field discussed stage animation and puppetry as a modern form of art.

The project was headed by Katriina Andrianov, a member of the UNIMA Research Commission, who is currently working on her doctoral dissertation on puppetry at the University of Tampere.

 

The first meeting of the Research commission for 2008-2012 was held on Saturday the 31st of October 2009 at the Centre for Practise as Research in Theatre, Tampere.

 

There will be several international puppetry festivals in Finland in 2010: In May the VIIth International Puppet Theatre Festival in Tampere organised by Theatre Mukamas and The the Black and White Theatre Festival in Imatra.

In Oulu Puppet Theatre Akseli Klonk will host in the end of October a regular puppetry festival called "Summer Time Ends".

In context of "Summertime Ends" there will be the 6th National Puppetry Contest, where the winner gets reward of 2500 euros.

Puppetry has also a signifcant part in many other Theatre festivals in Finland.

 

Unima Finland publishes twice a year puppetry magazine called Nukketeatteri.

Some of the articles are also in English. Membership newsletter is sent 3 - 4 times a year and every month members are informed by e-mail.

 


12/06/2009

DIMENSIONS OF FINNISH PUPPETRY CELEBRATING ITS 100th ANNIVERSARY

Finnish puppetry has been celebrating its 100th anniversary in 2009. As early as 1909, Kalle Nyström’s Marionett-teatern started giving regular puppetry performances in Helsinki, the capital of Finland. The repertory consisted of satirical shows for adults and tales for children. In the course of one century Finnish puppetry has made a long journey from the margin to become part of the mainstream in theatrical arts.
The final artistic and international break came in the 1950s with Mona Leo´s lyrical performances in her Helsingin Nukketeatteri (Helsinki Puppet Theatre), which also visited foreign festivals.
The 1970s saw the establishment of five professional puppet theatres, which finally got state subsidies in the 1990s.The 70s was also a lively period of puppetry education courses around Finland enhancing the use of puppetry in schools, kindergartens, libraries and parishes.
In 1980s several professional solo puppet theatres were established in different cities and municipalities. It was also the decade of Vaasa International Puppetry Festival, where Finnish and foreign puppeteers performed and held high quality courses.

The 1990s continued the strong growth of Finnish puppetry with many new groups. The young generation graduating from The Turku Arts Academy vocational puppetry education started entering the puppetry stage. The beginning of a new millennium in 2000 was marked by three generations of puppeteers working side by side with various approaches to the art of puppetry. Traditional stories and fairytales for children meet new themes and aesthetics, plays aimed at adult audiences are presented combining modern puppetry, dance, circus, video clips and visual theatre.
Finland has at the moment a very lively puppetry scene, which includes even three Regional Artists in Puppetry and six puppetry houses in various parts of Finland. Puppeteers have also established new kinds of joint organisations: Puppet Studio in Turku, Puppet Theatre Centre Buoy in Helsinki, Turku International Puppetry Connection TIP and Lapland Puppet Theatre Association in Rovaniemi. Approximately 200 puppeteers all over Finland are members of UNIMA Finland, which as well has recently had a jubilee:

In 2009, UNIMA Finland celebrated its 25th anniversary with several events. On the 11th of February, The Day of Finnish Puppetry, Theatre Museum in Helsinki opened an extensive puppetry exhibition “The Invisible Hand”. More than 300 theatre puppets from 19th to 21st century are now touring around Finland in different museums.
That very day was published the first ever Book of Finnish Puppetry, which tells in 326 pages about the history, development and present status of Finnish puppetry.
During the spring Theatre Museum hosted also a series of lectures on puppetry research in collaboration with Helsinki University and a panel discussion on puppetry education in Finland in collaboration with UNIMA Finland.
In February and March UNIMA Finland organized two Puppetry Showcases, one in northern Oulu and one in southern Helsinki presenting 12-14 puppetry groups and workshops for children and adults.
In October puppet theatres from northernmost parts of Finland, Sweden, Norway and Russia - as well as artists from Iceland, Denmark, Belgium, USA and Japan - convened at the VII Barents Sea Region Puppet Theatre Festival in Oulu and Rovaniemi.

The puppet theatre networks in the Barents and the Baltic Sea regions, which were launched in the early 1990s, have regularly organised festivals, joint projects and training events in their member countries. The Baltic Sea Countries Puppet Theatre Network gathered together in conjunction with the Barents Region puppet theatre festival in Oulu to decide on joint projects and the next festival in 2011 in St. Petersburg, Russia.

Finnish puppetry artists have contacts and networks spanning many continents.
Puppet Theatre Hevosenkenkä (Horseshoe) has in the past few years toured in Japan, Vietnam and South Korea with several of its productions.
Juha Laukkanen’s Puppet Theatre Sytkyt regularly tours in South-East Asia and, for example, in Thailand he has performed a puppet theatre show dealing with the tsunami. In the past few years, Finnish puppet theatres have toured and trained also in Latin America. Ilona Lehtoranta from Puppet Theatre Capelle visited Peru in 2007, as part of the Finnish Lutheran Church’s Common Responsibility Campaign, which that year focused on Peru, with a project aimed at the mountain Indians of the Andes.
Anne Lihavainen from Puppet Theatre Ofelia worked in Venezuela in December 2009 and in Iceland in August in a project of the Nordic ASSITEJ network, in which a puppet theatre was once again used for transcending linguistic and cultural boundaries.
Africa has also been included in the global itinerary of Finnish puppetry artists. UNIMA Finland mentored UNIMAZA in Zambia for more than ten years, thereby contributing to the development of the local puppet theatre culture.
Puppet Theatre Sampo carried out a project promoting puppet theatre as a creative tool in development co-operation in Kenya in 2004–2005.
Actress Satu Paavola has worked with puppet theatre both in Mozambique and Namibia. Her solo performance Diagnosis tells about a European girl who suffers from anorexia and an African boy who is HIV-positive. Visualist and puppet maker Iida Vanttaja has recently been engaged in a two-month puppet theatre project in Tanzania.
India has also been one of the co-operation countries for Finnish puppet theatre. Oili Sadeoja’s puppet theatre training for adults provided through the Adulta Adult Education Centre in 2000–2007 built relations with the Indian Natya Chetana -Theatre for Awareness, which visited several locations in Finland in 2005.
Terhi Tuulia Lintukangas, a graduate of Turku Arts Academy, is currently working as an ASLA Fulbright grantee in New York. Puppet Theatre Akseli Klonk from Oulu, which hosted the latest Barents Sea Region puppet theatre festival, has worked with the Drama of Works group from the USA.


© Alina Kilpinen


© Ishmael Falke


© Kari Lunnas

Research on puppetry is also marching on in Finland:
In November 2009 The Centre for Practice as Research in Theatre in Tampere held the very first International Conference of Stage Animation in October 2009, where the leading researchers (Ida Hledikova, John McCormick and others) in the field discussed stage animation and puppetry as a modern form of art. The project was headed by Katriina Andrianov, a member of the UNIMA Research Commission, who is currently working on her doctoral dissertation on puppetry at the University of Tampere.

In 2010 Finland hosts several puppetry festivals: In the beginning of May the VIIth International Puppet Theatre Festival in Tampere organised by Theatre Mukamas will be attended by guests from all over the world. The festival also involves courses and workshops. The Black and White Theatre in the eastern city of Imatra will arrange as well in May the Black and White Theatre Festival, where guest artists as far as from Iran have been performing. In western Hämeenlinna, the Hippalot festival is held each August including puppet theatres from various countries.
A new puppetry festival Under The Magic Umbrella takes place in the city of Mikkeli in the end of August. Up north Rovaniemi hosts in August the biannual International Solo Puppet Theatre Festival. In Oulu Puppet Theatre Akseli Klonk, founded in 1998, will host in the end of October a regular Finnish puppetry festival called “Summer Time Ends”.
Last but not least southern Turku International Puppetry Fest in November 2010 presents for the first time several groups in the field of modern puppetry.

The vocational training in puppetry started in Turku in 1994 and has from the start had a strong international dimension. The head of The Puppet Theatre Department of Turku Arts Academy at the University of Applied Sciences is Dr. Anna Ivanova-Brashinskaya from St. Petersburg. At the moment the department has students from Finland, Estonia, France, Germany, Lithuania and Japan.
The new students will be carrying out joint projects during the 2009 - 2010 term with, for example, So far some fifty young puppetry artists have graduated from Turku. They have established several theatre companies and solo theatres, which have strongly renewed the scene of Finnish puppetry.
The most famous of these is the Sixfingers Theatre, established in 2005, with its productions that cross both artistic and national boundaries. As one of the 2011 European Capitals of Culture, Turku's role on the international agenda will be prominent also in the field of puppetry.
Current plans include the Nordic-Baltic project Puppet.Net lead by Turku Arts Academy and a joint puppet theatre festival with Tallinn in Estonia.

Puppetry has become a vital and important part of theatrical arts in Finland, it is widely used also in productions of municipal and dance theatres, even in circus performances. It is also a very popular form of art: according to the official theatre statistics (which include only a part of ca. 30 professional units) puppet theatres had nearly 190 000 spectators attending appr. 2000 performances all over Finland.
In addition to these numbers there are tens of thousands more of spectators attending hundreds more of performances every year in the field of Finnish puppetry. Not to mention the international tours and projects of Finnish puppeteers in different parts of the world. But that´s another story...

Marjut (Maiju) Tawast, member of UNIMA Finland since 1984

 

 

 

 

 

 


12/08/2009

Unima Finland will arrange Baltic-Nordic Unima meeting in Oulu, 25th of October.

Meeting will be held during The Baltic Region Puppet Theatre Festival 22.-26.10. which will be held in Oulu and one day in Rovaniemi.

There will be "a puppet train" from Oulu to Rovaniemi and back on Friday 23th.
Performances comes from all Barents countries and furthermore even from USA (Drama of Works).

After Barents Festival it is possible to participant to the international conference of stage animation which is held in Tampere 29.-30th of October.
Distance between Oulu-Tampere is about 500 kilometres ( 5 hours by train, 6 by car).

Contact info:
K-A Kuuskoski, secretary of Unima Finland
unimafinland@gmail.com
Tel: +358 46 8114024

 


13/08/2009

Report 2008 UNIMA FINLAND

STEADY RATE OF MEMBERSHIP ASSURES CONTINUITY
There is a generation change going on in finnish puppetry. It influences also to the Unima members. Some old members are retiring and at the same time there are many new young professionals, who are lately accepted as a Unima Finland member. The membership amount of UNIMA Finland is now about 170 individual members and 11 collective members (puppet theatre companies), who are well representing the spectre of Finnish Puppetry.

There are three permanently state subsidised professional theatres (Puppet Theatre Sampo in Helsinki , Theatre Hevosenkenkä in Espoo and Theatre Mukamas in Tampere). The Finnish state has granted a state subsidy for two groups (The Akseli Klonk Puppet Theatre from Oulu and Puppetry Centre Poiju from Helsinki) for their activities in 2008. Furthermore there are some twenty professional free groups and solo theatres, over fifty amateur groups, six Puppetry Centres and quite a number of persons who actively use puppetry in their work in schools, day-care centres and libraries.

The range and rate of members have assured continuity and credibility to the UNIMA activities. Although UNIMA Finland, like most of its sister organizations in the world, lacks the economical resources for any big projects, it has been able to share its expertise of puppetry in many levels and become a seriously-taken partner in the national and regional cultural policy-making.

All the activities of our centre has been volunteer-based until February 2008. After 24 years activity, UNIMA Finland had its first paid employee, a part-time secretary. Salary was paid by Unima Finland together with city of Oulu. The financial resources came from the membership fees and a Ministry of Education support, which was last year 8000 euros.
The office of UNIMA Finland is situated in Cultural Centre (Valve) in Oulu, next to The Puppet Theatre Akseli Klonk.

The corner stones of UNIMA Finland activities are:
- Information and communication
- Supporting the development of puppetry training at all levels
- Documenting and cherishing the Finnish puppetry tradition
- International and border-crossing regional co-operation

LINES OPEN: INFORMATION AND COMMUNICATION
UNIMA Finland homepage address is:
http://www.unima.fi
The secretary (every weekday) and the board members can be reached by phone and by e-mail. UNIMA Finland Membership Bulletin has been published 2-4 times a year. But in the year 2008 Unima Finland will use more and more its webpages whenever there is a need to quickly inform all the members on current events. More and more information was send by e-mail.

UNIMA Finland biannual periodical, UNIMA Lehti (from autumn 2008 named Nukketeatteri -lehti), publishes articles on various aspects of puppetry, both theoretical and practical. Each issue focuses to one theme containing interviews, articles and reports. Themes in 2008 were Acting in Puppetry and Festivals. Altogether 400 copies of this periodical were distributed to the Finnish UNIMA members plus to the national and regional bodies of cultural decision-making, the arts councils, the national theatre organizations, Nordic UNIMA centres and to the UNIMA International. In the year 2008 UNIMA Finland published two magazines: the Nordic UNIMA Magazine (together with Sweden, Norway, Danmark and Island) and Nukketeatteri-lehti in autumn.

The National Day of Finnish Puppetry was celebrated on the 11th of February, the birthday of UNIMA Finland. On this very day puppet theatre performances and other events take place all over the country. A special Puppetry Day Statement is written by a person who has a keen involvement in the Finnish Puppetry events. This statement was distributed nation wide to the press and recited to the public before the performances. In the year 2008 statement was written by UNIMA board member Marja Susi.

REGENERATION: IN THE SPIRIT OF GOOD CHANGE
Thanks to the new professional training possibilities many new professional puppet theatres, solo companies and cross-over art projects with puppetry have been born. Also the number of individual grants to professional puppeteers have risen. Owing to all this, the finnish puppetry field has experienced regeneration in last years.

A positive development for puppetry has been the naming of four Regional Artists in Puppet Theatre Arts by the regional Arts Councils, which form a part of our national cultural administration. The system allows the chosen artist to work full-time for 2 - 6 years to promote his/her field of art in the region. Ms. Leila Peltonen worked in 2001-2006 in Lapland, Mr. Hannu Räisä continues his work (2002 - 2008 ) in Häme, Mr. Timo Väntsi in Turku ( 2007- ) and Mr. Jyrki Tamminen (2008-) in North-Carelia.

SECURING THE FUTURE: GOAL-ORIENTED TRAINING AT ALL LEVELS
UNIMA Finland has for the last years backed up the development of professional training of puppeteers. The Puppetry Department of Turku Academy of Arts offers now a permanent, four years professional B.A. training in puppetry. The last intake of students was in the spring 2008. Puppetry is also included to the Competence Based Professional Qualification Programme, run by
 The Finnish National Board of Education. The Vocational Qualification system is funded by the state and municipalities and is working under the auspices of the Ministry of Education. The programme enables those puppeteers who have acquired their skills through practical work, apprenticeship and short courses, to gain an officially recognised certificate of professional skills. The test includes series of examinations, skill demonstrations and a portfolio. Additional training is practically always needed to pass the test. This training is provided by Adult Education Institutes in Pieksämäki and in Tuusula. UNIMA Finland is represented in the Commission that defines and supervises the puppetry skills standards. At the moment UNIMA board member Marja Susi represents UNIMA Finland as an expert in this Commission.

DOCUMENTING TRADITION AND DEVELOPMENT: THE BOOK ON PUPPETRY IN FINLAND
A systematic series of interviews of the older generation artists, who started the cultivation of Finnish puppetry through the 60´s and 70´s, has been initiated and implemented by UNIMA Finland in the last years. For the first time the editors of the Book of Finnish Puppetry have interviewed representatives of three generations in puppetry. This material will be part of the book on history and development of Finnish puppetry until to-day. The book will be published 11.2. 2009, on the 25th anniversary of UNIMA Finland. So the year 2009 will be celebrating year for UNIMA Finland.

PART OF THE WORLD: INTERNATIONAL CO-OPERATION
The geographical position of Finland between East and West has created cultural bonds over the borders in many fields of art. This applies also to puppetry.
Scandinavia: there is a long tradition of the Nordic UNIMA Centres to discuss common issues and policies and implement joint projects in training, festivals and publishing. In the connection of the Tolosa UNIMA Council Meeting a meeting was held by the Nordic councillors present. The agenda handled e.g. the plans for the Baltic Sea Festival and joint Nordic publication for the 2008 Congress in Australia. The Baltic Network between the Nordic and the other countries around the Baltic Sea – Germany, Russia, Estonia, Poland, Lithuania and Latvia has been active for over ten years. The next festival will be held in 2009 in Germany. The Barents Region Network consists of regions of northern Norway, Sweden, Finland and the Northwest Russia. Started by the initiative of puppeteers in Finnish Lapland, Barents Puppetry Network has gradually been built up. Three major projects and six International Barents Puppetry Festivals have been held so far. The next Barents festival is in Finland in October 2009, arranged in two towns; Oulu and Rovaniemi.

Other international connections
Thanks to the membership rate of far over two hundred, Finland has in the Council of International UNIMA four councillors, who all attended UNIMA Council Meeting in Tolosa in December 2006. In the year 2008 two (Janne Kuustie and Katriina Andrianov) of four councillors participated to the Congress in Perth. The secretary of Finnish UNIMA Kati-Aurora Kuuskoski also participated the Perth kongress and festival.

In Rijeka 2004 Congress, Theatre director, Ms. Mansi Stycz was chosen to the UNIMA International Executive Committee and was appointed as the chairperson of the European Commission. She was not anymore selected in the kongress of Perth.
The International Mukamas Puppet Theatre Festival was arranged in Tampere 12.-17.2008. The Fifth international “Black and White” Theatre Festival , which includes mostly puppetry, took place 28.-31. of May in Imatra. In August 28.-31.8.2008 Seven plus Seven International Solo Puppet Theatre Festival was arranged second time in Rovaniemi, Lapland. The Akseli Klonk Puppet Theatre arranged “Summertime Ends” puppet theatre festival 23.-26.10.2008 in Oulu. In context of “Summertime Ends” there was the 5th Puppetry Contest, where the winner got reward of 2500 euros. Over the last two years many UNIMA member theatres and individual members have been performing in international festivals or made exchange visits abroad, in Europe, Asia, Africa, South America and USA.

CONTACTS:
President:
Janne Kuustie
c/o Puppet Theatre Akseli Klonk
PO Box 42 -90015 OULU
+358-400-963 145
akseliklonk@gmail.com

Secretary
Kati-Aurora Kuuskoski
Unima Finland - PO Box 42 - 90015 OULU
+358- 46 8114024

UNIMA Finland

UNIMA Finland Board 2007 – 2008
Mr. Janne Kuustie, president, Oulu
Mr. Hannu Räisä, treasurer, Hämeenlinna
Mrs. Marja Susi, Kaarina
Mrs. Ilona Lehtoranta, Jyväskylä
Mr. Timo Väntsi, vice precident, Turku
Secretary
: Ms. Kati-Aurora Kuuskoski, Oulu

UNIMA Finland Councillors 2008 – 2012
Mrs. Katriina Andrianov
Mr. Janne Kuustie
Mrs. Anne Rautiainen
Mr. Hannu Räisä

 


6/03/2008

Report 2008 UNIMA FINLAND

UNIMA FINLAND STEADY RATE OF MEMBERSHIP ASSURES CONTINUITY
There is a generation change going on in finnish puppetry. It influences also to the Unima members. Some old members are retiring and at the same time there are many new young professionals, who are lately accepted as a Unima Finland member. The membership amount of UNIMA Finland is now about 200 individual members and 8 collective members (puppet theatre companies), who are well representing the spectre of Finnish Puppetry.

There are three permanently state subsidised professional theatres (Puppet Theatre Sampo in Helsinki , Theatre Hevosenkenkä in Espoo and Theatre Mukamas in Tampere).

The Finnish state has granted a state subsidy for two groups (The Akseli Klonk Puppet Theatre from Oulu and Puppetry Centre Poiju from Helsinki) for their activities in 2008.

Furthermore there are some twenty professional free groups and solo theatres, over fifty amateur groups, six Puppetry Centres and quite a number of persons who actively use puppetry in their work in schools, day-care centres and libraries.
The range and rate of members have assured continuity and credibility to the UNIMA activities.
Although UNIMA Finland, like most of its sister organizations in the world, lacks the economical resources for any big projects, it has been able to share its expertise of puppetry in many levels and become a seriously-taken partner in the national and regional cultural policy-making.

All the activities of our centre has been volunteer-based until February 2008.

After 24 years activity, UNIMA Finland has its first paid employee, a part-time secretary.
Salary is paid by Unima Finland together with city of Oulu.

The financial resources come from the membership fees and a Ministry of Education support, which is this year 8000 euros.
The office of UNIMA Finland is situated in Cultural Centre (Valve) in Oulu, next to The Puppet Theatre Akseli Klonk.


The corner stones of UNIMA Finland activities are:
- Information and communication
- Supporting the development of puppetry training at all levels
- Documenting and cherishing the Finnish puppetry tradition
- International and border-crossing regional co-operation

LINES OPEN: INFORMATION AND COMMUNICATION
UNIMA Finland homepage address is: http://www.unima.fi
The secretary (every weekday) and the board members can be reached by phone and by e-mail. UNIMA Finland Membership Bulletin has been published 2- 4 times a year.
But this year Unima Finland will use more and more its webpages whenever there is a need to quickly inform all the members on current events.

UNIMA Finland biannual periodical, UNIMA Lehti, publishes articles on various aspects of puppetry, both theoretical and practical. Each issue focuses to one theme containing interviews, articles and reports.
Themes in 2008 will be Acting in Puppetry and Festivals.
Altogether 450 copies of this periodical are distributed to the Finnish UNIMA members plus to the national and regional bodies of cultural decision-making, the arts councils, the national theatre organizations, Nordic UNIMA centres and to the UNIMA International.

The National Day of Finnish Puppetry is celebrated on the 11th of February, the birthday of UNIMA Finland.
On this very day puppet theatre performances and other events take place all over the country.
A special Puppetry Day Statement is written by a person who has a keen involvement in the Finnish Puppetry events.
This statement is distributed nation wide to the press and recited to the public before the performances.

This year 2008 statement was written by UNIMA board member Marja Susi.

REGENERATION: IN THE SPIRIT OF GOOD CHANGE
Thanks to the new professional training possibilities many new professional puppet theatres, solo companies and cross-over art projects with puppetry have been born.
Also the number of individual grants to professional puppeteers have risen. Owing to all this, the finnish puppetry field has experienced regeneration in last years.

A positive development for puppetry has been the naming of four Regional Artists in Puppet Theatre Arts by the regional Arts Councils, which form a part of our national cultural administration.
The system allows the chosen artist to work full-time for 2 - 6 years to promote his/her field of art in the region.
Ms. Leila Peltonen worked in 2001-2006 in Lapland, Mr. Hannu Räisä continues his work (2002 - 2008 ) in Häme, Mr. Timo Väntsi in Turku ( 2007- ) and Mr. Jyrki Tamminen (2008-) in North-Carelia.

SECURING THE FUTURE: GOAL-ORIENTED TRAINING AT ALL LEVELS
UNIMA Finland has for the last years backed up the development of professional training of puppeteers.
The Puppetry Department of Turku Academy of Arts offers now a permanent, four years professional B.A. training in puppetry.
The next intake of students is in the autumn 2008.

Puppetry is also included to the Competence Based Professional Qualification Programme, run by The Finnish National Board of Education. The Vocational Qualification system is funded by the state and municipalities and is working under the auspices of the Ministry of Education.
The programme enables those puppeteers who have acquired their skills through practical work, apprenticeship and short courses, to gain an officially recognised certificate of professional skills. The test includes series of examinations, skill demonstrations and a portfolio.

Additional training is practically always needed to pass the test. This training is provided by Adult Education Institutes in Pieksämäki and in Tuusula.

UNIMA Finland is represented in the Commission that defines and supervises the puppetry skills standards.
At the moment UNIMA board member Marja Susi represents UNIMA Finland as an expert in this Commission.
UNIMA Finland arranged a short workshop in May 2007 in Tampere.
There participants made handpuppets, which donated to the parish welfare work of Vyborg(Russia).

DOCUMENTING TRADITION AND DEVELOPMENT: THE BOOK ON PUPPETRY IN FINLAND
A systematic series of interviews of the older generation artists, who started the cultivation of Finnish puppetry through the 60´s and 70´s, has been initiated and implemented by UNIMA Finland in the last years.
For the first time the editors of the Book of Finnish Puppetry have interviewed representatives of three generations in puppetry.
This material will be part of the book on history and development of Finnish puppetry until today.

The book will be published 11.2. 2009, on the 25th anniversary of UNIMA Finland.
So the year 2009 will be celebrating year for UNIMA Finland.

PART OF THE WORLD: INTERNATIONAL CO-OPERATION
The geographical position of Finland between East and West has created cultural bonds over the borders in many fields of art. This applies also to puppetry.

Scandinavia: there is a long tradition of the Nordic UNIMA Centres to discuss common issues and policies and implement joint projects in training, festivals and publishing. In the connection of the Tolosa UNIMA Council Meeting a meeting was held by the Nordic councillors present.
The agenda handled e.g. the plans for the Baltic Sea Festival and joint Nordic publication for the 2008 Congress in Australia.

The Baltic Network between the Nordic and the other countries around the Baltic Sea - Germany, Russia, Estonia, Poland, Lithuania and Latvia has been active for over ten years. The next festival will be held in 2008 in Germany.

The Barents Region Network consists of regions of northern Norway, Sweden, Finland and the Northwest Russia. Started by the initiative of puppeteers in Finnish Lapland, Barents Puppetry Network has gradually been built up.
Three major projects and six International Barents Puppetry Festivals have been held so far.
The next Barents festival is in Finland in October 2009, arranged in two towns; Oulu and Rovaniemi.

Other international connections
Thanks to the membership rate of far over two hundred, Finland has in the Council of International UNIMA four councillors, who all attended UNIMA Council Meeting in Tolosa in December 2006.

This year 2008 two (Janne Kuustie and Katriina Andrianov) of four councillors will participate to the Congress in Perth.

In Rijeka 2004 Congress, Theatre director, Ms. Mansi Stycz was chosen to the UNIMA International Executive Committee and was appointed as the chairperson of the European Commission.

The International Mukamas Puppet Theatre Festival will be arranged in Tampere 12.-17.2008.

The Fifth international “Black and White” Theatre Festival , which includes mostly puppetry, will take place 28.-31. of May in Imatra.

In August 28.-31.8.2008 Seven plus Seven International Solo Puppet Theatre Festival will be arranged second time in Rovaniemi, Lapland.

The Akseli Klonk Puppet Theatre arranges “Summertime Ends” puppet theatre festival 23.-26.10.2008 in Oulu.

In context of “Summertime Ends” there will be the 5th Puppetry Contest, where the winner gets reward of 2500 euros.

Over the last two years many UNIMA member theatres and individual members have been performing in international festivals or made exchange visits abroad, in Europe, Asia, Africa, South America and USA.

CONTACTS:

President
Janne Kuustie
c/o Puppet Theatre Akseli Klonk
PO Box 42 -90015 OULU
+358-400-963 145
akseliklonk@gmail.com

Secretary
Kati-Aurora Kuuskoski
Unima Finland - PO Box 42 - 90015 OULU
+358- 46 8114024

UNIMA Finland

UNIMA Finland Board 2007 - 2008
Mr. Janne Kuustie, President - Oulu
Mr. Hannu Räisä, Treasurer - Hämeenlinna
Mrs. Marja Susi - Kaarina
Mrs. Ilona Lehtoranta - Jyväskylä
Mr. Timo Väntsi, Vice precident - Turku

Secretary: Ms. Kati-Aurora Kuuskoski - Oulu

UNIMA Finland Councillors 2008 - 2012
Mrs. Katriina Andrianov
Mr. Janne Kuustie
Mrs. Anne Rautiainen
Mr. Hannu Räisä

 

 

 

 

France

25/05/2010

 

Themaa - UNIMA France vous invite à lire son dernier Rapport en format pdf

 


4/06/2009

THEMAA
Un art en mouvement

L’art de la marionnette
Le spectacle de marionnette repose sur un phénomène d’illusion consentie.
Ce phénomène a longtemps cantonné la marionnette au jeune public. En effet, l’enfant accepte pleinement le jeu en accueillant volontiers cette illusion.
La position du public adulte est différente. Devant le théâtre de marionnettes, l’adulte est partagé entre l’attrait et le retrait. Il a tendance à se préserver instinctivement du plaisir de l’ensorcellement. Mais en retour, il a le loisir d’y exercer les facettes de son jugement.

Le théâtre de marionnettes est un lieu où acteurs et spectateurs sont en intelligence.

Par le théâtre de marionnettes, le public adulte s’incorpore l’esprit de créativité passionnée de l’enfant. Et l’enfant accède à la tempérance enjouée de l’adulte. Le public en est changé. Et l’art change à son tour… C’est une des raisons pour lesquelles l’art de la marionnette est l’un des plus vivants sur la scène nationale et internationale.

En tant que structure professionnelle, THEMAA entend défendre la légitimité de ce phénomène afin de répondre à la détermination des artistes: jouer pour chacun.

THEMAA
La marionnette est l’art transdisciplinaire par excellence. L’addition du talent d’artistes professionnels caractérise cet art. THEMAA y puise sa fonction représentative et se désigne comme le «Théâtre de Marionnettes et des Arts Associés».
THEMAA fédère aujourd’hui plus de 200 compagnies et artistes indépendants, dramaturges, plasticiens, metteurs en scène, acteurs et amateurs de cet art.…

THEMAA fédère également la plupart des lieux de formation, des structures de programmation et des festivals dédiés à ce domaine.
THEMAA est le centre français de l’UNIMA.

Cette solidarité fait de THEMAA un outil de relation et d’influence sur le territoire et auprès des tutelles. C’est un indispensable foyer de connaissance et de reconnaissance et un organe de transmission d’informations, de rencontres et de d’échanges.

Un dispositif éditorial
Des dispositifs d’information, des publications sont les supports d’échanges intellectuels

Un journal trimestriel: MANIP
MANIP relaie les informations du monde la marionnette, crée des passerelles vers les arts associés, l’international, les écrits théoriques et rend compte de l’évolution de cet art au regard de réflexions plus larges sur le monde de la création contemporaine.
Themaa édite des hors-série de MANIP pour couvrir un champ spécifique et témoigner des chantiers mis en œuvre par l’association.
MANIP comprend un espace dédié aux créations ainsi qu’un agenda qui fait état des tournées, festivals et programmations de lieux permanents adhérents à l’association.

Des publications
Les carnets de la marionnette collectent des études sur des sujets essentiels: «Les fondamentaux de la marionnette», «Pédagogie et formation», «Actualité du Patrimoine».
L’encyclopédie fragmentée de la marionnette paraîtra en 2009.
Chaque numéro se focalise sur une des personnalités du monde de la marionnette ou développe un thème documenté.

Un site Internet
Complémentaire au journal, le site Internet constitue une plate-forme d’informations à destination du grand public et des professionnels.

La lettre d’information
Afin d’informer au mieux ses adhérents, la lettre d’information fait état des projets de THEMAA, des « Saisons de la marionnette » et de l’actualité de l’UNIMA. Elle recueille les initiatives en régions, informe des politiques nationales, diffuse les appels à candidature…

Des actions
Des actions ponctuelles à visée pérenne développent la connaissance de l’art de la marionnette par le jeu de la démonstration thématique ou de la représentation.

Les Rencontres nationales
Les Rencontres nationales permettent un échange expérimental. Elles se font l’écho d’une profession ouverte à la transdisciplinarité. Les marionnettistes coexistent de fait avec les dramaturges, les plasticiens, les vidéastes…

Pour 2010, s’organisent les Rencontres nationales «Marionnettes et Musiques».

Les états généraux de la marionnette
Afin de questionner cette discipline en présence de tous les acteurs qui la constituent - artistes, producteurs, diffuseurs et universitaires - se sont tenus les premiers états généraux de la marionnette qui ont ouvert les Saisons de la marionnette les 4 et 5 Avril 2008 à Strasbourg.

La Scène des chercheurs
Des passerelles entre le monde de la recherche universitaire et les praticiens permettent une observation nouvelle des arts de la marionnette.
Une première rencontre «Recherche et marionnette» s’est tenue à l’automne 2008 à la Bibliothèque Nationale de France.

Les journées professionnelles
La dramaturgie contemporaine associée au théâtre de marionnettes est sans cesse questionnée.
A l’initiative de compagnies et de THEMAA, ces journées sont des moments de débats et de démonstrations entre auteurs et artistes.

THEMAA suscite, propose et participe régulièrement à des rencontres à l’occasion d’événements, de festivals, de manifestations en régions afin d’être au cœur de la profession.

Des événements
THEMAA est le maître d’œuvre des «Saisons de la marionnette»

Cinq groupes de travail sont constitués, regroupant une centaine de participants: «Formation»; «ProfessionS»; «Création-production-diffusion»; «Recherche-patrimoine-édition»; «Communication».

De ces groupes sont issus des projets cohérents: citons les Centres de Développement des Arts de la marionnette (lieux de compagnonnage), les «Points de vue» (la marionnette sous le regard de néophytes), TAM TAM (temps des arts de la marionnette du 14 au 18 Octobre 2009).

De nouveaux partenaires régionaux et nationaux se joignent à ce mouvement en y associant leurs identités, leurs convictions, leurs publics ou leurs savoir-faire.

Autonomie et cohésion
THEMAA s’appuie sur l’indépendance des points de vue et le respect des identités des artistes et des institutions pour rendre compte de la diversité créative des Arts de la Marionnette et ainsi promouvoir leur reconnaissance pérenne dans cet éclectisme.
Edward Gordon Craig parlait de la marionnette comme d’un «modèle de l’art en mouvement».

Aujourd’hui, par le rassemblement qu’il opère, THEMAA en est l’initiateur, l’un des acteurs premiers et le témoin.

 

 

 

 

Georgia

  Unima Georgia
103, Aghmashenebeli Ave.
380064 TBLISI
Tel:  +995 32 951 712
Fax:  +995 32 951 713
Email: temobad@gmx.net
Web:  

 

 

 

Germany

29/08/2010

Preetz accueille la 23ème édition de la rencontre internationale du théâtre de papier.
Du 10 au 12 septembre 2010 ont lieu 70 représentations de 17 théâtres venus de 10 pays différents.
Cette année, en plus de l’Allemagne, du Danemark, de la Suède et de l’Autriche, on retrouvera le Mexique, les Etats-Unis, la Suisse, les Pays-Bas, la Grande Bretagne et la France.

Cette rencontre a eu lieu pour la première fois en 1988, lors du tout premier festival international du théâtre en papier, et se tient chaque année le deuxième weekend de septembre, à Preetz, une petite ville du nord de l’Allemagne. Entretemps il existe des festivals de ce genre en France et au Canada, mais les artistes ne se lassent pas de se retrouver à Preetz.

On peut y acheter de la littérature spécialisée, des modèles ou des tirages anciens, mais aussi participer à un workshop.
http://www.vhs-preetz.de
http://www.pollidor.de

UNIMA Allemagne sort un numéro spécial du DaT en collaboration avec le PuK (Museum für PuppentheaterKulktur) et la maison d’édition Puppen & Masken: „Bross 100“ (63 pages avec de nombreuses illustrations de ses marionnettes pour le théâtre et la télévision).

Fritz Herbert Bross (1910-1976), un des fabricants de marionnettes allemands les plus connus, aurait fêté son 100ème anniversaire cette année. Après avoir étudié l’article de Kleist sur le théâtre de marionnettes, il a complètement révolutionné la fabrication et le jeu des marionnettes dans l’Allemagne d’après guerre. Il a développé la croix qui permet de manipuler les différentes parties de la marionnette ainsi que la technique de jeu selon les lois du mouvement pendulaire; ses marionnettes atteignaient par leurs mouvements une grâce indescriptible. Bross a transmis son savoir dans de nombreux cours. Son élève le plus important, Albrecht Roser, l’a fait connaître sur le plan international.

L’exposition „Bross 100 - Ein hundert Figuren aus Meisterhand“ se tient au PuK du 2 septembre 2010 au 30 janvier 2011 et est accompagnée par une série de conférences et de représentations à caractère historique.
http://www.museen-bad-kreuznach.de
http://www.puppenundmasken.de
http://www.unima.de


The 23rd International Paper Theatre Gathering is taking place in Preetz from 10-12 September 2010.
70 performances by 17 companies from 10 countries make up the programme.
Joining Germany, Denmark, Sweden and Austria this year are Mexico, the USA, Switzerland, the Netherlands, Great Britain and France.

Founded in 1988, the festival takes place every year during the second weekend in September in Preetz, an historical small town in northern Germany. While larger paper theatre festivals have been established in France and Canada in the meantime, artists still love to gather in Preetz.

As well as performances, specialist literature, models, antique prints and workshops are also on offer.
http://www.vhs-preetz.de
http://www.pollidor.de

In co-operation with PuK - the Museum for Puppet Theatre Culture - and the publishing house Puppen & Masken, UNIMA Germany is releasing a Das andere Theater magazine (DaT) Special Edition: "Bross 100" (63 pages, numerous pictures of his puppets for stage and television).

Fritz Herbert Bross, (2.9.1910 – 26.5.1976), one of the most well-known German marionette makers, would have celebrated his 100th birthday this year. After reading Heinrich von Kleist's essay "On Marionette Theatre", Bross radically revolutionised marionette construction and performance in Germany post-1945. He developed control designs and performance techniques in accordance with the laws of pendular motion; his marionettes achieved an indescribable grace of movement. He passed on his experise in countless workshops. His most significant pupil, who also succeeded in bringing his teacher international recognition, was Albrecht Roser.

The Special Exhibition "Bross 100 - one hundred figures from the master's hands" offers the public lectures and historical productions from 2 September 2010 until 30 January 2011.
http://www.museen-bad-kreuznach.de
http://www.puppenundmasken.de
http://www.unima.de

 


Le Musée de la Ville de Munich présente l’exposition Halt! „Die Klappe“ - Mechanisches Theater Göttingen du 12 février 2010 au 30 janvier 2011
«Die Klappe» a été fondé en 1957 par Ben Vornholt. Inspiré du Bauhaus d’avant 1933, des sculptures mobiles du danseur et artiste Harry Kramer et de l’art kinétique et de la musique concrète des années 60, le groupe a développé son propre langage.

En 1962, lors du congrès UNIMA à Varsovie, «Die Klappe» reçoit deux prix d’un coup. A partir de 1977, le groupe se produit sur la scène internationale, et ce jusqu’en 1997. Le fonds de l’exposition est une donation faite à la ville de Munich.

Du 11 au 19 septembre 2010 a lieu pour la 27ème fois à Husum le festival international de la marionnette. A cette occasion, des artistes venus d’Allemagne, du Danemark, de Belgique et du Luxembourg joueront près de 60 pièces.

Cette année le programme tournera autour du thème «littérature et théâtre de marionnettes»: on retrouvera Mark Twain, Lew. N. Tolstoi, Michael Ende, mais aussi Astrid Lindgren, H.C. Andersen et des contes des frères Grimm.

Le tout sera accompagné par une exposition de marionnettes de Fritz Herbnert Bross et des Danois Dänen Astrid Bernth et Lars Ringgaard.
http://www.pole-poppenspaeler.de


The Munich City Museum is displaying the special exhibition "Halt! 'Die Klappe' - Mechanical Theatre, Goettingen from 12 February 2010 - 30 January 2011.
«Die Klappe» was founded by Ben Vornholt in 1957. Inspired by pre-1933 Bauhaus, the mechanical figurines of the dancer and artist Harry Kramer, the kinetic art and the music of the 60's, the group developed their own visual language.

"Die Klappe" won two awards at the UNIMA Congress 1962 in Warsaw. The group performed internationally from 1977 to 1997, at which time their archive was presented to the town of Munich.

The town Husum will host its popular International puppet theatre festival for the 27th time from 11-19 September 2010. Companies from Germany, Denmark, Belgium and Luxembourg will stage almost 60 performances.

The theme for this year is "literature and puppet theatre". Works from Mark Twain, Leo Tolstoy, Michael Ende and Astrid Lindgen will be performed as well as tales from Hans Christian Andersen and the Brothers Grimm.

An exhibition of puppets by Fritz Herbert Bross (Germany), Astrid Bernth und Lars Ringgaard (Denmark) will accompany the live performances
http://www.pole-poppenspaeler.de

 

 

 

 

 


Bottrop participe à l’évènement Kulturhauptstadt RUHR.2010 TWINS en organisant une «Kasperiade».
Les villes partenaires de Bottrop, Veszprém en Hongrie, Blackpool en Grande Bretagne et Tourcoing en France, prennent part au programme: Partant de l’idée que ces villes se trouvent dans des pays qui ont produit leurs propres «Kaspers», Maja et Werner Bartelt-Brüggemeier (du théâtre de marionnettes Sonstwo) et le service culturel de Bottrop ont voulu que ces figures comiques se rencontrent.

A cette occasion se tient un festival international du théâtre de marionnettes en trois blocs, dans lesquels la figure comique est au centre de nombreuses représentations et d’un symposium:
Du 7 au 9 Mars:
Représentations d’Allemagne, de Hongrie et de Turquie
Symposium autour du thème «La figure comique - une approche comparative», avec les théâtres Kaboca, Cengiz Özek, Frieder Paasche, Silke Technau
Du 3 au 10 Septembre:
Représentations de Grande Bretagne, d’Allemagne et de Hongrie
Du 28 au 30 Novembre:
Représentations de Commedia dell’arte

Inauguration de l’exposition «Kasper / Figure comique» avec des artistes contemporains venus des villes partenaires
http://www.bottrop.de/ruhr2010
http://www.figurentheater-sonstwo.de

La ville de Lübeck héberge l’immense collection Fritz Fey jun., une collection privée jusqu’aujourd’hui encore trop peu connue sur le théâtre de marionnettes en Europe jusque dans les années 60, le théâtre de marionnettes et surtout le théâtre d’ombres en Asie et le théâtre de marionnettes à caractère religieux en Afrique.

Le catalogage de cette collection sera entrepris dès la fin de cette année et sera peu à peu rendu accessible au public sur Internet. Une exposition permanente d’une partie de cette collection se tient depuis environ 30 ans dans la vieille ville de Lübeck.
http://www.tfm-luebeck.com


The town Bottrop is participating in the event Cultural Capital Ruhr 2010 TWINS with a Kasperiade (Kasper is the German equivalent of Punch, UK, or Pulcinella, Italy).
Bottrop is twinned with Vesprém, Hungary, Blackpool, UK and Tourcoing, France: all four towns are joining forces for the event. Starting from the coincidence that all of the partner towns belong to countries which have their own traditional comic puppet characters, Maja and Werner Bartelt-Brüggemeier (Figurentheater Sonstwo) developed the idea in co-operation with the Bottrop Kulturamt of having these figures meet each other.

As part of the Kaspariade, an international puppet theatre festival will take place in three installments spaced throughout the year, during which the "comic figure" will be explored in symposiums and performance.
7-9 March:
Performances from Germany, Hungary and Turkey,
Symposium: "A comparative exploration of the 'comic figure'" with Figurentheater Kaboca, Cengiz Özek, Frieder Paasche, Silke Technau
3-10 September:
Performances from Great Britain, Germany, Hungary
28-30 November:
Performances of Commedia dell’arte

Exhibition opening "Kasper / Comic Figure" With international contemporary artists from the partner towns.
http://www.bottrop.de/ruhr2010
http://www.figurentheater-sonstwo.de

The Hanseatic League town of Lübeck accommodates the enormous, yet largely unheard-of private collection of Fritz Fey Jr. The collection is a treasure trove of artifacts relating to puppet theatre in Europe from 16th century until the 1960s, puppet and shadow theatre in Asia and religiously influenced puppet theatre in Africa.

The collection will be gradually catalogued and made publicly available via the Internet starting at the end of this year. The Permanent Exhibition representing only a fraction of the total collection has been on display for the last 30 years in the old town centre of Lübeck.
http://www.tfm-luebeck.com

 


25/05/2010

 

Report from UNIMA Germany

c/o Theater der Nacht · Obere Straße 1 · 37124 Northeim

Telefon 0049-5551-9080779 · Fax 0049-5551-919059

buero@unima.dehttp://www.unima.de

 

With great grief we have to inform you that Rolf Mäser died in old age. He had been a board member of UNIMA GDR for many years and is therefore probably still known personally by many of you.

We also mourn for Karl-Heinz Rother, a great collector of puppets. He had passed on his collection a few years back to the city of Bad Kreuznach which installed a museum for puppetry Museum für Puppentheaterkultur (PUK) based on this collection. He was a great and successful advocate for the fact that puppets should not just be displayed in glass show cases but like in any other exhibition puppetry exhibits should be presented in a meaningful and attractive way. It was important for him to present puppet theatre In a way that the dramaturgy of the exhibition becomes apparent.

 

UNIMA Germany currently has 407 members.

 

Publications of UNIMA Germany:

We publish the magazine „Das andere Theater“ regularly 3 times a year. Each issue has a special topic. This topic is known far in advance so that members and other interested writers can submit articles.

Topics of the last issues:

No. 70 Paper and Toy theatre

No. 71 - no special topic -

No. 72 Amateur Puppetry

No. 73 Literature and Puppetry

No. 74 Effect of Puppets

No. 75 Puppet makers of the 20th century - working title (commemorating the 100th anniversary of Fritz Herbert Bross) - to be published in September 2010

 

UNIMA Germany has 7 working groups which intensively follow the spirit of UNIMA and move it to public awareness.

Working Group

Deutscher Kulturrat (german cultural council):

This council coaches representatives of German Cutural Afffairs.

For the allocation of subsidies - for which all strands of the arts fight facing ongoing cuts in this sector

- the public acknowledgement of puppetry art is vital. UNIMA Germany specifically supports the implementation of the medium puppetry in drama classes in schools.

It points out continually the broad variety of contemporary puppet theatres in Germany.

Contact: Frieder Paasche

 

Working Group

Puppet theatre and Research:

We counselled the opening of the International „Kasperiade“ in Bottrop within the framework of „Kulturhauptstadt

RUHR 2010 TWINS“ and the first symposium „The Funny Character in Puppetry in Europe. A

comparative study“ with participants from Hungary, Turkey and Germany was accompanied with a talk

and a representative for the podium.

Further talks and events are planned in September, 5-10th: „The funny character in politics“ and in November, 27-29th: The funny character and its educational significance“.

In Magdeburg, a Mitteldeutsches Figurentheaterzentrum (centre for puppet theatre in mid-Germany) is planned. The building will soon start as an extension of the existing Puppentheater Magdeburg. Courses, an archive for central German puppet theatres, shows and festivals will shape the profile of this centre.

The TheaterFigurenMuseum Luebeck published a new catalogue of its exhibits. Special publications are planned to slowly make the enormous resources of this museum accessible to the public.

Contact: Silke Technau

 

Working Group

Amateurs:

Amateur puppeteers are organised regionally in Germany (see addresses below). They are organising workshops, shows and festivals where amateur and professional productions are shown.

Contact: Rita Berg, Angelika Albrecht-Schaffer, Peter Räcker, Angelika Pauels

 

Working Group

Puppetry and Education:

A festival for school puppetry groups is held biennially in Theater der Nacht in Northeim- organised by Ruth Brockhausen.

In Bochum - organised by the dfp led by Annette Dabs - the Fritz-Wortelmann-Preis is awarded to School and Amateur puppetry productions.

Contact: Inga Hartmann, Hartmut Fischer

 

Working Group

Shadow Theatre:

The international centre for shadow theatre is led by Rainer Reusch; he currently tries to initiate a museum for shadow puppets in Schwaebisch-Gmuend. He passed on the organisation of his successful festival, held every three years in Schwaebisch-Gmuend to Sabine Hirtzel who had assisted him before. In October 2009 another successful edition of this festival took place.

Recently a division of this working group formed in Hannover, which is also organising an international festival. The first two happened in 2007 and 2009.

Contact: Rainer Reusch, Frieder Paasche

 

Working Group

Puppetry in Therapy was initiated in March 2010 at the AGM.

Contact: Barbara Scheel

 

Working Group

„Road of Puppetry“:

The aim is to create an internet map on which puppet theatres, venues, and puppetry museums in Germany can be found. Denmark, Norway and Latvia are joining this project.

Contact: Ruth Brockhausen

 

Cooperations with other organisations and associations:

In cooperation with Verband deutscher Puppentheater e.V., the Association of Professional German Puppet Theatres, we published the broshure „Figurentheater entdecken“ (Discover Puppetry), with which we are advertising the art of puppet theatre.

There is no cooperation with the dfp in Bochum (led by Annette Dabs).

 

Further Information from Germany

Northeim in the „Theater der Nacht“ hosted the Baltic Sea Country Festival in June 2009 organized by Ruth and Heiko Brockhausen. 10 productions from 10 countries around the Baltic Sea and from Norway were invited.

The International Figurentheaterfestival in Erlangen/Nürnberg/Fürth was threatened by financial problems of the city, but international protest caused that Siemens will finance the festival in 2011. But the further future is unknown.

 

In Germany every federal state is solely responsible for arts and education, there is no central management.

The financial situation of every city or community immediately affects the cultural events and subsidies. The general cuts demanded by the state are severe and are passed on firstly to the cultural/arts sector.

 

The department for puppetry arts at the University for Music and Dramatic Arts in Stuttgart who was threatened to be folded, after a huge protest officially still exists, but due to restructuring there are no interviews and auditions for the coming academic year.

---------------- http://www.unima.de ---------------------------

 

 

Stephan Schlafke

Chairman

Kleine Petersgrube 14, 23552 Lübeck

unima-rundbrief@web.de

Tel: 0049-451-6121555

 

Ruth Brockhausen

Vice chairwoman/UNIMA-Councillor

Working group „road of puppetry“

Obere Straße 1, 37154 Northeim

unima@theater-der-nacht.de

Tel: 0049-5551-995507,

Fax: 0049-5551-919059

 

Inga Hartmann

Treasurer

Buchweizenstieg 20, 24941 Flensburg

post@krimmelmokel.de

Tel: 0049-461-8407250

Fax: 0049-461-8407249

 

Angelika Pauels

Board member/UNIMA Councillor

Bismarckstraße 122, 52066 Aachen

angelika.pauels@arcor.de

Tel: 0241-511161

 

Angelika Albrecht-Schaffer

Board member

Äußeres Pfaffengäßchen 26

86152 Augsburg

gelikatessen@hotmail.de

Tel: 0049-821-151559

 

Kolja Liebscher

Board member

Bahnhofstr. 16, 98553 Schleusingen

Lkolja5@aol.com

Tel: 0049-38641-55658

 

Silke Technau

UNIMA Councillor

Kleine Petersgrube 14, 23552 Lübeck

technau@web.de

Tel: 0049-451-6121726

 

Heiko Brockhausen

UNIMA Councillor

Obere Straße 1, 37154 Northeim

unima@theater-der-nacht.de

Tel: 0049-5551-995507,

Fax: 0049-5551-919059

 

 

Working Group „Shadow theatre“

Rainer Reusch

Internationales Schattentheater Zentrum

Wolfäckerstraße 23, 73529 Schwäbisch Gmünd

isz@schattentheater.de

Tel: 0049-7171-86467,

Fax: 0049-7171-86460

 

Frieder Paasche

Dianastraße 9, 31275 Lehrte

frieder.paasche@web.de

Tel: 0049-5175-5186

 

 

 

Working Group „Amateurs“

Rita Berg

Adolfstraße 9, 65185 Wiesbaden

ritaberg@msn.com

Tel: 0049-611-304140

 

Peter Räcker

Hamburger ARGE für das Puppenspiel

Alsterdorfer Str. 185, 22297 Hamburg

info@hamburgerpuppentheater.de

Tel./Fax: 0049-40-5113116

 

Angelika Albrecht-Schaffer

Äußeres Pfaffengäßchen 26

86152 Augsburg

gelikatessen@aol.com

Tel: 0049-821-151559

 

Br. Wolfgang Mauritz ofm

Rhein. AG für das Puppenspiel/Aachen

Franziskusweg 1,

52393 Hürtgenwald

wolfgang.mauritz@t-online.de

Tel: 0049-2429-308-53

 

 

Working Group „Puppetry and Education“

Hartmut Fischer

c/o Theater der Nacht

Obere Straße 1, 37154 Northeim

puppenfischer@web.de

 

Inga Hartmann

Buchweizenstieg 20

24941 Flensburg,

post@krimmelmokel.de

Tel: 0049-461-8407250

Fax: 0049-461-8407249

 

 

Working Group „Puppetry and Research“

Silke Technau (kommissarisch)

Kleine Petersgrube 14

23552 Lübeck

technau@web.de

Tel: 0049-451-6121726

 

 

Working Group „Puppetry in Therapy“

Barbara Scheel

Leiergasse 15 A, 75031 Eppingen

babuschka-theater@web.de

Tel: 0049-7262-7963,

Fax: 0049-7262-3049

 

 

 

Also, the German UNIMA Centre invites you to read this Report in pdf format

 


6/07/2009

Dear madams, Dear sirs,
Please notice that our festival FIDENA (Figurentheater der Nationen) will take place from 29th of August until the 4th of September 2009 in Bochum, Germany.
This year we are expecting a special edition called "Kasper reloaded" which coul be arrangened in cooperation with Linz09. We are looking > forward to four world premieres !

Here you find a news item

For photos please visit our homepage: http://www.fidena.de

For further information please contact me any time.

Best regards
Kerstin Turley
Deutsches Forum für Figurentheater und Puppenspielkunst (dfp)
Hattinger Str. 467
44795 Bochum
Tel.: 0234 - 477 - 20
Fax: 0234 - 477 -35
Web: http://www.fidena.de
Email: k.turley@fidena.de and info@fidena.de

 

 

 

 

 

 

 

 

Great Britain

251/05/2010

Br UNIMA Centre report for the Dordrecht Council Meeting June 2010

Since the Perth Congress in 2008 we have continued to be financially stable and have gradually increased our membership (mainly due to the efforts of our Treasurer and Membership Secretary, and the interest generated by the Puppet Notebook).
We have produced a new BrUNIMA card to encourage new members to join.
Our members are widely spread over the age groups and include many puppetry students. BrUNIMA is run by an excellent committee, which reflects the membership.
We communicate via email and attempt to hold virtual meetings on a regular basis.
We produce three Newsletters a year and three issues of the Puppet Notebook magazine, which is distributed free to members, and to subscribers in British academic institutions, and all over the world.

We hosted two public John Philips Memorial Lectures; the first in November 2007 - Lordly Shades - Cambodian Shadow Puppetry - given by Robert Fowler. It was held at the Horniman Museum in London, which has a fine collection of puppets.
The second lecture was given at the Little Angel in 2009 by Alain Lecucq on the subject of paper theatre. This event was truly in the spirit of UNIMA, with Alain giving the lecture in French about his passion for British paper theatre, translated into perfect English by his Iranian partner, Narguess Majd.
They also performed Romeo and Juliet by Edward Gordon Craig.
At the same event a new book, Theatre Materials, written by Eleanor Margolies and published by The Central School of Speech and Drama, was launched.
We were involved in setting up two public debates (also at the Little Angel): “What Does the Actor Puppeteer Do?”, in March 2008, and “Bunraku in Britain” in April 2009.

Caroline Astell Burt set up the BrUNIMA Puppetry in education and therapy study group in October 2008 and ran a seminar at the Rosemary Branch in London that included performances, talks and discussions. BrUNIMA remains actively involved in PuppeteersUK, a consortium of British national puppetry organisations which also includes the British Puppet and Model Theatre Guild, and the two Punch and Judy organisations.
The PuppeteersUK website is a much-visited resource, and the weekly electronic newsletter PuppeteersUK issues is a central mode for the dissemination of information, networking and collaboration.

Generally, U.K. puppetry continues to be in a strong position; an increasing number of art schools and university drama departments now offer puppetry modules; the annual International Student Puppet Festival, held in London at the Central School every spring, is now in its fourth year; puppets are appearing in many West End and provincial theatre productions, and at The National Theatre. The War Horse is still running to packed audiences.

The puppetry scene in Scotland is vibrant, with the Manipulate Festival for adults and Puppet Animation Festival. Festivals in Bath, Skipton and Buxton, and Dynamics Festival in Birmingham, to name but a few, have become annual events.

The Little Angel Theatre ran the Suspense Festival in autumn 2009, an important new festival for adult audiences. It has also hosted several events for BrUNIMA and their programme of shows, and masterclasses for adults is now well established, alongside the programme for children.

Norwich Puppet Theatre is still open, in spite of funding cuts. It has become a receiving venue while awaiting funding decisions from the Arts Council, but it has also held a series of masterclasses over the past year ,and there are exciting plans afoot for a programme of in-house productions in collaboration with UK touring companies.

 


11/01/2006

We invite you to visit the British UNIMA website

http://www.unima.org.uk


We are very sad to announce the death at the age of 91 of UNIMA Member of Honour George Speaight on 22nd December 2005.
Ray Da Silva has compiled a special memoriam for this remarkable and much loved man on the Puppeteers UK website: http://www.PuppeteersUK.com , which already has many contributions from the U.K. and beyond.

Meg Amsden
Chair British UNIMA
info@unima.org.uk

 

 

 

 

Greece

2/12/2005

Dear all,
We would like to let you know that our web site has been updated and it includes an English version too.
Some parts are under construction, but you can already find some info about our centre there.

The address is http://www.geocities.com/unimahellas which in a week or so it will turn into

http://www.unimahellas.org

Best regards
Stathis Markopoulos
Greek UNIMA Centre

 


5/09/2002
The Greek UNIMA Centre are happy to announce:

1) The opening of our New Puppet Centre located at:
Vas.Konstantinou, 28
Mkoniatika, Agioi Anargyroi
ATHENS - Greece
Tel. +30 210 832 6357


The Centre is open to the public every Thersday 6-9 pm offering:
Puppet-library, Puppet-videotheque, Puppet-internet-cafe, info from all over, magazines, katalogues etc.
Besides, the room can be used by pupeteers who don't have their own:
room for rehearshals, small workshop for making puppets, computer facilities for sound, video and foto processing, slide projector and video set for sharing experiences
Also, this winter (end of February-May), seven different workshops will take place in the Puppet Centre on various aspects of the art.


2) The uploading of our new website at http://www.geocities.com/unimahellas
Unfortunately the english section of the site is not ready yet, but will come soon....(until then, you'd better learn greek)

Sthatis Markopoulos - UNIMA-HELLAS
ayusaya@otenet.gr

 

 

 

Holland

25/05/2010

NVP/UNIMA invites you to read its last Report in pdf format

 


31/03/2009

We presente you the new updated version 31 March 2009 of Holland, NVP/UNIMA titled Puppetry in the Netherlands.

Read More

 


2/11/2006

ANNUAL REPORT OF THE NVP-UNIMA , 2006

At the present moment the year 2006 is still with us and that is the reason why this annual report is not only a reflection of what has been happening over the past year but is also an indication of what lies ahead of us in the future.

The NVP-UNIMA celebrated its’ 50th jubilee in 2005.

It gives us great pleasure to inform you that this festive year was a big success and had no financial consequences for the NVP-UNIM whatsoever.
Thanks to a grant from the Ministry of OCW, help and financial aid from the ‘Theater Instituut Nederland’ and a contribution from the VSB, we were able to cover all expenses with even a small amount left over.

1) Survey and policy 2007-2010
Part of the above mentioned amount went towards a survey in 2006 under the members of the NVP-UNIMA. Taking into account the new policy plan for 2007-2010, the Board thought it advisable to pay attention to the opinions and wishes of all NVP-UNIMA members. The survey was sent to all members in the latter part of 2005 and the response was overwhelming.
More than 40% of our members took part. Taking this into account, we can conclude that we have a representative picture of the wishes and future expectations of our members.
We received positive reactions with regard to the WP magazine, the financial contribution, contact between members and the Board and the way in which the Board itself performs its’ work.
It became clear from the survey that our website needs to be improved and that our members were ill-informed or knew little about our library/video’s.
It was also clear that most members are not well informed about the importance of the work done by the UNIMA in general and the UNIMA-counsellors in particular.
A Board meeting took place on May 21, 2006 to discuss the outcome of the survey. A few club members who are specifically interested in the subject were invited to be present on this occasion.
With the aid of a new method, first steps were taken with regard to the formation of a new policy plan for the NVP-UNIMA for 2006-2010.

The board discussed the first draft of this new policy with members at the autumn meeting in Schoorl.
It was deducted from the survey that our members were in need of more schooling/information and more festivals.
Taking into account these special wishes, the Board has taken immediate action, without awaiting the outcome of the new policy plan.

2) Courses:
The following courses took place and are still being held:
1 - Table dolls
2 - Script writing
3 - Working with felt
4 - A business course in co-operation with the `Economische Werkplaats’ at Amsterdam

3) Flemish organization ‘Open Doek’
We have been in contact with this Flemish amateur organization in connection with the possibility for our working together with regard to schooling in the future.
Our Flemish board member Jean-Marie Piron has formed a puppet workgroup which, together with ‘Open Doek’ will try to improve policy relating to the Puppet theatre in Flanders.

4) A concept ‘Basic puppet show schooling for amateurs and beginners’ is in the process of being written
‘De werkplaats De Proeve’’is the place in The Netherlands where professionals in the puppet show business can receive further training. Apart from the NVP-UNINA courses nothing of this sort exists for amateurs and beginners.
Where this is concerned, the Board also wants to improve matters and a concept basic training has been prepared by the NVP-UNIMA together with Werkplaats De Proeve and Theaterwerk.nl (the organization for amateur arts and crafts in The Netherlands).
A decision will be made about this concept on October 4 and will then be sent to the FAPK (Fund for Amateur and Stage Arts) together with an estimate for the costs involved.
The NVP-UNIMA hopes that a start can be made with this training in the autumn of 2007.

5) Autumn tour
Following the success of the Russian Puppet Theatre the year before, we organized a second tour from another country in 2006. This took place from the 15th to the 29th of October.
The ‘Seifenblasen-Figurentheater ’from Meerbush in Germany performed ‘The large, fat pancake’.
The performances took place at various puppet theatres in The Netherlands and one in Belgium.
There are three reasons for these tours and the first being that we can introduce the Dutch public to small puppet theatres from other countries and in a different language, secondly it gives the puppet theatre concerned the opportunity to vary its normal programme thus gaining extra publicity and the third reason being that the NVP/UNIMA can become more widely known to the general public.

6) A Festival - “Dutch Puppet Show Days” - was organized
A festival took place in Schoorl in November 2006. It was a small festival where members in particular were able to present themselves.
The junior schools in Schoorl were offered a course in puppet shows and they got the opportunity to perform at the Festival.
The Board met 4 times.
This may appear to be rather few, but due to e-mail it has become unnecessary for the Board to meet more frequently.
Two meetings were held in 2006 for the members.
At the meeting on March 12 formal leave was taken of Yvonne Bais and Albert Blom.
Caren Peeters was appointed Board Member and her main task will be the acquirement of subsidies etc.
The autumn meeting was held during the festival in Schoorl.
The WP magazine and the WP Newsletter appeared three times.
The Unima counsellors met one time in 2006.

Summarizing the above we can conclude that 2006 was an important year for:
1 - The survey and policy plan for 2007-2010.
2 - Courses and basic Puppet Show training.
3 - Contact with Flanders.
4 - The autumn tour of the `Seifenblasen-Figurentheater’.
5 - The Schoorl Festival held on November 3, 4 and 5, 2006.

Secretary NVP-UNIMA
Trudy Kuyper


The Dutch Puppet Show Association - NVP / UNIMA

The NVP which was founded in 1955, celebrates its 50th anniversary this year.
In the eighties the NVP also became known as the Unima-Centre in the Netherlands.
The association does its utmost for puppets in the broadest sense of the word, from the traditional puppet show to the most experimental puppet theatre for children as well as for adults.
The members of the association are puppet lovers, amateurs and professionals, all interested in puppets and puppet activities.

The members of the association assemble twice a year in order to meet eachother and discuss association policy etc.
In addition to these two annual meetings puppet shows are organized, lectures are given and other meetings take place.

The association also organizes other activities throughout the country and has its own magazine, website and extensive library. Every three years there is a presentation of the Wim Meilink prize.

Activities throughout the country:
To celebrate the 50-year jubilee extra activities have been organized, such as:
- Workshops
- A large exhibition in the Theater Instituut Nederland (opened on June 16)
- An autumn tour of the small, permanent puppet theatres in The Netherlands by the Russian "Doll's House Company" from St. Petersburg
- Various festivals.

WP:
The magazine "Wereld van het Poppenspel" (Puppet World) appears eight times a year, four of which as a Newsletter and is, for association members, free of charge.

Website:
The NVP-Unima have their own website: http://www.poppenspelers.nl
Information about NVP-Unima, addresses, the agenda for 2005 etc. can all be obtained on this website.

Library
The NVP-Unima have an extensive library in Haarlem (Brouwersvaart 70), with more than 1200 books, which can be visited any day by appointment. The association is also busy preparing a videotheek.

The 'Wim Meilink" prize:
The Wim Meilink prize is presented every three years to the person (male or female) who has distinguished themselves the most in the puppet field during the past few years.

Further information about the NVP-UNIMA can be obtained from: http://www.poppenspelers.nl

or near the Secretary:
Trudy Kuyper
Hoocamp 10
1921 WD Akersloot
Telephone: +0031+25131447
secretaris@poppenspelers.nl


Association Néerlandaise du Théâtre de la Marionnette - NVP / UNIMA

La NVP a été fondée en 1955 et elle en est donc cette année à son 50ème anniversaire. Dans les années 80 la NVP est devenue aussi le Centre-Unima pour les Pays-Bas.
L’association se consacre aux arts de la marionnette au sens le plus large du terme, du guignol traditionnel jusqu’au théâtre le plus expérimental.
Les membres de l’association sont des personnes qui aiment la marionnette, des amateurs aussi bien que des professionnels.

Deux fois par an les membres se réunissent pour discuter de la politique de l’association et pour se rencontrer. En plus de cela ces réunions s’ouvrent à des conférences et à des représentations.

L’association organise aussi des activités à travers le pays, elle publie une périodique, entretient un site et possède une bibliothèque bien outillée.
Une fois tous les trois ans elle décerne le prix Wim Meilink.

Activités à travers le pays:
En raison du cinquantenaire de l’association il y aura cette année plus d’activités que d’ordinaire.
- Des séminaires.
- Une importante exposition dans l’Institut du Théâtre des Pays-Bas (Theater Instituut Nederland) à partir du 16 juin.
- A l’automne, l’Association russe dite la «Maison des Poupées» de Saint-Petersbourg fera une tournée au cours de laquelle elle visitera les petits théâtres de la marionnette (théâtres établis) aux Pays-Bas.
- Plusieurs festivals

WP:
Le périodique WP (Le Monde de la Marionnette) paraît 8 fois par an, dont quatre sous forme de cahier et quatre sous forme de bulletin. Le WP est distribué gratuitement aux membres de la NVP-Unima.

Website:
La NVP-Unima possède un site:
http://www.poppenspelers.nl
On y trouve entre autres choses l’agenda pour l’année festive 2005, des renseignements au sujet de la NVP-Unima de même qu’un fichier d’adresses.

La bibliothèque:
La NVP-Unima dispose d’une bibliothèque bien outillée située 70, Brouwersvaart à Haarlem.
Elle possède plus de 1200 titres. Depuis quelques années une vidéothèque est en construction.
Consultation quotidienne sur rendez-vous.

Le prix Wim Meilink:
Tous les trois ans la NVP-Unima décerne le prix Wim Meilink à un ou une marionnettiste qui au cours des années s’est distingué(e) dans le domaine de la marionnette.

Pour de plus amples renseignements touchant la NVP-UNIMA nous vous renvoyons à notre site:
http://www.poppenspelers.nl

ou auprès du Secrétariat de la NVP-UNIMA:
Trudy Kuyper
Hoocamp 10
1921 WD Akersloot
tel: +0031+ 251313447
secretaris@poppenspelers.nl


De Nederlandse Vereniging voor het Poppenspel - NVP / UNIMA
(Die niederländische Vereinigung für das Puppenspiel)

Die Vereinigung NVP wurde 1955 gegründet und besteht also in diesem Jahr fünfzig Jahre.
In den achtziger Jahren wurde die NVP auch das Unima-Centrum für die Niederlande.
Die Vereinigung setzt sich im wahrsten Sinne des Wortes für das Puppenspiel ein, vom traditionellen Puppentheater bis hin zu dem sehr experimentellen Objektentheater, für das Puppenspiel für die Jugend bis zum Puppenspiel für Erwachsene.
Die Mitglieder der Vereinigung sind Kenner (Interessenten), Amateur- und Berufsspieler. Zweimal im Jahr kommen die Mitglieder der Vereinigung zusammen. Man spricht dann über die Vereinsführung und man trifft sich. Ausserdem werden auf diesen Mitgliederversammlungen Lesungen und Vorstellungen gegeben.
Die Vereinigung organisiert Aktivitäten im ganzen Land, gibt eine Zeitschrift heraus, unterhält eine Website und eine umfangreiche Bibliothek und einmal in drei Jahren verleiht die Vereinigung den Wim Meilinkpreis.

Aktivitäten im Land
Weil der Verein in diesem Jahr fünfzig Jahre besteht, sind extra viele Aktivitäten geplant:
- Workshops
- Eine grosse Ausstellung im Theater Instituut Nederland (die Eröffnung war am 16. Juni)
- Eine Herbsttournee der russischen Gesellschaft `Haus der Puppen’ aus St. Petersburg entlang der kleinen (ständigen Puppen) Theater in den Niederlanden.

WP:
Die Zeitschrift `Welt des Puppenspiels’ erscheint achtmal im Jahr, viermal als Zeitschrift und viermal als Rundbrief. Mitglieder der NVP-Unioma empfangen die Zeitschrift kostenlos.

Website:
Die NVP-Unima hat eine eigene Website:
http://www.poppenspelers.nl
Auf dieser Website finden Sie unter anderem den Terminkalender für das Festjahr 2005, Information über die NVP-Unima und einen Adressenbestand.

Die Bibliothek:
In Haarlem (Brouwersvaart 70) hat die NVP-Unima eine umfangreiche Bibliothek.
Diese Bibliothek hat mehr als 1200 Bände. Seit ein Paar Jahren wird auch an dem Aufbau einer Videothek gearbeitet. Die Bibliothek kann jeden Tag - vorausgesetzt vorab angemeldet - besucht werden.

Der Wim Melinkpreis:
Alle drei Jahre verleiht die NVP-Unima den Wim Melinkpreis an einen Puppenspieler (oder eine Puppenspielerin), der sich im Laufe der Jahre auf dem Puppenspielgebiet ausgezeichnet hat.

Weitere Information über die NVP-Unima finden Sie auf unserer Website:
http://www.poppenspelers.nl

Sie können uns auch anrufen oder schreiben Sie an:
das Sekretariat der NVP-Unima:
Trudy Kuyper
Hoocamp 10
1921 WD Akersloot
Tel. +0031+251313447
secretaris@poppenspelers.nl

 

 

 

 

Hungary

9/01/2012

 

 


 

Hungary

  Unima Magyar Kõzpont
Krisztina krt., 57
H 1013 BUDAPEST
Tel:  Mobile Kata CSATÓ (President): +36 20 429 8298
Fax:  +36 1 315 0065
Email:  unimahun@gmail.com
csato.kata@gmail.com
Web: http://www.unima.hu
  

More Information    

 

 

 

Iceland

 

21/03/2011

 

Dear UNIMA members around the world, happy "Worldwide Puppetry Day" !

 

We in UNIMA Iceland are so happy and bursting with pride of all the wonderful things that are going on these days in the world of puppetry in Iceland that we want to share it with all UNIMA members around the world.

 

Of course everybody is most welcome to come over and share the happiness with us.

 

Here is what's going on for the next couple of weeks:

 

 

B I P - Borgarnes International Puppet Festival
On March 31st - April 3rd 2011 the 1st ever international puppet festival will be held in Iceland, in a town called Borgarnes by the Center for Puppet arts (In Icelandic: Brúðuheimar). The aim of the Center is to keep this an yearly event from now on. We are very excited and happy to have so many talented puppeteers over for a visit. Please see the schedule for the festival on this website: http://www.bruduheimar.is/en/bip

 

 

Workshop with Nicolas Gousseff
Preceding the B I P festival, March 28th - March 30th, UNIMA Iceland and the Center for Puppet arts are co-organizing a workshop leaded by Nicolas Gousseff in Borgarnes. The workshop is called "Le Corps Castelet", introducing a technique Gousseff developed for puppeteers, based on his background in Aikido and Decroux mime.
Please contactsunna@bruduheimar.is for additional information.

 

 

 

 

Michael Meschke, Guest of honor at the first B I P Festival, 2011
To celebrate Meschke's 80th birthday and his visit to Iceland, B I P Festival will open a temporary exhibition in the MilkArtHouse (Borgarnes) with puppets and other pieces from Meschke's key performances, shedding a light on his long and fruitful career.
The exhibition will be open from April 1st until May 8th. Meschke generously contributed to the founding of UNIMA Iceland in 1976 and we in UNIMA Iceland are proud to be able to honor Meschke on this occasion.

More information on Meschke: http://www.bruduheimar.is/en/bip/MICHAEL_MESCHKE.

Best wishes to you all from UNIMA Iceland ( http://www.unima.is )

 

 

 

 

 

 

 

 

 

P.S:
How to get here: http://www.icelandair.com
and http://www.icelandexpress.com
About Borgarnes: http://en.wikipedia.org/wiki/Borgarnes

We in UNIMA Iceland are on Facebook under the name: UNIMA Iceland and the B I P Festival is also there under the name: B I P - Borgarnes International Puppet Festival.

 

 

 

 

 

 

 

 


7/01/2010

 

UNIMA Iceland

 

The art of puppetry has a short history in Iceland, but has flourished and become an important part of the culture.

During the past 50 years many groups have been born, some of them have died young whereas others have been very successful, participated in festivals abroad and won prizes for their work.

 

UNIMA Iceland was founded in 1975 with the generous support of Michael Meschke. After several years of inactivity a new board was elected in the fall of 2007 and has been busy with promoting the art of puppetry in Iceland and reconnecting with the international community of UNIMA, especially with the fellow Nordic countries.

 

Activities have included the following:

- Creating a website: http://www.unima.is

- Curating and organizing a series of performative lectures in the National Theatre on puppet theatre and related arts.

- Curating and organizing 3 small scale festivals, raising funds for Himalaya Children and UNICEF. There is an ongoing collaboration between UNIMA Iceland and these organizations.

- Organizing workshops for puppetry and related arts. In August 2009 we invited Petr Matásek to Iceland to do a workshop on design for stage for puppetry. The workshop proved to be a huge success and inspired fruitful collaborations and brought new members to our organization.

 

We have good news to share:

- Earlier this spring, on May 20th, "Brúduheimar: Center for Puppetry Arts" was opened in Borgarnes, a small picturesque town within an hour from Reykjavík capital. Brúduheimar is founded by renowned puppeteer Bernd Ogrodnik and his wife Hildur M. Jónsdóttir. The centre runs a museum, a café, a theatre and a gallery and aims to organize various events and happenings related to puppetry.

 

- The Reykjavík Maritime Museum has started a collaboration with puppet theatre groups Tíu Fingur and Sögusvuntan, introducing the Icelandic Sagas through innovative puppet performances in Icelandic and English.

 

There is still much work to be done to promote the art of puppetry in Iceland, but these are indeed exciting and vibrant times where puppetry is getting more visible and approachable.

 

We hope to be able to welcome you to an international puppet theatre festival in Iceland soon, we will keep you informed with further news on the subject.

We are happy to be a part of the international puppetry community again and hope to contribute to further development and appreciation of the art.

 

Sigrídur Sunna Reynisdóttir

Secretary for UNIMA Iceland

 

 


7/01/2010

New Board of UNIMA Iceland
We would like to remember you the list of the board of the Unima Iceland:

President: Helga ARNALDS
Njörvasund 14 - 104 Reykjavík, Iceland
Email: hekla@mmedia.is & stjornin@unima.is

Secretary: Sigríður Sunna REYNISDÓTTIR
Vogaseli 9 - 109 Reykjavík, Iceland
Email: siggasunna@gmail.com

Tresurer: María Björk STEINNARSDÓTTIR
Skeljanes 4 - 101 Reykjavík, Iceland
Email: maria.b.steinars@gmail.com

Website of UNIMA Iceland: http://www.unima.is
You can also find us at Facebook under: UNIMA Iceland

 

 

 

 

India

  Unima India
c/o Ms Anurupa ROY
108, Siddharth Enclave
110014 NEW DELHI
Tel:  +91 98 1051 1360
Fax:   
Email: unimaindia@gmail.com
Web: http://www.unimaindia.org

 

 

 

Indonesia

17/01/2011

 

We want to remind you the right address of the Indonesian Unima Centre:

 

Unima Indonesia
Gedung Pewayangan Kautaman Lantai 1
Jalan Raya Pintu 1 TMII
Jakarta Timur 13810

Phone: +62 21 8778 3566, +62 21 8779 9388

Fax: +62 21 8779 9387

Email:

info@unima-ina.org
samsriwidjajadb@yahoo.co.id
suparminsunjoyo@gmail.com

 

and we invite you to visit our website: http://www.unima-ina.org

 


7/07/2010

 

Report of UNIMA Indonesia

 

BACKGROUND
The origin of Indonesian puppet which is now internationally also known as WAYANG, has been in existence more than 1500 years as initially in the form to respect and devote to the spirits of ancestors. Although the influence of ancient Javanese culture is dominant, and the Sundanese, Balinese, Sumatra’s influences etc are also strong, the arrivals of Hindu, Budha, Islam and Christianity in Indonesia have contributed to a certain extent to the format and content of the present Indonesian wayang. Wayang is not only other kinds of entertainment, but it has been a source of noble moral values, moral teachings in addition to its functions as a means for disseminating information.

 

The stories of Ramayana and Mahabharata that originate from India have become the main branches of wayang stories not only in Indonesia but also in other parts of the world like South East Asian region. Presently, in Indonesia there are around 60 types of wayang and marionnette including the ones with non Ramayana-Mahabharata stories: such as  wayang Suluh, Wayang Gebyog, Wayang Beber, Wayang Suket, Wayang Si Gale-Gale, SiI Unyil (that has ever been so popular on Indonesian television just like Muppet Show in USA), Wayang Potehi, etc.

 

Indonesian different types of wayang particularly Wayang Kulit Purwa (Javanese shadow puppet show), Wayang Bali, Wayang Orang (human puppet) and Wayang Golek Sunda (Sundanese Wooden Puppet) have performed countless numbers abroad. But, the encounter with other countries' puppetries in the terms of establishing organizations dates back in 2006 when ASEAN Puppetry Association was formed in Jakarta consisting of 10 ASEAN member countries (Brunei Darussalam, Cambodia, Indonesia, Laos, Malaysia, Myanmar/Burma, Philippines, Singapore, Thailand, Vietnam; then Asian Puppetry Gathering (Chinese, India and Indonesia ) in 2008 in Yogyakarta, Indonesia.

 

UNIMA Indonesia
UNIMA Indonesia was established on 16 December 2009 in Jakarta, the Declaration of the Establishment of UNIMA Indonesia was signed by Drs. H. Solichin-Chairman of the National Secretariat of Indonesian Wayang, Mr. Ekotjipto, Chairman of Indonesian Puppeteers Union, Mr. Dadi Pudumjee (President of UNIMA International), Mr. Jack Trudeau (Secretary General of UNIMA International) on 15 December 2009 at SENA WANGI Office-Jakarta. The Declaration of the Establishment of UNIMA Indonesia was read out by Drs. T.A. Samodra Sriwidjaja at the Indonesian Vice Presidentail Palace, Jakarta on 16 December 2009 and witnessed by the Indonesian Vice President His Excellency DR. Boediono, Indonesian Minister for Culture and Tourism, Vice Minister of Foreign Affairs, Mr. Dadi Pudumjee, Mr. Jacques Trudeau, Foreign Ambassadors, puppetry communities and other invitees.

 

THE ADDRESS OF UNIMA Indonesia:
UNIMA Indonesia
Gedung Pewayangan Kautaman Lantai 1
Jalan Raya Pintu 1 TMII - Jakarta Timur 13810 - Indonesia
Telephone: +62 21 8778 3566, +62 21 8779 9388
Fax +62 21 8779 9387

Email: suparminsunjoyo@gmail.com , yulitasamodra@yahoo.com

 

EVENTS AND ACTIVITIES THAT HAVE BEEN CARRIED OUT SINCE THE ESTABLISHMENT OF UNIMA Indonesia:

 

1. The Performance of POTEHI Puppet (marionnette originating from China in the stories, costume, the format particularly the musical accompanyment,
     but using Indonesian language with a little "Chinese flavour"), in Jakarta on 28 February 2010.

2. Wayang Drama, in which the Speech of Mr. Le Page to commemorate the World Puppetry Day was redelivered/read at the main Theater of
    Gedung Pewayangan
Kautaman on 21 March 2010 prior to the performance.

3. Series of Meeting for organizational consolidation almost every week, and in preparat ion to send Indonesian delegates attending
     UNIMA Councillor Congress/Meeting in Dordrecht - the Netherlands on 21-24 June 2010.

 

EVENTS AND ACTIVITIES THAT WILL BE DONE/WILL BE IMPLEMENTED AMONG OTHERS:

 

Domestic/in Indonesia:
1. All members Plenary Meeting of UNIMA Indonesia in 2010
2. International Puppetry Week in 2011 in Jakarta, Indonesia
3. Child puppeteers National Festival in 2012
4. Socialization to many scattered-around institutions (government run: Government Arts
Institutions of Puppetry Dept., Vocational High School
    Specializing in Puppetry private institutions such as "sanggar" (traditional-private learning institution) regarding
the advantages
    of being UNIMA member, in 2010 onwards.

 

Overseas/Abroad:

1.Participation in the Dordrecht Councillor Congress/Meeting, 21-24 June in Dordrecht, the Netherlands.
2.International Puppetry/Marionnette Festival in Vietnam, September 2010
3.Unima Indonesia puppetry gala performance in the UN Office - Vienna, Austria in 2011
4.UNIMA Indonesia gala performnce in UN HQs - New York in 2012.
5.UNIMA Indonesia gala performance in UN HQs - Geneve, Switzerland in 2013.
6.UNIMA Indonesia puppetry gala performance in Nairobi-Kenya in 2014
7.Anticipation and preparation for UNIMA Congress in Chengdu - China in 2012
8.Possible participations in festivals organized by other UNIMA National Centers, 2010
onwards.
9. Possible participation in other UNIMA International activities.

 

THE COMPOSITION OF ORGANIZATIONAL STRUCTURE OF UNIMA Indonesia:

Adviser:

Chairman Drs. H. Solichin
Vice Chairman Ekotjipto, SH
Member Tupuk Sutrisno, SH
Michael Sumaryanto
Sudarko Prawiroyudo
Abdul Ghani
Sulaeman Abdulmanan

 

 

Executive Board:

President Drs. T.A Samodra Sriwidjaja
Vice President Drs. Suparmin Sunjoyo
Secretary General Suyadi, SE
Deputy SecGen. Tisan Susanto Hartanto, SH
Drs. Hari Suwasono
Drs. Suhartono Rd
Treasurer Yopit Liswardi
Deputy Treasurer Mrs. Yulita Samodra
Councillor Dr. Muh. AS Hikam, MA
Dr. Al-Zastrouw Ng
Gaura Mancacaritadipura

 

Membership:

Those who take the forms of membership application are 170 persons, but those who have paid the membership fees are 150 (one hundred and fifty) persons.

 

Jakarta, 30 April 2010

 

 

 

 

Iran Republic Islamic

9/01/2012

14th International Puppet Theatre Festival - Tehran

The 14th International Puppet Festival - Tehran (MOBARAK) will be held from 1st to 7th of July 2012 in Tehran.
We highly appreciate it if you could kindly submit some new productions of your theatre companies to our festival.

We invite you to read our official invitation letter

Best Regards,
MobarakUNIMA
Salma Mohseni Ardehali
Manager of International Affairs
salma.mohseni@gmail.com

14ième Festival International du Théâtre de Marionnettes - Téhéran

Le 14ième Festival International du Théâtre de Marionnettes - Téhéran (MOBARAK) aura lieu du 1ier au 7 Juillet 2012 à Téhéran.
Nous apprécierons beaucoup si vous pouviez aimablement proposer quelques nouveaux spectacles de votre compagnie à notre festival.

Nous vous invitions à lire (en Anglais) notre lettre d'invitation officielle

Sincères salutations
MobarakUNIMA
Salma Mohseni Ardehali
Chargée des Affaires Internationales
salma.mohseni@gmail.com

14to Festival Internacional del Teatro de Títeres - Teherán

El 14to Festival Internacional del Teatro de Títeres - Teherán - (MOBARAK) tendrá lugar del día 1ro al día 7 de Julio 2012 en Teherán.
Apreciáremos mucho si podéis amablemente proponer algunos nuevos espectaculos de su compañia a nuestro festival.

Os invitamos a leer (en Inglés) nuestra carta de invitación oficial

Cordialmente
MobarakUNIMA
Salma Mohseni Ardehali
Encargada de los Asuntos Internacionales
salma.mohseni@gmail.com

 


28/11/2011